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trying on a metaphor
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I kind of suck at tagging, so I made this infographic to help make it easier.

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some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.
I couldn't remember the word "doorknob" ten minutes ago.
ok but the onelook thesaurus will save your life, i literally could not live without this website
REBLOG TO SAVE A WRITER'S LIFE
LIFE SAVED
REBLOGGING TO SAVE ANOTHER WRITERS LIFE
I use this every time I sit down to write. It's the best tool in the world and I would be lost without it!
Writing Notes: Said
When you write a lot of dialogue, it’s easy to find yourself repeating certain verbs to describe the act of speaking. The most common of these verbs, or dialogue tags, is “said,” and many authors would like nothing more than a reliable way to avoid repeating it over and over again.
How to Avoid Overusing "Said"
The key to avoiding “said” in your dialogue tags is tailoring your word choice around the specific context of your story.
Here is a list of dialogue tags that exploit the potential of English vocabulary and help ensure you won’t have to overuse “said.”
If used properly, these dialogue tags are a tool to help you choose the right word for the most specific of dialogue descriptions.
If your speaker is happy or excited, try:
Laughed
Exclaimed
Yelled
Gushed
Babbled
Gulped
Entreated
Bubbled
Chortled
Chimed
If your speaker is subdued, try:
Sighed
Murmured
Mumbled
Whispered
Assented
Demurred
Disclaimed
Insinuated
Agreed
Relented
If your speaker likes hearing themselves talk, try:
Rambled
Recounted
Declared
Babbled
Pontificated
Held forth
Related
Continued
Emphasized
Remembered
Concluded
Recalled
Resumed
Noted
Rasped
If your speaker is displaying kindness, try:
Consoled
Soothed
Offered
Proposed
Apologized
Reassured
Assented
If your speaker shows signs of being upset, try:
Whined
Cried
Yelled
Shouted
Glowered
Spat
Bemoaned
Pouted
Sobbed
Blubbered
Lamented
Jabbed
Sneered
Hissed
Besmirched
If your speaker is trying to influence someone else’s behavior, try:
Rebuked
Scolded
Cajoled
Demanded
Threatened
Declared
Ordered
Commanded
Boomed
Maintained
Insisted
By using these speech tags, along with other tools like punctuation (exclamation marks, question marks, etc.) and proper prepositions, you can sculpt your story writing to more accurately reflect your character’s actions and the surrounding context.
Source ⚜ More: Notes ⚜ Writing Resources PDFs ⚜ Said ⚜ Overused Words
before the scorpion - there was mac gargan.
years ago, the man who later donned the mantle of the scorpion, forcibly crossed paths with the daughter of one of the don's right-hand man; and from there - there was no coming back, for either of them.
today, all frankie has left are her memories - memories that she recounts, more or less truthfully, to spider-man, as they embark on the desperate search for the scorpion, who mysteriously vanished.
where did you go, scorpion? but most importantly - what happened that turned a regular man into a violent beast?
part 1: when the universe expanded
part 2: but the eyes find the eyes
part 3: alone together
part 4: i know i won't be leaving here with you
part 5: we'll part as happy strangers
part 6: i'll never get your bullet out of my head
part 7: that was easy (how i miss you)
part 8: TBA
Ways to express the vibe of “Oh. Oh.” without writing “Oh. Oh.”
because we all know the line is a classic for good reason but perhaps a bit too cliche
Oh. Oh no, I know what this is.
Well. That’s inconvenient.
Wait, why is…. Oooooh….
Okay, I know what this looks like. But… Oh man, who am I kidding?
Wait… Oh.
“Oh.” A blink. Then, slower, “Oh…”
“Wait…” Fuck.
What? Why would I feel that way when… Oh.
This is going to hurt, isn’t it?
“What the—“ Oh.
Everything aligns just right then. I’ve been a damn idiot.
“Oh my God!” … Oh my god…
Oh. Oh no…
My hands are shaking and suddenly I understand why my throat feels tight and my heart is pounding. I’m an oblivious fool.
Nope, nope. Not happening. … “Fuck.”
Oh. Oh?

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takes you by the hand. please please please if you're stuck on your WIP or you can't figure out how to progress the scene PLEASE skip ahead. skip a few lines ahead. skip until the next Thing you can think of happens. skip to it skip to it skip to it. you may uncover what you were missing in the midst of your next scenes and you may discover that just transitioning straight to Next Part works flawlessly. skip it. don't sink. skip.
if you're stuck writing something, it's a good practice to ask "okay, why am I stuck? what am I stuck on?" because sometimes the answer is "i don't know what happens next", to which you choose a direction and commit to the bit, and sometimes the answer is "i don't want to write the beginning", to which the answer is even simpler: don't write the beginning
no lie this is how I’ve written the best and longest fics. Went from painful jagged 1k chapters to blinking and finding myself 5k deep on something *I THE WRITER* enjoy reading later. Get stuck? Skip ahead. Write the next bit. Fill it in on the next read. Or don’t! Who the fuck cares!!!!
you make me acknowledge the devil in me: a brand new batman: the telltale series fic featuring - you guessed it - charlie and oz.
in this timeline, oswald betrayed lady arkham; and chose himself - because he liked the way his name sounds rolling off a certain widow's tongue.
WIP. read the tags. chapters featuring detailed descriptions of sexual violence will have a warning at the beginning.
God.
I am not better than Wayne at this point.
Manipulating her… It feels wrong. It IS wrong.
sometimes you need dialogue tags and don't want to use the same four
I understand that you were aiming for a morally grey protagonist, but in practice what you've ended up with is more of a moral beige.
@ancient-tree-with-deathwish replied:
how do you distinguish grey from other colours beyond black and wite?
Distinguishing features of moral beige:
The protagonist is constantly agonising over Hard Choices; however, circumstances always conspire to prevent them from actually having to make those choices, so in practice they're just angsting over stuff they might have done.
The text exhibits a recurring pattern whereby the protagonist seems to to have made a Hard Choice, but new information is reliably revealed shortly thereafter which retroactively establishes that whatever they did was the morally upright course after all.
The protagonist's moral impulses are straightforwardly heroic, except in one specific context which lacks any clear real-world analogue; for example, being prejudiced against telepaths.
The protagonist's actions are consistently reasonable based on the information available to them – they're merely operating on bad information basically all the time due to a bizarre conspiracy and/or a series of increasingly implausible misunderstandings.
The protagonist always ends up doing the right thing (for some fuzzy value of "right"), but, like, they're really grumpy about it.
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
There are only people they know.
Really good explanation of the fundamental problem with this type of writing.
(and why it's one of my huge pet peeves)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
20 Ways to Show Extreme Fear in Your Writing
As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.
Physical Reactions
Hyperventilating — sucking in air but never feeling like it’s enough
Chest tightens — feels like a weight or hands pressing down
Limbs shaking violently, knees buckling
Complete loss of muscle control — collapsing or unable to stand
Cold sweat soaking through clothes
Heart hammering so hard they feel it in their throat or head
Tunnel vision — the world narrowing down to one terrifying focal point
Ringing in the ears or sudden deafness, like the world drops away
Dizziness / feeling faint / vision blurring
Dry mouth — unable to speak or even scream
Uncontrollable Behavior
Screaming / sobbing / gasping — involuntary vocal outbursts
Panic run — bolting without thinking, tripping over everything
Clawing at their own skin / chest / throat — like trying to escape their body
Begging / pleading out loud even if no one’s there
Repeating words or phrases — “No, no, no” / “This isn’t happening”
Hiding instinctively — diving under tables, closets, or corners
Desperate grabbing — reaching for someone, anything solid
Loss of bladder or bowel control (for extreme terror)
Total mental shutdown — frozen, slack-jawed, staring blankly
Memory blackout — later can’t recall what happened during the worst moment
part 1: when the universe expanded
part 2: but the eyes find the eyes
part 3: alone together
part 4: i know i won't be leaving here with you
part 5: we'll part as happy strangers
part 6: i'll never get your bullet out of my head
part 7: that was easy (how i miss you)
part 8: TBA
Chapters: 3/3 Fandom: Marvel's Spider-Man (Insomniac Games Video Games) Rating: Mature Warnings: No Archive Warnings Apply Relationships: Mac Gargan/Original Female Character(s), Mac Gargan/Frankie Moretti-Sato Characters: Mac Gargan, Peter Parker, Miles Morales, Justin Hammer, Angelo Fortunato, Original Female Character(s), Frankie Moretti-Sato Additional Tags: Self-Harm, Suicide Attempt, Mental Breakdown, Love Confessions, Infiltration Series: Part 7 of and i'll meet you coming backwards Summary:
in the present, frankie and spider-man pay a visit to justin hammer; in the past, recounted by frankie - the confession finally spills out.
How to Write Sex Worker Characters
I desperately want to see more well-written stories with sex worker representation, so let's go over the tropes to avoid and the ways you can give sex worker characters more depth!
See a breakdown of how to create sex worker characters, and questions to ask yourself about sex work in your setting, under the cut!
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 6/? Fandom: Batman: The Telltale Series (Video Game) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: Oswald Cobblepot/Original Character(s), oswald cobblepot/charlie schiller-aberdeen, Oswald Cobblepot/Original Female Character(s), Vicki Vale/Original Female Character(s) Characters: Oswald Cobblepot, Bruce Wayne, Vicki Vale, Original Female Character(s), Manchester Black, Angela Hawkins, Lazlo Valentin Additional Tags: KH AU, Mentions of non-con, Mentions of incest, Past Relationship(s), Past Abuse, Canon-Typical Violence, Alternate Universe - Canon Divergence, Orgasm Denial, just a lot of tease and denial in general Series: Part 2 of of halves and wholes Summary:
after a long time - the story continues. in the end, oswald found charlie before she found him; now she gets to find out what her darkling was up to, bit by bit.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
An Archive of Our Own, a project of the Organization for Transformative Works
getting back to gotham. hello.
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
Town fillers