hi my name is leon! i’m a bigender trans man who is currently studying comics! this is currently a side blog. my main mulitfandom blog is @mel0deon!
i’m a hiyoriP/edenP! this is going to serve as my main analysis blog for enstars! i will also be trying to do multi-page comics, since I haven’t found many on tumblr.
i would like to state that even if my character analyses don’t match the current fanon, i believe that any take of a character is still influenced by personal bias. how we interact with a character is based on how we want them to relate to our own struggles.
i can also do some voice acting analysis! it is much easier to identify what part of the voice ppl use now that i am on testosterone.
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Plausible Locations for Crazy B’s and Akatsuki’s Newest Event
Ok look, they said "Empire State" 3 times in the song. SO I'll be placing them in NYC for the foreseeable future.
The architecture reminds me of buildings near Times Square, but not that many hotels have a similar room layout. The closest one I’ve found is the Wyndham Midtown building and the Four Seasons Hotel. This would also be referenced with buildings Happy Elements staff would see on their work trips, or was in the process as Road to Show was produced.
Judging by the furniture, we could probably impart that it’s the Four Seasons Hotel. If not, ES would have the money to rent it for those nights anyways so I don’t think it’s too far off.
Ibuki’s card leads more questions to be asked, none of them good. Two plausible locations that the card could take place in are near the High Line, or near the Brooklyn Army Terminal in Sunset Park.
The High Line is in the neighborhood of Chelsea, Manhattan. This area is full of art galleries and queer bars. It's still a majority Black and marginalized neighborhood and is a hotspot for teenagers to be honest. Mostly due to its vicinity, it's directly near Chelsea Market and Union Square.
On the other hand, it could also be the Brooklyn Army Terminal. The Brooklyn Army Terminal is in Sunset Park. Again, it serves as a neighborhood hosting Black and Latino residents. It's better known for its gentrified area of Industry City and Japan Village, despite the area not having a large number of Japanese immigrants.
You need to understand the cultural impact that Black New Yorkers had on the history of rap and hip-hop. Brooklyn itself has some significance with Crown Heights and Flatbush being a major hub in the 1980's and 1990's. Understanding these areas as violent or dangerous due to hip-hop and Black Americans makes you racist, full stop. HappyEle making a music video inspired by hip-hop culture, and making it about guns and violence makes them racist as fuck.
The stereotype of hip-hop and rap being violent isn’t something that happened on its own, but is the result of these art forms being associated with the African-American community. Even if Enstars never depicts a Black American, that does not change the fact that stigmas which Black Americans face are being applied on hip-hop and those who participate in it through association. Even if we are using the broad term “American” without applying any hyphens, quantifiers, or adjectives, through observation it is clear that we are not talking about the lifestyles of the white, upper-to-middle-class of the U.S in this “vague” discussion of American violence - we are talking about the experiences of Black neighbourhoods in a way that blocks further inquiry into the racial structuring of the U.S and how that affects the spread of violence.
(Long post, more below)
The idea that violence is inherent to hip-hop and rap is a reductive way at looking at art, and it completely obliterates stories about the African American experience. In discussing hip-hop, people rightfully clarify that songs about violence are just one part of a wide-ranging genre, and that the pearl-clutching that people feel over “violent” rap is never extended to depictions of violence in other genres. To this conversation, I also want to add that saying that hip-hop songs are “just violent” disrespects the work of Black hip-hop artists.
What does it mean for a song to be “about violence”? Self-proclaimed critics of hip-hop never clarify what this means, because that would mean having to expend effort in understanding the lyricism in these songs. Countless Black hip-hop artists and rappers have used music to express the various encounters they have had with violence, how these encounters affected them, how they try (or even fail) to cope. Events like losing loved ones to gang violence, losing loved ones to drugs, dealing with police violence, dealing with lacklustre educational systems and lacklustre healthcare, misogynoir, internalized racism… all of these and more are tackled through song, only to be completely ignored under the never-clarified label of “violence” - or worse, to be mislabelled endorsements of violence just because they approached the topic in a way that didn't appeal to the sensitivities of the masses. Why are we more surprised by the expression of grief and anger towards systemic violence and not by the systemic violence itself?
This is not something that works against hip-hop’s appeal, but is part of it. People around the world can relate to the experiences illustrated by hip-hop artists and rappers - gangs, drugs, shootings, internalized racism, structural barriers, being able to confront these things has brought people outside of the U.S into hip-hop’s orbit. Even those who cannot relate to it can appreciate the artistry. You shouldn’t be surprised to hear hip-hop artists outside of the U.S cite big names like Tupac and Biggie Smalls as their inspirations, nor should you be surprised that the Kendrick-Drake beef crossed international borders.
But this brings us to a problem that the hip-hop community has faced for years. These mentions of violence initially began from people in the same neighbourhoods, facing the same struggles, and as hip-hop expanded, you now see people from different (better) neighbourhoods who never had to deal with things like gangs or guns or anti-Blackness making the exact same songs. The culture and experiences of low-income African-American communities became aestheticized, and are treated as meaningless embellishments. What sort of imagery do you think lyrics like “Shoot ‘em up” in “CIVIL WAR” are supposed to evoke?
Some people may feel that the gang aesthetics are used as a metaphor/allusion for something else. But in that case, what is this “something else” supposed to be? What part of “CIVIL WAR” as we have seen in the MV, heard in the lyrics, or observed in Crazy:B and AKATSUKI generally shows us this other meaning? [The story was not released at the time that I write this. If the story explains why these aesthetics were chosen, so be it. But the fact that these arguments are made pre-story release, without supporting evidence at this point in time, is my main critique].
Additionally, I have seen some people argue that its only natural for there to be lyrics alluding to violent and sound effects like gunshots given that Megasphere Match is a competition. However, if that is the case, then where are these elements in the previews of the other competition songs? Admittedly, its early to judge because it will take time for us to hear the full releases, but the previews alone are wildly different.
I know some people don’t understand why you should spare consideration for a group from the current hegemonic power, but that completely misunderstands the status that Black Americans hold in the U.S (alongside the status of other marginalized groups).
Racism, homophobia, transphobia, misogyny, ableism, ageism - all of these rely on the same lines of reasoning and assign value to different groups based on insignificant traits. Don’t let the fact that some of you may never meet an African-American in your life allow you to accept the racist argument that “some groups are more prone to violence”.
What did I ever do so wrong
That you should cast me from grace?
Though I love to rule in Hell here, how I miss the taste of Heaven
Its soft and cool embrace
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「An unsolved case involving a long-standing incident has been reopened for a new investigation.
Will two talented detectives be able to uncover the truth?」
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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