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I’m hoping putting a little bit of this story out into the void will help motivate me to write more, so here’s the first little bit of my clegan soulmate au! <3
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John fell in love in Walla Walla.
He fell in love with that split second on the runway when he pulled back on the yoke and the wheels of his B-17 left the ground for the first time. He fell in love with the shock of relief of the icy high-altitude air after spending too long taxiing the runway in the stagnant air of an enclosed cockpit.
He fell in love with a fort almost seeming to float through the air, all engines feathered.
He fell in love with messy golden hair tumbling out of the hatch and a smile as bright as the sun glinting off of metal wingtips.
So it was no surprise, really, that when Gale ran a hand across the hull of his plane gently, reverently, and said “I’m in love,” in that low awestruck croon, that his name was simultaneously etched into the pale skin of John’s wrist.
References to contemporary films & actors in
MASTERS OF THE AIR (2024)
HISTORICAL CONTEXT/SOURCES ↓
Test Pilot is a 1938 drama film starring Clark Gable, Myrna Loy, and Spencer Tracy. The film is about a daredevil test pilot, his wife, and his best friend (Wikipedia).
Rita Hayworth was an American actress and dancer. She is one of the most renowned actresses of the Golden Age of Hollywood, and was the second top pin-up girl for GIs during World War II, after Betty Grable (Wikipedia). These are the photos Brady has of Hayworth:
Bing Crosby was an American singer and actor. One of the first multimedia stars, he was one of the most popular and influential musical artists of the 20th century worldwide (Wikipedia). During World War II, Crosby made live appearances before American troops who had been fighting in the European Theater. He learned how to pronounce German from written scripts and read propaganda broadcasts intended for German forces. The nickname "Der Bingle" was common among Crosby's German listeners and came to be used by his English-speaking fans. In a poll of U.S. troops at the close of World War II, Crosby topped the list as the person who had done the most for G.I. morale, ahead of President Franklin D. Roosevelt, General Dwight Eisenhower, and comedian Bob Hope (Wikipedia, USO).
Hit the Ice is a 1943 comedy film starring comedy duo Abbott and Costello. The film is about two cameramen chased by gangsters who get jobs as waiters in small-town Idaho (Wikipedia).
Lena Horne was an American singer, actress, dancer, and civil rights activist. Horne's career spanned more than seventy years and covered film, television, and theater (Wikipedia). Horne became a fixture at the Tuskegee airbase in Alabama during World War II. There, she did everything from taking flying lessons to eating lunch with cadets to adhering to their early rising schedule. She returned to Tuskegee numerous times to boost morale, and in 1944, she served as a guest of honor at one of their graduation ceremonies (Ms. In the Biz). She also performed with the United Service Organization during the war, but eventually became disenchanted because the Army segregated her audiences and, in one instance, seated German POWs in front of Black soldiers. Horne left the USO in 1944 and financed tours of military bases herself for the remainder of the war (Wikipedia).
(You can watch a newsreel from the event pictured in the bottom left photo here [via Hearst Metrotone].)
The photo Macon has on his bunk wall of Lena Horne with a group of Tuskegee Airmen is one taken in 1945 during one of her many trips to the airbase.
The quote Crosby recites is a line spoken by Spencer Tracy in the film Test Pilot, which also starred Clark Gable.
Side note: Clark Gable enlisted in the US Army Air Forces and reportedly flew five combat missions, including one in Germany, as an observer-gunner in B-17 Flying Fortresses with the 351st Bomb Group between May and September of 1943, earning the Air Medal and the Distinguished Flying Cross for his efforts. After a mission in which his fort was heavily attacked, MGM studio executives urged the USAAF to reassign Gable to desk duty. Many of the men he served with said Gable actually unofficially joined other missions, and the aforementioned five were only a fraction of the total. He was discharged in 1947 as a major (Wikipedia, Defense Media Network).
characters who crave affection but at the same time have no idea how to respond to actually receiving it due to the fact theyve rarely ever experienced it are my absolute favourite
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Gale is still visibly upset when he turns to squint at Bucky in the dark. Plump lips in a down-turn, brows drawn together in the middle. But he sits up, hands with a slight shake as he slips into his boots without lacing them. He runs a long-fingered hand through his hair when he stands before taking a deep breath and motioning with a curt hand toward Bucky as if to say ‘well?’
They step outside and around the back of the barracks. The morning is cold, as they usually are at Thorpe Abbotts. It tingles the skin, shocks you to life.
He can tell Buck feels exposed out here, half dressed while Bucky stands in a fully buttoned uniform that’s been on since the day before. John feels oddly similar.
John longs to touch but Gale is still tetchy.
What will it take for him to accept that this is how it is? Two more flights? Ten? That John didn’t mean to hide this reality from him, that what he really wanted was to shield him but there was nothing in the world that Bucky would ever do to stop Gale from flying because that’s where they’re meant to be; regardless of what they find up there.
He wants to scream that he’s sorry. He wants Buck to know that he knows. He see’s himself too, when the soup is thick it feels like being shaken inside of a can of jelly, watching yourself from the outside. That all he thought about was touching wheels-down and seeing Gale’s slightly annoyed face but wasn’t sure such a selfish thought was enough to ensure his crew’s safety home.
Is that what Buck would want to hear?
Is this why he’s being punished?
“Bucky?” Gale’s rasp from sleep shakes the thoughts from Bucky’s mind. “What the hell is wrong with you?” Hushed tones. “You’re drunk.” Accusatory. A statement. And Bucky doesn’t like it, doesn’t like to be accused even if the accusation is a correct one. Especially not from Gale.
He can feel the disappointment rolling off of him like the heat between them. John is as giddy as he is ashamed.
“Bucky.” A pause. “John.” This one is stern.
Bucky takes a step forward and if Gale was a meek man, he’d have stepped back. He doesn’t. Their chests nearly touching. “You wanted something from me and I didn’t know how to give it to you, Buck.” It comes out more earnest than he meant for it but that’s what the hair of the dog does to you—bites.
In the end, it isn't Gale who spots him first. It's Crank, who shouts "Bucky!" so joyfully, and his call is at once picked up by Gale's other men, all yelling Bucky! and Hey, Major!. Gale finds himself pushing past the men clustered around the fence, uncaring about how he might look in that moment. He wants to see Bucky for himself, doesn't think he can believe that he's here, that he's safe until Gale lays his own eyes on him. When he gets to the front of the line and finally spots Bucky, Gale can't help his lips from curling up.
"John Egan, your two o'clock!" he calls. Across the yard, Bucky's chin lifts, his head swivelling as if he can pick out the sound of Gale's voice even above the clamour of other desperate calls. When their eyes meet, the rush of relief that runs through Gale nearly brings him to his knees. "What took you so long?"
(...)
His smile is as wide as ever, but even from a distance Gale can see something haunted in his eyes. When Bucky finally reaches their group he greets their men first, mussing dirty hair, shaking hands, and landing slaps on backs—Johhny Brady receives one, along with a firm clasp of a hand—before he falls into step next to Gale, right in the space he's claimed for himself from the day they first met. His gait is unsteady but he's clearly trying to hide it, as he is the grimace on his face that tightens minutely with every step he takes. So when Bucky slings an arm across his shoulders Gale only lets out a world-weary sigh, like they're back in Thorpe Abbotts after a long night at the O Club that began with Bucky cajoling, then needling, Gale to join their boys for drinks, for morale.
In a drawling, teasing voice, Gale says, "Think I might be beginning to regret seeing you here, now that you're expecting me to drag your sorry ass around." But he clasps a strong hand around Bucky's wrist hanging down towards his chest, shouldering some of his weight subtly, a burden he hopes Bucky knows he is always glad to carry.
so tell me WHYE i have yet to see anyone clip this damning little squeak austin makes in that one interview between getting lost staring at callum and then playing footsies with him
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The fact that Rosie, one of the coolest dudes to ever be cool, is introduced as a character by doing the dorkiest dance I’ve ever seen is just 🤌🏻 exquisite
And IMMEDIATELY AFTER talks about flying in his underwear and then visibly regrets his entire life
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so fucking humbling to be like “no I like that character a normal amount” and then you can literally feel your heart rate spike at a mention of them like a dog that just heard the word “treat”