Heed the Hollow, Malcolm Tariq
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Heed the Hollow, Malcolm Tariq
Love

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harrow outfits :) my creepy little dress up doll
✶
love designing outfits but keeping them monotone has always been a struggle for me, so for harrow i focused more on shapes and textures. i like her in structured, top-heavy silhouettes!
there's also a part in htn (the ball dream sequence) about the aunts repurposing her ancestors' old clothes for her so i kept that in mind for some of her outfits...jacket cut and laced back together to become adjustable, ruching to fake more volume or maybe hide holes in tattered thin cloth, etc :')
Presenting, the Complete Locked Tomb Timeline
Because I am a horrible nerd, I’ve compiled a complete timeline of every known event in the locked tomb trilogy so far. This is roughly divided into three parts:
Ancient History - this section is mostly based on the scraps of history we hear from the lyctors in HtN. The events are inferred from pieces or occasionally reconstructed by process of elimination.
Tragic Backstories - this section is based on what we learn about the backstories of the present day characters. The Cohort intelligence files in the GtN appendix were invaluable for getting the dates here.
Present Day - this section is a recounting of the events of the books put back in order and carefully placed on a timeline.
Please note that this contains SPOILERS FOR EVERYTHING including bonus content like The Mysterious Study of Dr. Sex.
The timeline itself is below the cut because otherwise this post would eat people’s dashes for breakfast.
Keep reading
I hope that Alecto explores Gideon's individual identity. We see how much she's defined by being Harrow's cavalier and how lost she is as Kiriona.
In GtN, she willingly fulfills her perceived duty to that role by sacrificing herself. This is ultimately rejected by Harrow (and she misinterprets why but that's ok we still love her) and then her soul is half torn and half lost in the back of Harrow's modified brain for months where she can't perform her cavalier duties to protect Harrow and it drives her isane. For a moment she's able to act on her role while Harrow's in the River and absolutely thrives, and then she's gone again.
Then by NtN her leftover soul is stuffed into her corpse and reanimated without its heart. She's renamed and given a new title and duty, which she's apathetic toward at best, “I mean, it’s fine, you can call me Gideon if you want,- I kind of keep forgetting it’s me when people say Kiriona". She receives no respect for it when returning to her old life and no satisfaction in destroying that old life (the Crux killing).
By the end, when Alecto is woken up and pledges herself as protector to Harrow, Gideon still objects (like a wedding lmao), because that's her job. It's her one and only job, and it's what she's been falling back on to this whole time.
The name Gideon isn't even hers, it was just given to her by the nuns based on the last words of her mother's ghost, which were cursing the Saint of Duty. Griddle is ironically the only name that's specific to Gideon as a person.
Just crying a little
Harrow is an unreliable narrator because she just gave herself a lobotomy, Nona is an unreliable narrator because she was quite literally born yesterday, but Gideon is an unreliable narrator because she is consistently not telling us important details about how she feels about people. She tells us that she hates harrow and wants her to die, but then when harrow is actually in danger she's searching the whole house to help her. She's talking about how she "wants to beat harrow up" but then side comments on she won't because harrow's "eyelashes are trembling with rage"! Don't even get me started on the "evil, loathsome, bad teens" who she tells us she has hostility with, but they seem to trust her more than anyone else in Canaan House...

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reading new books is so hard because like. i know not every sentence can be "memory hit harrowhark nonagesimus with the inexorable gravity of a satellite sucked from orbit, flinging itself to die on the surface of its bounden planet; the world hit her like a fall."
but a lot of them aren't even trying.
It's been a long time since ive posted my art so here are some doodles that i did at work lmao
ianthe's little cannibalism moment except it's not little, it's 15 pages long, enjoy!
(this took a total of 115 hours, waw, i am still sick as all hell, so feel free to leave me all ur thoughts in great details, i will read them.)
Holy fuckin flashbacks.
this is such a beautiful and horrific comic i am such a fan
First tlt comic pls be kind to me
Edit: made a very minuscule change. Might take a trained eye to see it (hint)
Happy Valentine's Day 🖤

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Remembering the way Gideon is somewhat rude to Nona and Camilla defends Nona immediately, and then Crux tells Gideon that he wishes she were dead and calls her scum and an animal and literally nobody defends her.
niche trope I enjoy: person recounting a story of something terrible they did and the way they describe it makes it sound like an active decision where they were completely in control and knew what they were doing and enjoyed it, but if you look at the bare bones facts, it's like. are you sure about that? are you sure you didn't just panic and lash out and do something irreparable? are you sure that's what you wanted and you aren't just retroactively assigning yourself agency to cope? but you as the audience can't really know the answer to that, because the storyteller is the only one who was there and this is how they're choosing to preserve it, and that matters for how they want to be perceived going forward... but you do still wonder.
ok i know we don't get any chapters from her perspective but this is kinda the lens through which we view ianthe's character. like i feel like both harrow and gideon see ianthe as a very manipulative conniving trickster- and to some extent she is -but also she's much more pathetic than she makes herself out to be. and we see this sometimes: for example, when we learned that she cried herself to sleep on her first night without corona or whatever. she's a lot more vulnerable than she wants any of our protagonists to think. she'd rather portray herself as an evil manipulator who did all that stuff on purpose than admit that maybe she's actually scared and alone
martyr / mausoleum
If I forget you, let my right hand be forgotten. Add more also, if aught but death part me and thee.
the thing about d/s is that for virtually any ship i can be sold on either character in either role. arguments about whether a given character could or would dom are virtually always deeply silly and tend, when they lean into the idea that a given character could never dom because they're just too weak-willed, incompetent, naive, or helpless, to be the product of unexamined biases percolating up.
would this character dom (or sub) is almost never an interesting question. how would this character dom (or sub) is much more interesting. what do they get out of it? how do they feel about it? how experienced are they? are they confident or awkward? what kinks do they enjoy? what are their limits and how do they communicate them? what is the dynamic with their partner like? does it shift in the bedroom, or does it stay the same? et cetera. the same as any good erotica, it's got to be about these specific people, not faceless automatons filling the prescribed roles, or it's boring

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If I forget you, let my right hand be forgotten. Add more also, if aught but death part me and thee.
“ok lets do warm up sketch”
“oh..”