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It is a commonplace of our era to become “obsessed” with things. “I'm obsessed with the early novels of Iris Murdoch.” “I'm obsessed with the brisket at Phớ Bắc.” “I'm obsessed with this eyeliner.”
In this construction, obsession has a very specific function to indicate our special status as the most intense appreciator of this particular thing/work/item. It means I am a fan, a super-fan, an intergalactic fan, I am verily defined by this thing, it is my personality, it is me, I am it. What you like (i.e., what you consume; i.e., how you participate in the market) is not just more important than who you are: the two things are one and the same.
This usage is a denatured version of obsession. It's not the obsession I've known all my life. It's not real obsession. Real obsession is a thrum in your head that won't go away no matter how hard you try to banish it. It's a well you fall down, with no hope of climbing out. It's an illness that feels terminal.
Obsession, real obsession, is not how you feel about labradoodles or Cool Ranch Doritos or even something truly great, like the poems of Richard Siken. Real obsession has tendons and guts and, and, and consequences.
This new usage wants to steal the stakes of real obsession, and apply those stakes to something consumed. As a dedicated obsessive, I resent this!
- Claire Dederer: Monsters - What Do We Do With Great Art By Bad People?
'thorn necklace' by ted muehling, 1987 in one of a kind: american art jewelry today - susan grant lewin (1994)
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Land of Root by Hitomi Murakami
Am I your special little boy
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An ivory seal with a pair of bats China 19th/20th c.[1200x901]
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Sam Szafran - L'escalier, 54 rue de Seine (1992)

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Olga Dugina & Andrej Dugin "The Dragon Feathers"
Annieo Klaas - Daydream No. 2, 2024 - Oil on canvas

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