ingrid

Sometimes, a work relies on having the privileged group as certain members of the cast. Diversifying those works/roles? A terrible idea.

Lord of the Flies is a critique on the assumption rich white boys are the panicle of civilized behaviour. Rebooting it with an all-female cast misses the point.

Heathers is a story of how a clique of rich white girls run a school. Rebooting it with an all-marginalized group of Heathers misses the point.

While my list of works that are super bad ideas is short, since 1- Hollywood has only recently decided to expand their cast away from white bread (let me know if you have more!) and 2- I tend to try and forget bad examples, these ideas point to a very, very troubling trend:

Taking works whose whole point is lampooning privilege and assuming they’d work the same way if you removed the core concept.

If we actually reached parity between marginalized representation and privileged representation, those types of reboots might be safe ground to tread on. But right now marginalized people are still very much marginalized, and as a result their cultural systems are different from the privileged group.

Rich white people have a wildly different frame of reference from rich black people. A rich black person will usually have a living relative who wasn’t allowed to own a house in a certain area because of skin colour, or whose parents weren’t allowed to. Meanwhile, even a new-money white person doesn’t have the recent historical racist barriers that actively tried to prevent their upward mobility.

The two groups are going to think about money differently. While both can flaunt it for the same reasons— it’s new, and they want to show it off— the sheer amount of ex-legal baggage a black person is carrying around is something I can’t speak about, but know is there.

If you’re starting to think about tossing in a little diversity into your cast, look very hard at the social structures you’ve put in place. Are the villains relying on wealth? Social power? How about the ability to act with impunity? All of those are highly tied to privilege— the type of privilege somebody marginalized simply would not have.

It’s different if you’re doing a single-marginalized-group cast. Black Panther doesn’t suffer from having rich and power-hungry black people as villains because there’s a bunch of rich heroic black people as protagonists, to name one example. In those situations, you’re dealing with equals. The same thing would apply in a secondary world fantasy where everyone in the cast is of the same or similar ethnic groups, or if you had a group of characters who all shared the same axis of oppression in general.

It’s also different if the power structures don’t rely on privilege. All female Ghostbusters? Awesome, because Ghostbusters was primarily about stopping ghosts. The amount of black girls and women in A Wrinkle in Time? Lovely, because we need more stories where the important figures are not white.

But if you’re recreating any sort of power imbalance where one group relies on privilege, and you have multiple ethnic groups in the cast ? Take a good hard look at making too many villains marginalized, especially if they’re kingpins within the organization. Also consider what they can get away with, and if they have to use different tactics from the privileged villains; chances are, they’ll have to. 

This applies for both works set in the real world and in secondary world fantasy. Because secondary world fantasy is still read in the real world, and you can reinforce some extremely toxic ideals if you recreate real world marginalization.

Sometimes, diversity is a very bad thing. Keep that in mind when deciding what group plays what role.

heres an example

and it also gives you the hex code values for them too its p neat !

Sorrow Pencil and digital by Rosalie Lettau

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