I can't believe it's not words!

Chorus

Jolene (×4)

I’m begging of you please don’t take my man

Jolene (x4)

Please don’t take him just because you can

Verse One

Your beauty is beyond compare

With flaming locks of auburn hair

With ivory skin

And eyes of emerald green

For years our town’s been terrorised

By the beast who takes disguise

In the shell

That calls itself Jolene

Our sleep disturbed by quaking breath

Eyes closed against the threat of death

That lies behind

The teeth of that Jolene

The closer that you get to her

The more those edges seem to blur

To something that

Cannot be called Jolene

Chorus

Verse Two

Your teeth are sharp, your mouth agape

Your claws rend flesh, there’s no escape

From judgement of

The Eldritch One, Jolene

But I’ve seen beyond that auburn hair

My eyes have met your vacant stare

But I’ve been told

I’m hard to scare, Jolene

Chorus but it’s:

Jolene (x4)

I’m begging of you please don’t take my man

Jolene (x4)

I’ll end this story just how it began

I’ll take your teeth if you try to take my man

End.

Happy Hanukkah, everyone, from these two jerks! I’m posting this a little early this year. Line art by the amazing Ro Stein & Ted Brandt, and colour art by @deecunniffe. 

I want to point out what a technical achievement this story is on the art side. There’s a real joy to creating a whole story in eight panels, but this? This is some magic. We introduce four new characters. In panel 5, SIX PEOPLE are talking. SIX. In the world of comics, that’s almost un-doable. 

Yet Ro and Ted arranged everything so the conversations flow and are sensibly grouped, all the “acting” is fantastic, and then Dee laid on top these beautiful, almost fairytale colours – look at the subtle work, the blush in Henry’s cheeks, Frank’s five o-clock shadow, the shine of the wine bottle’s glass surface, the light texturing in the backgrounds… and of course the snow! This is some first-class illustration work on an incredibly hard script. (I fear Ro and Ted always get me at my worst – my very formalist script for them in the 24 Panels anthology was no cakewalk either. (The problem is, they’re just so damn good at it… check out their work on the Image comic Crowded!)

As always, if you like what we do in Hells Kitchen Movie Club, consider donating a little to a veteran’s charity. 

(I also have a thriller novel I’m crowdfunding, please check it out, we are more than halfway there. The book is all written…)

Sosobee the Latern Girl

witch’s familiar, a super-rushed 8-page comic about a human named November, a crow familiar named Hemlock, and a witch named Moira, in which Nov gets her phone stolen and they both… get their hearts stolen? By? Each other? It’s gay. That’s all that matters. 

Was too busy to make a halloween thing this year, but enjoy this small story about love, old ladies and good etiquette about sharing a bathroom

the comic was made for last year’s halloween @liliesanthology but it just got oublished on this year Corpse Lily vol, check it and consider buying it if you are into some fine scary ladies romance

The Womanking, Graphite & Digital Media, 11″ x 17″, 2015.