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loveridden1999

Octavia Saint Laurent in Paris is Burning (1990)

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headlightsforever

Roethke was an extraordinarily rigorous critic, and if you couldn’t take it, you didn’t learn much. For example, he said the real test was that every line of a poem should be a poem. That’s about as tough as you can get. I apply that to my own work and sometimes just throw up my hands. But I find it’s extremely useful in getting rid of connectives, passive constructions, surplus adjectives, and words that don’t have any particular energy in them.

Carolyn Kizer

moszertone

LOUISE BOURGEOIS.

apesoformythoughts

ainavisa

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worldsandemanations

Helen Haskakis (Swedish, 1992) - Liggande Hund (Lying Dog) (2024)

ortut

António Trindade - The Smoker #I, 2018

volshebnoyedermo2407

gameraboy

See you cowgirl, someday, somewhere!

Cowboy Bebop (1998), “Hard Luck Woman”

buttonpoetry

Button author Hanif Willis-Abdurraqib’s poem featured on the sign of a BBQ restaurant in Toronto. Get your copy of Hanif’s incredible book here.

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louisegluckpdf

i think every publisher should have to institute a ban on books that fail what i’m calling the “little life” and “what else?” tests

louisegluckpdf

for reference.

havingapoemwithyou

[“hope” is the new thing with feathers–] by emily dickinson

othellho

Miller Oberman, “On Trans”

soracities

Octavio Paz, ‘The House of Glances’ (selected lines), A Tree Within (trans. Eliot Weinberger)

softcells

So real first of all

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rozzed

why not have the reader re-read a sentence now and then? it won't hurt him....

weltenwellen

Joy Sullivan, from “Culpable”, Instructions for Traveling West

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Let go, or be dragged