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izzy's playlists!

roma★
NASA
YOU ARE THE REASON

shark vs the universe

Discoholic 🪩
h

Origami Around
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Today's Document
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he wasn't even looking at me and he found me
Monterey Bay Aquarium

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d e v o n
sheepfilms

i don't do bad sauce passes

oozey mess
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@hookbaited
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commission
Happy New Vegas Year!
Have a shitpost🎉
I actually can’t stop thinking about them
mr. radiation king and mrs. atomic queen 🤵👰

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made this after finishing act 1
If Lucy met The Kings...
Elizabeth’s visiting dress, Frankenstein (2025)
After the wedding dress, this is probably the costume of Elizabeth’s I spent the longest looking at, which feels appropriate. There were a lot of beautiful details including the lamé fringing tassels, perfectly matched silk covered buttons, the incredible inspectors layering of colours and fabric textures. The amount of careful colour matching across fabrics that was done which is an achievement in itself.
Most of all I was utterly captivated by the lace trim trapped between layers of chiffon at the cuff, placed immediately between the sheer undersleeve and the sheer gloves. The volume of storytelling in that one tiny detail.
Frankenstein at Selfridges, 2025
Reader, I saw it again. So here is a tiny selection of just a few of my favourite details from the the exhibition at Selfridges.
I'm Obsessed with the malachite patterned dress and if anyone can tell me where to get that fabric I would be eternally grateful.
The fabric was custom woven for the production by a long-standing mill that now largely focuses on furnishing fabrics. A lot of period productions end up using furnishing fabrics, particularly Victorian productions. The weight is often better, and many of the few remaining legacy mills are largely dedicated to furnishing fabrics now. (This mill is one of the last mills still producing genuine embossed moire rather than the woven moire more widely found.) (as much as moire is widely found.)
After the introduction to Mary Shelley and Romantics, the first thing you see in the exhibition is the green dress with several samples, bolts and exploratory fabric R&D. There is also a reference piece of malachite on a drafting table with a concept of Victor’s dressing gown.
The same fabric quality was produced and used in multiple colours for the butterfly gown and the refusal gown.
On a related note, there was also a lot of digital printing of fabric - the samples at the back are printing samples.
The clearest example at the exhibition was Elizabeth’s introduction grown worn with the archival Tiffany’s scarab jewellery.
Layers and layers of organza printed with what appears to be ice/glacier or water imagery. An omen of both Victor’s past and Victor’s future.
Elizabeth’s Bride Gown, designed by Kate Hawley
Frankenstein at Selfridge’s, 2025
I was able to take a second, final visit to the Frankenstein exhibition before it closes tomorrow. This time paying so much more attention to the construction and details on display.
I gasped when when I noticed the careful delicate seam and dart work at play here, the lines flowing between fabrics and panels and perfectly building that fluttering moth-wing delicate layering. Mia Goth describes Elizabeth as ephemeral and smoke like, and it couldn’t be more true than with this stunning fleeting costume.

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Of course I had to draw the new coolest ghoul in town!!!
her ass will NOT leave nukaworld and she called Oswald's act tacky
huh i don't remember this issue
anyways happy Valentine's day!
listen. ok. HHN convinced me Ghoul-Kings are great because of the scare actor at the end of the maze who would comb his hair during his jump scare.
That's all I needed. Got me swooning.
Meanwhile FNV fans are straight up acting like BoS with their anti-ghoul tirade of The Kings. Yeah, I said it!

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hot ghoul summer!!! (idc what month it iss)
Waauww part 4 is here🩷