Your friend, who suffers from despair, sometimes composes a gratitude list that starts with the first letter of the alphabet. Her intention is to make it to the twenty-sixth, but she always stops at e. So far, that's sufficient. âE for eggsâ gives her enough good feeling to turn on the light and find some shoes.
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âTeach the children. We don't matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones â inkberry, lamb's-quarters, blueberries. And the aromatic ones â rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this space they live in, its sticks and leaves and then the silent, beautiful blossoms.
Attention is the beginning of devotion.â
â Mary Oliver, Upstream: Selected Essays
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Speckled omens leave their fingerprints on their ghostly faces. The fleeting patter of rain slicks the asphalt beneath them. This is how history gets rewritten: in the gaps between their bodies, against the backdrop of early spring. Somewhere in the long middle of the end. He, in military attire, an oak tree with galaxies smeared inside him. She, a forest in a barren world. By now, I know how this story goes. The war will architect their undoing, decades and petty arguments stacked up against a god of futile things. Illness will harvest their lifespans. He will gasp for eight years, bargaining with fate. Her heart will break again and again until it gives out. Between them, a daughter. One day, a mother whose face will mark mine. In that moment, flanked by her parents, she stands infinite as the trees behind her. Hair draping shoulders. Body barely pubescent. Hand over heart. You can tell she still believes the world loves her. Head tilted upwards, she dreams herself in-flight, hedging her bets on the vastness of a borderless sky.
Somehow the word
allow is in the word
swallow and in swallow
two wholly different meanings:
one to take in through
the mouth and another
what we call the common
winged gnat hunter who
is, in all probability,
somewhere near us now.
Once, I thought
if I knew all the words
I would say the right thing
in the right way,
instead language becomes
more brutish: blink twice
for the bird, blink once
for tender annihilation. Who
knows what we are doing as
we go about our days lazily
choosing our languages. Some
days my life is held together
by definitions, some days
I read the word swallow
and all my feathers show.
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Hear me: Sometimes thunder is just thunder.
The dog barking is only a dog. Leaves fall
from the trees because the days are getting shorter,
by which I mean, not the days we have left,
but the actual length of time, given the tilt of earth
and distance from the sun. My nephew used to see
a therapist who mentioned that, at play,
he sank a toy ship and tried to save the captain.
Not, he said,that we want to read anything into that.
Who can read the world? Itâs paragraphs
of cloud, and alphabets of dust. Just now
a night bird outside my window made a single
plaintive cry that wafted up between the trees.
Not, Iâm sure, that it was meant for me.
We sit on our skeletonsâ bones.
We hear with our skeletonsâ bones.
We speak of beauty by moving our jaws and our teeth.
The original meaning of Paradise: a place,
a walled garden.
Our lives, our stories, this hour inside one.
A staircase from Piranesi. A hummingbird drinking.
Outside it, vanishing species and rivers.
Outside it, Nanjing, Ninevah, Dresden.
Outside it, Gaza, Sudan, Myanmar, Kyiv. Here.
The world starts and ends, starts, ends, ends again,
restarts. Â
A kalpa is brief, and wall-less.
Unborn ones, take nothing for granted.
Not nectar, not thirst.
May your lives be uneclipsed, your failures be passing.
May you have your portions of beauty, of grief,
in a garden whose plants and birds I cannot imagine.