$LAYYYTER
ojovivo

blake kathryn
Xuebing Du
The Bowery Presents
One Nice Bug Per Day
Misplaced Lens Cap
EXPECTATIONS
Keni

pixel skylines
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
YOU ARE THE REASON
occasionally subtle
sheepfilms
Cosimo Galluzzi

#extradirty

Origami Around
Stranger Things
Today's Document
TVSTRANGERTHINGS

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@https-shu

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this is such a funny match already every single person here looks like when you're forced to go hungover to a retail shift after the world's shittiest house party where you fought with all your friends got dumped and threw up on the host's couch (the latter immortalised on snapchat)
Rechazando ser españoles desde 1816

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greed of biblical proportions, god bless
dios sabrĂĄ quĂ© chota hice mientras estaba semi-consciente despuĂ©s del partido porque HOY todavĂa tengo unos calambres en las piernas que me tuve que levantar a las 3am a tomarme un paracetamol porque no doy mĂĄs del dolor y camino medio chueca akjfkskf tu amiga la que se toma muy en serio 'el que no salta es un inglĂ©s'
Me clave un diclofenac porque sigo sin poder caminar bien KQHFKSJDKW
mirando el "for you" de tumblr para llenarme de odio para el domingo
Last week, Leonardo observed that England's problem was precisely that its team does not believe that it can succeed. Brazil, Leonardo said, take to the field assuming that they are the best. 'That's because you are,' Gary Lineker interjected, completely missing the point, which was that belief is a precondition for success, an existential act of faith, not an empirical representation of a fact. In the case of the successful nations, the assumption of superiority functions as a kind of hex on less confident teams. In the second round match between Brazil and Ghana, for example, in which the Brazil team performed like bored, highly paid actors only willing to read the few pre-scripted lines essential to the plot before returning to their trailer, it was clear that the Ghana side was fatally hamstrung by its inability to believe that it could win. Powerful and skillful in midfield, the Ghana team disintegrated whenever they had a serious opportunity on goal, hopelessly miscuing their shots. It was as if the Brazil goal was protected by a psychic forcefield - which of course it was. The fact that the Ghana players could not believe that they could score meant that they were unable to.
England's repeated failure in penalty shoot-outs is not down to bad fortune, as the English media, with its empiricist presuppositions, insists. To lose once might be an accident, but to lose five times demands a psychoanalytic explanation. Some clues as to the nature of the libidinal disorder which afflicts the England side were provided when Rooney was sent off yesterday. From being disjointed and tentative, England suddenly looked purposive and effective. That was because Rooney's dismissal gave England the opportunity to achieve what it is most comfortable and familiar with, a heroic defeat. England players are so accustomed to failure that they would find success traumatic and unimaginable, so it is as if, time after time, the team contrives to lose one of its key players - Rooney yesterday, Beckham in 1998 - in order to set up the conditions for the desired 'heroic defeat'.
England, however, never seem able to escape these fatalistic nets. That is partly because Defeat has been transcendentalized in English culture, transformed into a basic presupposition of experience. The problem is that a failure of belief - 'We cannot win' - has been transformed into a desire for failure - 'it is better not to win'. This kind of libidinal switch was what Nietzsche famously described in his analysis of slave morality. Unable to act, the slave eventually comes to think that it is better not to act, that those who are successful are Evil oppressors, that it is the weak and the destroyed who are the Chosen.
Mark Fisher, To Lose Once Might Be An Accident, To Lose Five Times Demands a Psychoanalytic Explanation (2006)

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Jorge doing a lovely cover of "panchito repartidor" aka latino delivery driver đ«¶
dios sabrĂĄ quĂ© chota hice mientras estaba semi-consciente despuĂ©s del partido porque HOY todavĂa tengo unos calambres en las piernas que me tuve que levantar a las 3am a tomarme un paracetamol porque no doy mĂĄs del dolor y camino medio chueca akjfkskf tu amiga la que se toma muy en serio 'el que no salta es un inglĂ©s'
tengo una resaca de la san puta no doy mås, a ver qué me manda mi ami--
Argentina Topo Gigio's in the World Cup
âLionel Messi (2022)
âEnzo Fernandez (2026)
"Keep talking, I'm listening now."
Originally created by Argentine legend Juan RomĂĄn Riquelme in 2001, based on the famous 1960s Italian puppet, Topo Gigio. A sweet, big-eared mouse whose show was a massive hit among Argentine children.
It's a symbol of rebellion, catharsis, and defiance used to silence criticism and envious detractors by demonstrating one's own worth on the field.
franco colapinto they could never make me hate you

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Im crying what is thisđ
oops!