INTJ MAGIC

ches

1. Port Elizabeth (South Africa)

2. Unknown

3. Nairobi (Kenya)

4. Pretoria (South Africa)

5. Aburi Botanical Gardens (Ghana)

6. Cape Town (South Africa)

7. Pretoria (South Africa)

8. Harare (Zimbabwe)

9. Windhoek (Namibia)

10. Windhoek (Namibia)

To @kushandwizdom this is a rather unfair portrayal of Africa as a whole since half of these are literally just South Africa.  So Instead to add to this post and better dispel the myth of Africa as the vast wasteland of poverty most people think, I found a much more mixed collection of pics from various countries.

Luanda, Angola

Agadir, Morocco

Lagos, Nigeria

Cairo, Egypt

Port Louis, Mauritius

Abidjan, Cote d’Ivoire

Algiers, Algeria

Tripoli, Libya

Dar es Salaam, Tanzania

Tunis, Tunisia

A redneck neighbor once asked my mom (in the 80s) if they had cars in Peru. Sigh.

Hartford, Connecticut

New Orleans, Louisiana

Camden, New Jersey

Philadelphia, Pennsylvania

McDowell County, West Virginia

Flint, Michigan

Washington, D.C.

He showed up in Norway in April 2019 wearing a camera harness labeled “equipment of St. Petersburg”, has tried pulling ropes on boats, is obviously very familiar with people and prefers to hang with people. While we know Russia has marine mammal government programs (the US does too, but it’s bottlenose dolphins and California sea lions), the extent of their programs is not declassified like the US Navy’s are.

He likes to play fetch and be scratched around the blowhole.

He has taken a diver’s knife out of the scabbard, played with underwater drones, stolen a go pro from a kayaker, and other mischief. Notably, it has been said by the Murmansk Marine Biology Institute, who may have been who trained Hvaldimir, that seals are better equipped to be polar military animals, as they have high professionalism that belugas lack.

This is the generation that came of age during WWI and the 1918 flu pandemic. They witnessed their world collapse in the first war that spread around the globe, and they -- in retrospect, optimistically -- called it the "war to end all wars". And that war was a quagmire. The trenches on the Western Front were notoriously awful, unsanitary and cold and wet and teeming with sickness, and bloody battles were fought to gain or lose a few feet of territory, and all because a series of alliances caused one assassination in one unstable area to spiral into a brutal large-scale war fought on the ground by people who mostly had no personal stake in the outcomes and gained nothing from winning.

On some of the worst-hit battlefields, the land is still too toxic for plant growth.

And on the heels of this horrific war, a pandemic struck. It's often referred to as "the Spanish flu" because Spain was neutral in the war, and so was the first country to admit that their people were dropping like flies. By the time the warring countries were willing to face the disease, it was far too late to contain it.

Anywhere from 50 to 100 million people worldwide would die from it. 675,000 were in the US.

But once it was finally contained -- anywhere from a year to a year and a half later -- the 20s had begun, and they began roaring.

Hedonism abounded. Alcohol flowed like water in spite of Prohibition. Music and dance and art fluorished. It was the age of Dadaism, an artistic movement of surrealism, absurdism, and abstraction. Women's skirts rose and haircuts shortened in a flamboyant rejection of the social norms of the previous decades. It was a time of glitter and glamour and jazz and flash, and (save for the art that was made) it was mostly skin deep.

Everyone stumbled out of the war and pandemic desperate to forget the horrific things they'd seen and done and all that they'd lost, and lost for nothing.

Reality seemed so pointless. It's not a coincidence that the two codifiers of the fantasy genre -- J.R.R. Tolkein and C.S. Lewis -- both fought in WWI. In fact, they were school friends before the war, and were the only two of their group to return home. Tolkein wanted to rewrite the history of Europe, while Lewis wanted to rebuild faith in the escape from the world.

(There's a reason Frodo goes into the West: physically, he returned to the Shire, but mentally, he never came back from Mordor, and he couldn't live his whole life there. There's a reason three of the Pevensies can never let go of Narnia: in Narnia, unlike reality, the things they did and fought for and believed in actually mattered, were actually worth the price they paid.)

It's also no coincidence that many of the famous artists of the time either killed themselves outright or let their vices do them in. The 20s roared both in spite of and because of the despair of the Lost Generation.

It was also the era of the Harlem Renaissance, which came to the feelings of alienation and disillusionment from a different direction: there was a large migration of Black people from the South, many of whom moved to the Harlem neighborhood of New York City. Obviously, the sense of alienation wasn't new to Black people in America, but the cultural shift allowed for them to publicly express it in the arts and literature in ways that hadn't been open to them before.

There was also horrific -- and state-sanctioned -- violence perpetrated against Black communities in this time, furthering the anger and despair and sense that society had not only failed them but had never even given them a chance. The term at the time was shell-shock, but now we know it as PTSD, and the vast majority of the people who came of age between 1910 and 1920 suffered from it, from one source or another.

It was an entire generation of trauma, and then the stock market crashed in 1929. Helpless, angry, impotent in the face of all that had seemingly destroyed the world for them, on the verge of utter despair, it was also a generation vulnerable to despotism. In the wake of all this chaos -- god, please, someone just take control of all this mess and set it right.

Sometimes the person who took over was decent and played by the rules and at least attempted to do the right thing. Other times, they were self-serving and hateful and committed to subjugating anyone who didn't fit their mold.

There are a lot of parallels to now, but we have something they didn't, and that's the fact that they did it first.

We know what their mistakes and sins were. We have the gift of history to see the whole picture and what worked and what failed. We as a species have walked this road before, and we weren't any happier or stronger or smarter about it the first time.

I think I want to reiterate that point: the Lost Generation were no stronger or weaker than Millennials and Gen Z are today. Plenty of both have risen up and fought back, and plenty have stumbled and been crushed under the weight. Plenty have been horribly abused by the people who were supposed to lead them, and plenty have done the abusing. Plenty of great art has been made by both, and plenty of it is escapist fantasy or scathing criticism or inspiring optimism or despairing pessimism.

We find humor in much the same things, because when reality is a mess, both the absurd and the self-deprecating become hilarious in comparison. There's a reason modern audiences don't find Seinfeld as funny as Gen X does, and many older audiences find modern comedy impenetrable and baffling -- they're different kinds of humor from different realities.

I think my point accumulates into this: in spite of how awful and hopeless and pointless everything feels, we do have a guide. We've been through this before, as a culture, and even though all of them are gone now, we have their words and art and memory to help us. We know now what they didn't then: there is a future.

The path forward is a hard one, and the only thing that makes it easier is human connection. Art -- in the most base sense, anything that is an expression of emotion and thought into a medium that allows it to be shared -- is the best and most enduring vehicle for that connection, to reach not just loved ones but people a thousand miles or a hundred years away.

So don't bottle it up. Don't pretend to be okay when you're not. Paint it, sculpt it, write it, play it, sing it, scream it, hell, you can even meme it out into the void. Whatever it takes to reach someone else -- not just for yourself but for others, both present and future.

“I am apolitical.”

The Greater Mississippi River Basin had a population somewhere between 5 and 12 million, the Eastern Woodlands had about as many, about as many in the Central Amazon, and almost as many on the American West Coast and North West Coast respectively. All of which saw 85 to 99 percent population losses in 2 or three generations after the others.

Multiple factions if European interests killed all the natives they could and destroyed all the culture and history they could. They were not limited by gender, language, religion, culture, ethnic group, nationality, geography, or time period; just every single person they could.

Tw genocide, tw violence

When Columbus realized the pigs they brought were getting the Islanders sick he arranged to loose as many as possible ahead of them primarily into the Benne region, I believe. Cortez loaded sickened corpses into Tenochtitlan’s aqueducts, Spain deliberately targeted the priests of Mexican society first because they knew it would severely undermine the public ability to treat disease. When the post Incan city states developed a treatment for malaria, the Spanish deliberately targeted the cities producing the quinine treatment and made it illegal to sell it to non-christians. The Spanish took all the sick and forced them at sword-point to go back to their homes instead of to the sick houses or the temples throughout the new world, and forced anyone who wasn’t sick to work in the mines or the coin factories melting and pressing their cultural treasures down into Spanish coins. The English were just as bad, they started the smallpox blankets. A lot of the loss was not deliberate infections like this but it was preventable at a million different crossroads and every European culture took the opportunity to weaponize the plagues when they could.

They knew what they were doing, just cuz they didn’t know what germs were doesn’t mean they have some accidental relationship with it. Alexander the great used biological warfare after all, so it’s not like you can pretend the concept was alien to them, they wrote about it.

Besides they did plenty of old fashioned killing too, there were Spanish conquistadors that estimated their own personal, individual killings might have numbered over the ten thousands. They were sure they’d killed more than ten million in “New Spain” alone. They crucified people they smashed babies on the rocks, they set fire to buildings they forced women and children into and cooked their meals over the burning corpses, they loosed war dogs on people. They sold children into sex slavery to be raped by disease riddled pedos back in Europe and if taking their virginity didn’t cure the sick creeps the native children would be killed or sometimes sent back.

The English were just as bad, shooting children in front of their mothers and forcing them to mop their blood with their hair. Turning human scalps into currency. Feeding babies to dogs in front of their mothers and fathers. Killing whole villages and erasing them from their maps so that historians would think God had made it empty just for the English.

The Americans after them burned crops and drove several species of bison to extinction just to starve the plains tribes. They pushed the blankets too. On top of the wars of extermination and scalp hunting and concentration and laws defining natives as non-persons so that we’d never be protected by the Constitution.

And even if you wanna live in some dreamy fairytale where God just made a whoopsie and then there were no natives left, nobody forced them to erase our history. The Spanish burned every document they found to erase the literacy and literary tradition of the Central and South Americans. There are essentially three Aztec documents left and some excavated pottery, and some archeological inscriptions and that’s it. The single most advanced culture in math and anatomical medicine erased probably forever. Same to the Inca, the most advanced fiber and alloy engineers and economists gone forever. Nobody made them do that. Nobody forced the American colonizers to steal political technology and act like they invented democracy or sovereignty. Nobody forced them to build their cities on top of native ones and erase them from history forever. Baltimore was built on Chesapeake, which translates roughly to “city at the top of the great water” in most Algonquin tongues. My favorite example is Cumberland in Western MD, they didn’t even reshape the roads or anything, they paved the steps and walking paths natives had used for hundreds of years and now it’s almost impossible to drive cuz the streets are too narrow or steep. The culture that built them didn’t have horses. Phoenix AZ, called Phoenix cuz the settlers literally found an old city and “brought it back to life.” Did they save any history or cultural artifacts? No. Most cities on the east coast are like this. Nobody forced them to erase that history.