in hindsight it really is so crazy that the tn text alert number is 871313

Product Placement

tannertan36

Andulka

Kaledo Art
we're not kids anymore.
art blog(derogatory)
Jules of Nature
Show & Tell
Three Goblin Art

Love Begins

ellievsbear
TVSTRANGERTHINGS
Mike Driver
Alisa U Zemlji Chuda
trying on a metaphor
todays bird
Xuebing Du
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
Not today Justin
seen from India
seen from United States
seen from United States
seen from Russia

seen from TĂźrkiye

seen from TĂźrkiye
seen from Canada

seen from United States

seen from China
seen from Malaysia

seen from China
seen from United States
seen from United States

seen from Australia

seen from Malaysia
seen from Germany
seen from United States
seen from India
seen from Indonesia

seen from Malaysia
@icecream52
in hindsight it really is so crazy that the tn text alert number is 871313

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I need this framed
TAYLOR SWIFT and TRAVIS KELCE In New York City (22 May 2026)
TAYLOR SWIFT and TRAVIS KELCE In New York City (15 May 2026)
i reread throne of glass again and it hurts.
it hurts that we have so many aelins and elides and lysandras that never get a chance at freedom that isn't death.
it hurts that we have so many rowans and lorcans and fenrys that remain controlled by cruel people who hold the world in their fists.
it hurts that we have so many terrasens and eyllwes that remain unfreed and broken and under the rule of colonialists.
it hurts that we have so many endoviers and calacullas that break the oppressed, both their spirits and their physical bodies
it hurts that we have so many glass castles and morath that remain tall and standing and sometimes beautifully in the midst of a burning city.
it hurts because their broken world was freed and rebuilt and restored, and ours is still burning. the fire is still bright and we don't have a rowan to snuff out the flames or an aelin to redirect the sparks and so it hurts to not know whether or not our world can be saved.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
TAYLOR SWIFT & TRAVIS KELCE Out in London (8 May 2026)
art: Mac Baconai
Good Graces - Ch. 7
Fic masterlist
Thank you so much for all the comints after the last chapter!! Istg I was GIDDY. I love you guys.
Also, have you seen this super cool magazine cover? Heheheh thank you so much @givieart <3
I was so mushy I even wrote a cute chapter! It's right after last chapter's Varese Film Festival
Enjoy <3 <3
HER DRAMA. HIS DOWNFALL. Click to See How Aelin Turned a Clean-Living Champion into a Wine-Buying Wreck!
AWWW rowan's a feminist! I'm obsessed:))) this chapter was amazing I was hanging on to every word...your writing always feels so immersive, I get completely lost in the story. it's genuinely amazing. it makes me feel like a kid again.
thinking about how âi touched you, but i touched youâ is basically another way of saying âit was rare, i was there, i remember it all too wellâ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
This Yom HaShoah, I remember my great-aunt (aâh) and great uncle (aâh).
They were Holocaust survivors.
They were Mengele Twins.
But most of all, they were strong.
Amazing.
Even when my great-aunt lost the use of her hands due to disability (we believe it was likely due to the experiments that she and her brother were forced to endure), she continued making art, holding a pen in her mouth.
I had the privilege of growing up with these two incredible people in my life. Knowing them. Hugging them. It was a blessing.
Today, it breaks my heart knowing that we likely wonât have anymore survivors alive to tell their stories in the next 15-29 years. Maybe even less. So, we tell their tales. We remember them. But most importantly, we live on. No matter what anyone says, we will never give up.
Mir veln zey iberlebn.
We will outlive them.
TAYLORRRRR
Good Graces - ch. 6
Fic masterlist
I'd like to dedicate this chapter to @pricklyypear. The lack of feedback has been quite disheartening for me, and I don't think I would've continued this fic if you hadn't reached out đđ
Anyway, maybe smaller chapters will be better for consistency? We'll see
Warnings: none
Words: ~2k
wowowoow. I am sattttt for this series!!! I hope you know I was smiling so hard on the plane reading this chapter that I got some funny looks đ
the way that âtoo impaired by my youth to know what to doâ is THE summary of ttpdâŚ
i think an underrated showgirl facet is how each track pays homage to a different era of showgirl music // say more bestie
HEHE OK!! so itâs almost like each track is evocative of a certain era of popular music, and taylorâs twist on it is how she as a showgirl would fit into that particular era. like track by track, to me, itâs as follows:
the fate of ophelia: to me, itâs simultaneously shakespearean and modern - the lyrics shift between antiquated speak and current slang. almost like sheâs paying homage to the style of heroine of the 1800s, but with a twist.
elizabeth taylor: both lyrically and sonically an homage to the 1960s - itâs orchestral pop that discusses how taylorâs life mimics (and hopefully doesnât mimic) the life of THE showgirl of the 1960s, a woman who was lauded for her talented and criticized for her personal life.
opalite: production wise itâs got swing, doo wop, and disco - itâs a joyful homage to the showgirls of the 1950s
father figure: an homage to the new showgirl of the 1980s - aka the queer/queer adjacent artists who captivated the mainstream. a la freddie mercury, prince, george michael, etc. and by giving credit to michaelâs estate, sheâs also commenting on how they captured the cultural zeitgeist but were still screwed over by their labels.
eldest daughter: to me this is very 1970s - a simple ballad about vulnerability that almost reminds me of carole king
ruin the friendship: an homage to 1990s country, especially faith hill and shania twain
actually romantic: indie/grunge rock, an homage to the bands and artists that dominated the early 2000s, like avril lavigne and weezer
wishlist: an homage to the power ballads of the 70s and 80s! especially evident in her vocal runs and delivery
wood: itâs motown baby!!!
cancelled: 1990s pop punk with a bit of grunge, very alanis morrisette coded
honey: an homage to r&b, specifically, this track is super mariah coded
the life of a showgirl: an homage to musical theater and country music storytelling - a fitting end to the album because those were taylorâs dominating influences when she started!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I want to watch wisteria grow right over my bare feet, 'cause I haven't moved in years // I rewind the tape, but all it does is pause on the very moment all was lost // I patched up the crack along the wall, I pass it and lose track of what I'm saying, 'cause that's where I was when I lost it all // I just sit here and wait, grieving for the living // // You see, I was a debutante in another life, but now I seem to be scared to go outside // Did you ever hear about the girl who got frozen? Time went on for everybody else, she won't know it // When my depression works the graveyard shift, all of the people I've ghosted stand there in the room // You're on your own, kid, you always have been // It only feels this raw right now, lost in the labyrinth of my mind // Pulled the car off the road to the lookout, could've followed my fears all the way down // I've got a lot to pine about, I've got a lot to live without // The tomb won't close, stained glass windows in my mind // I drew curtains closed, drank my poison all alone // I pace in my pen and my friends found friends who care, no one sees when you lose when you're playing solitaire // All my mornings are Mondays stuck in an endless February // Barricaded in the bathroom with a bottle of wine, well, me and my ghosts, wĐľ had a hell of a time // This cage was once just fine // I wanna snarl and show you just how disturbed this has made me // This place made me feel worthless // I'm just a paperweight in shades of greige // I jump from the train, I ride off alone // All my flowers grew back as thorns, windows boarded up after the storm
AlmĂŠe Couture | Spirit of the Forgotten II