✨

LAUGH (nothing wrong with me)

it is a combination of: 

projectionists used to well trained union workers now they are mostly some guy who works in the cinema and hits play without adjusting any levels

boom operators aren’t allowed to get in as close as they used to and miking performers well isn’t routinely done

 directors don’t appreciate setting up and getting good sound on the day sound on the day assuming everything can be fixed in post (it can’t)

sound operators who say ‘hey actually we need one more take of that for sound’ are routinely ignored

tight turnaround and schedules means that the noisier equipment (generators etc) is set up closer and closer to where they’re filming so mixers have to try hide the sound of noisy diesel engines etc that the mics are picking up

a mumble style of delivery is increasingly popular among actors who want to appear naturalistic on screen

https://www.hollywoodreporter.com/movies/movie-news/reanimating-pixar-how-pete-docter-steered-the-studio-out-of-scandal-4111715/

GO APHTON CORBIN!

BTW check Twenty-Something at Disney+, her first directing gig with her own vision.

my pain scale invention. it goes from 0-16. you fill it out like this: