by F. Abderrahim
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@historicshenanigans
by F. Abderrahim

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Actually mad that in 1791 a group of people trying to resist the destruction of the irish language by the british empire were driven to the extreme of trying to kill a schoolmaster who was trying to make their kids speak english and then when they went to trial over it the records anglicised their names so we'll never know what they actually called themselves. radicalised by the armagh assizes indictments (1776-1797)
Ok so I've known that Aaron Burr visited William Godwin and interacted with Mary Godwin/Shelley for a long time now. But a few days ago I also realized that Burr and Godwin were both born in AND DIED IN the exact same years. They both were raised by strict Calvinist families. Do you think they bonded over this. Genuinely a bit of a shame that they don't seem to have interacted much past 1812, they should've been besties
Flintlock firearm ignition sequence by Oleg Volk
I love the Romantics (esp 2nd gen) and was wondering where you learn more about them outside an academic setting?
I am by no means an expert, but I will try to answer by using stuff that has helped me!
For books, I highly recommend Young Romantics: The Shelleys, Byron and Other Tangled Lives by Daisy Hay as an introduction to the second generation Romantics. My only complaint is that it leaves out a ton of entertaining stuff imo, but itâs meant to be brief. It isnât available for free anywhere afaik, but itâs very worth buying. It gives an overview of the movement & explains how all the key figures are interrelated in a very clever way. For biographies imo the best on Byron is Byron: a Portrait by Marchand, most agree the best on Shelley is Shelley: The Pursuit by Richard Holmes, most agree the best on Mary is Miranda Seymourâs Mary Shelley, & the best on Keats is (more arguably?) John Keats by Walter Jackson Bates. For critical analysis on the works, itâs best to research on a case-by-case basis (there are literally thousands of books & papers analyzing Frankenstein⌠I shudder to think of attempting to read even half of them).
This link to the BARS Blog "Romanticism: online resources list" -- https://www.bars.ac.uk/blog/?p=2900 -- is a fantastic resource list by Dr. Anna Mercer who is an important Romanticist. She wrote a work called The Collaborative Literary Relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley (2019) which is also one of my favorites & I highly highly recommend it as well.
Other good resource guides: 1 University of Texas at Arlington Romantic Resources under the internet & lib headings https://libguides.uta.edu/romantic/resources 2 Jack Lynch of Rutgers Romantic resources list https://jacklynch.net/Lit/romantic.html 3 Uni of Pittsburgh Romantic research guide under the links heading https://pitt.libguides.com/romanticism/links 4 Queen's Uni Romantic research guide https://guides.library.queensu.ca/engl340/websites
Having access to databases and libraries really helps, but those are academic (unless you have a public libraryâif so, pls use it). If Iâm researching a broad topic I sometimes start through Wikipedia & go from there, searching for what information I need by âphrase searchingâ on Google.
IMPORTANT ADVICE: this will all feel very overwhelming and confusing at first! I highly suggest just picking a work or a writer, finding something that really interests you, then learn more about it/them if youâd like, & just continue from there as a starting point. For me: I knew a *little* about these writers, and Iâve always loved Frankenstein, but I didnât start any heavy Romantic research until I read Childe Haroldâs Pilgrimage by Lord Byron, specifically Canto III, which is considered one of his best works and one of the key Romantic works in general. It really shook me to my core. I believe I discovered it from the Wikipedia page on the âByronic Heroâ concept (which stemmed from Childe Harold). I really just went down the rabbit hole from there⌠and I donât know how I got hereâŚ
Good luck on your journey, and thx for the ask!
Btw â despite being an English Lit major, I havenât actually studied Romanticism in any of my classes sadly! I just havenât had the opportunity or it hasnât come up; my program is mainly based on modern topics though, and so most of us only get to take a few historical classes. But my research on this has been independent. The first gen Romantics have been briefly discussed in one or two of my classes, and Frankenstein has featured in a lot of my classes, but thatâs in a league of itâs own reallyâitâs one of the very few classic novels that most Americans are familiar with tbh!

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i would like to talk about the emily brontÍ biopic that was announced today, as a brontÍ scholar and someone who has loved emily and wuthering heights for literally time beyond memory. obviously there is very little information about the biopic so far, but there is one detail that is causing me to tremble with something very close to rage. i really hope that my first impression of this film is proven wrong
joe alwyn has been cast as a character described as âEmilyâs conflicted loverâ and i am honestly baffled and horrified by this addition. emily brontĂŤ had no lovers. there are legends in and around haworth that she had a romance with one robert heaton, the son of a local landowner whose library was said to be frequented by the brontĂŤ siblings. (you can visit the heaton home, ponden hall, today: it is a bed and breakfast.) the legend goes that young robert planted a pear tree at ponden hall in her honour.
robert heaton was considerably younger than emily; if they did indeed have some sort of romantic connection, it is commonly accepted that she was uninterested in him. however, the link of any romantic relationship between the two is exceptionally tenuous and overarching rejected by anyone who considers themselves scholars on the history and lives of the brontĂŤs.Â
i have spent years doing extensive research into their relationship, including having access to the heaton family papers through the west yorkshire archive service (hundreds of pages of records, dating back to the 15th century), and have concluded that there is almost no historical evidence of there being a relationship between them, or of emily having any romantic interests at all.
emily by and large gave no indication of romantic connections during her lifetime. she was a very solitary person, so crippling shy that she largely had no relationships beyond her family: she detested leaving home, which she did only twice (once to teach at a girlâs school in halifax, which only lasted a few months, and once to go to brussels with charlotte, from which she rapidly returned home).Â
i am by and large baffled by the thought that a woman like emily brontĂŤ, who wrote a novel that specifically disentangled women from traditional modes of love and romance and became one of the seminal texts of feminist literature, should be forced into a romance that barely exists even in public imagination for her biopic. the brontĂŤs wrote novels of women who sought and achieved independence from traditional modes of male-dominated romance. women do not need men. emily brontĂŤ does not need a man to be interesting or have a good biopic. i have not even heard of anne brontĂŤ- emilyâs closest companion, far closer than charlotte- being cast in the film.Â
if you want a good movie about the brontĂŤs, to walk invisible was released in 2016, filmed in yorkshire, starred and was directed by people from yorkshire/lancashire, and was an extremely accurate portrayal of their lives (i will not begin to delve into the social implications of northern culture, northern accents, and northern lives in a country which is heavily biased against the north, but that alone is enough to break out in a rash over the casting for this film). i also highly recommend juliet barkerâs incredible book on the brontes. please, please, do your research about emilyâs life before this film comes out.
Since I talk about the difference between history as a hobby and as professional research reasonably often, here are books I think you should read if you want to think more about how history is created:
Timeâs Monster: How History Makes History by Priya Satia
Metahistory: The Historical Imagination in Nineteenth-century Europe by Hayden White
Silencing the Past: Power and the Production of History by Michel-Rolph Trouillot
The Past is a Foreign Country by David Lowenthal
Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense by Ann Laura Stoler
Dust: The Archive and Cultural History by Carolyn Steedman
If other people have books they would consider key, please add them. It might be good to start a longer list.
Georg Igger's Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge has a useful overview of historiography/is a solid place to start in my opnion
Apologies to Thucydides by Marshall Sahlins
Good suggestions! I also saw Orientalism by Edward Said in the tags and I strongly endorse it.
Even if you think it isn't relevant to you, it's very good for thinking about dialectical categories. Also I need people to stop referencing the idea incorrectly.
If you're interested in how some misconceptions start, The Invention of Tradition by Hobsbawm and Ranger is very interesting.
friedrich engels spoke irish????
from here
Ok, uh, this post is an absolute wild ride and I have so, so much to say about it, none of it positive. Iâm reblogging this on my side account that I never use because why not. I donât know many of her actions/personality/life events outside of some of those she took in Ireland because I genuinely could not care less about Monarchs and their personal dramas but w/e
Blaming her for genocide and etc etc. it happened and she wasnât the only one
âGenocides happen all of the time so we canât criticise those who did it or implicitly aided it/didnât stop itâ is a take that I really didnât expect to hear. Just because other bad things happened in history doesnât take away from the horrificness or the tragedy of certain events. There is some debate over whether what happened in Ireland could constitute a genocide, but the bottom line is that people died, she actively financially supported people so that they could make plantations there (even if she was reluctant to), aiming to change the culture of a group of people / âciviliseâ them rather than killing them outright is still awful, and some of the people fighting in the 9 years war, for instance, used language that comes uncomfortably close to advocating for genocide (like the use of the word â extirpation.â Burning the crops and homes of civilians in an aim to stop rebels from being housed there is bad and horrific! It caused a huge famine! Why are you justyfing this just because other rulers did it or similar things too???? She might not have been the only one, she might have just been trying to handle the problems previous monarchs had left her in the best way she knew how/felt was right, but that doesnât mean she cannot be criticised, in fact she SHOULD be criticised! Doesnât mean you canât still talk about other positive things she did, or about her life, etc, but all aspects of her rule have to be acknowledged, even the ugly bits.
The world was different at that time.
Ehhh. The world today is still violent, there are still conflicts abound. Also, just because maybe conquest and war was viewed as a normal fact of life doesnât mean that the people then didnât feel emotion, didnât feel outright terror when seeing those they loved be murdered around them, werenât upset when they saw that their lives were going to be irrevocably changed in so many ways. Those who fought in and witnessed wars certainly didnât go âoh, war is common in these times, so Iâm not scared and if I or my family die, oh well, itâs just the times! :Dâ Almost every country/group of people have warred, had destructive conflicts, done horrible things, but that doesnât excuse any of it. Please, please donât forget the humanity of these people just because theyâre distanced from ourselves by centuries.
Elizabeth did what she had to do to make her country survive and as a woman that is powerful.
And it has nothing to do with POC because realistically everyone had a prejudice during that time and unfortunately itâs still an issue today so putting her on a pedestal is stupid.
HUH?? WHAT?!?!? How on EARTH do you think that justifying participation in the slave trade âhas nothing to do with POCâ and outright dismissing it?? We get it, you like Elizabeth, but holy shit.
Also, yes, everyone both then and now have prejudices, whether for a groupâs/personâs immutible characteristics (such as their appearance), their likes or dislikes, their culture, their opinions, etc. Some prejudices are obviously far more harmful than others.Â
However, not everyone was racist back then. During no point in time was every single person racist, or in support of colonisation, or in support of slavery, etc. During no point in time did these things not come under critique, or were opposed, even if this opposition was unsuccessful, or even if those that opposed it were peasants who realistically couldnât do much/didnât know that these things were happening in the first place. Hell, race and racism was hardly a solidified concept then, iirc, it seems to have mostly been âoh, this culture is not like ours therefore it is bad and savage, but they can be reformed and brought up to our level! :Dâ and this wasnât only directed against POC (again, a concept which didnât really exist at the time).
Similarly to one of my previous points, donât forget that these people were human. There were kind and empathetic people, people who wanted peace and happiness for everyone, people who just wanted to live their lives. We are not more enlightened or intelligent than them. Lots of us can see that racism is wrong, lots of people then could see it, too. We are no better or worse than them, humans havenât changed much, and those who perpetuated racism/slavery/colonisation then are just as abhorrent as those who perpetuate it now, their actions canât be excused or brushed away as âa product of the times.â Yes, slavery during Roman times, for instance, may have been more widespread and thought of as just a fact of life, and it wasnât really race-based, but it certainly wasnât too popular a concept among those who were enslaved, and I guarantee there were others opposed to it. John Winthrop, who was part of the Massachusetts Bay Colony, apparently got opposition from people saying âhey⌠isnât it a bit fucked up to just walk into a place that other people have lived in for centuries and claim it as your own while displacing the original inhabitants?â so, again, no, not everyone was racist, not everyone supported slavery, not everyone was okay with colonisation, and this fact ALONE means that we cannot and should not simply dismiss the actions of people who supported this. Itâs massively disrespectful towards the numerous people who were against it, actively opposed it/helped people who were enslaved, or simply didnât know it was happening as they were living in penury and were illiterate, to just say they were all racist.
Also yeah putting Elizabeth, or any other person from the past or from the present, on a pedastle is bad. This is one of the only good points youâve had.
She was a good queen to her people and basically is one of the reasons England is what it is today along with Queen Victoria
She was queen of the Irish, too. She certainly wasnât good to those that starved, were displaced, or killed as a result of the policies she had or the troops/officers/etc she sent over. She couldâve just⌠left them alone and maybe even let them have sovereignty, she didnât have to be bound by what her predecessors set up (I know that the fear of Spanish invasion through Ireland was real and one of the main reasons she did what she did, but that doesnât make it right!).Â
Also⌠both her and Queen Victoria colonised/imperialised and invaded countries, and Elizabeth at least participated in the slave trade, all of which made England richer and, yes, what it is today. This isnât a good thing. They didnât have to do those things, but they did. No idea how you thought this was a good point.
All this to say⌠itâs okay if you still like or are interested in Elizabeth I, just try not to dismiss the uncomfortable bits of her legacy/actions and donât try to stop people from taking about those things if they wish. Also, and this is very important to me, do not dehumanise those from the past, especially not the lower classes/regular civilians as if they were just a mob of people, and that their deaths or the suffering they faced due to the actions of monarchs/the upper classes did not matter and can be brushed away. These were real people, with real emotions, real passions, real families, and they are no different than us, we are not better or more enlightened than them. Donât turn them and their deaths into easily dissmissable numbers that can be compared and deemed âless important/less worth mentioningâ than other lives and deaths
Iâm reading John Adamâs annotated copy of Mary Wollstonecraftâs Historical and Moral View of the French Revolution, ya know, for like, fun. And itâs hilarious.  I swear heâs almost a caricature of himself. Itâs TOO John Adamsâ˘Â Â
Like this over-dramatic nonsense Â
At first, itâs clear he canât get over the fact that a chick is writing about POLITICS
He loves to write little sarcastic comments when the language and/or sentiments are Too Optimistic for him
also when Wollstonecraft sly-digs the american revolution
He didnât think Marie Antoinette was All That (later he says âher beauty was chiefly the fiction of flatteryâ)
Is a total prude even in his most private thoughts #repressed
But every once in a while shows genuine appreciation for good writing
For anyone who now is intrigued (like I had been), here is the link to the book with Adams comments. The Marquis de La Fayette also makes an appearance (just in case anyone was curious :-)) .Â
Secondly, is it just me or does the âGood God!â in the first picture reminds anybody else of 1776: the Musical?

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Two Seated Young Men Wearing Gingham Trousers, Bow Ties, and Brimmed, Soft Hats. Unknown (American) photographer, 1850s.
The fact that castlereagh gets cut from every piece of media where he SHOULD appear in such a way that his absence is not only noticeable but sometimes also painfully obvious is so funny. 2 centuries since his death and he still just cannot win
He does not appear in:
Peterloo (2019)
Prince Regent (1979)
The Young Mr Pitt (1942) (canning also does not appear in this one and it's REALLY weird. RIP)
Napoleon (2023)
Any other film but those were the most noticeable to ME
He DOES appear in:
The Iron Duke (1934) (for five seconds. and, crucially, he's english? for some reason? but apparently that's meant to be him)
Anyway pour one out for lord castlereagh, eternally fated to be cut every production ever
still reading frankenstein and i completely forgot that theres a part where victors wrapping up doing devious deeds on a sparsely inhabited island off the shore of england and he loads all his mad scientist shit into a rowboat and pushes off into the water and then fucking falls asleep with no navigational tools and when he wakes up hes like, adrift with no land in sight and hes like âFUCK my creation!!!!!â even though the monster had absolutely nothing to do with getting him lost in the middle of the fucking english channel and he starts lamenting about how hes going to die and his family is never going to see him again and hes going to go to davey jones locker or whatever because hes been without potable water in a rowboat for like 4 hours and then he sees land and hes like âoh thank god im saved!!!â and he gets to shore and is met with an angry mob who thinks he murdered someone and hes like âbut where is english hospitality?????â and theyre like âthis is ireland you dumb slutâ and as theyre marching him to the magistrate hes like âi was still thirsty but did not want to show my weaknessâŚâŚâ like could you even imagine
Frankenstein is an unflinchingly realistic portrayal of the highly specialized form of stupid that comes from being told for your entire childhood that youâre a world-changing genius who can solve every problem because youâre so smart, but now youâre in college and you have depression and you keep fucking everything up because being good at reading science books when you were 12 doesnât actually translate into making smart life choices and youâre constantly beating yourself up about your horrible failures but you couldnât possibly ask anyone for help, and in fact the idea doesnât even cross your mind because obviously you will be able to handle it this time because youâre a world-changing genius who can solve every problem, and consequently you keep right on catastrophically fucking everything up, and I donât think it gets enough credit for that.
Byron: Where did you find the inspiration to create such a wretched man?
Mary, who has been stuck in a house with him for weeks: No idea, mate đ
Okay now that Iâve seen this post again I can no longer hold back and I have to say that all of this is 100000% Percy Shelley. Yes Byron influenced Maryâs works in several ways & it was his writing prompt that inspired her to write Frankenstein, but the story itself was way more inspired by her lover/bestfriend/roommate, Percy Shelley.
The initial post literally describes him & antics he regularly did. He went to Ireland, he regularly got lost on his wanderings, & is known for recklessly boating all around Europe â to the peril of his own life, as thatâs how he famously died. He was paranoid & had a massive persecution (Percycution) complex, but it wasnât entirely unfounded either, as he was arrested multiple times & had authorities on his back constantly due to his debts, suspicious wanderings, & radical politics. He practically did have mobs at his back.
Victor being chased away from Ireland was directly inspired by Percyâs experiences! At 19 He briefly moved there bc he was a supporter of Irish independence (til his death) & theorized it would be the seat of potential revolution. He sought to spread further radical sentiment via pamphlets (see: An Address to the Irish People) & joined an underground network of revolutionaries.
He left Ireland due to various difficulties which made him a bit disillusioned at the time, & I believe this is depicted by Victor being violently chased away from Ireland & horrified by the failure of his experiences there. To learn more, read this article about the book Shelley and Revolutionary Ireland by Paul OâBrien: https://www.irishtimes.com/culture/books/shelley-s-adventure-in-irish-politics-1.484454
Percy was also a privileged and sheltered child prodigy who studied all the things Victor studied â philosophy, occult sciences, electricity, & galvanism (what Frankenstein is based on). He studied under eccentric scientists such as Dr. James Lind (who was the actual basis for Victor Frankensteinâs professor, Dr. Waldman!) & Dr. Adam Walker, who was curious about aliens.
Shelley was famously kicked out of Oxford for being a very liberal atheist, mailing his radical atheist pamphlets to local church authorities, being a general eccentric, & for turning his dorm into a science lab full of messy experiments. Read his college friend (and fellow writer) Thomas Hoggâs hilarious accounts in Shelley at Oxford; itâs like the behind-the-scenes of Victorâs time at school.
Of course the character of Victor is imaginative, but insofar as he is based on anyone, it is definitely Percy, whose first work was published under the pen name of Victor. He also had a dear sister named Elizabeth (like Frankensteinâs adopted sister) who co-authored that debut work with him.
Byron shares none of these characteristics in common; he didnât really care about the sciences, & in school focused more on history, languages, & literature (all of which Shelley also excelled in, but Byron was probably more into history than Shelley). Byron was also more of a society man, partly due to being higher-class than Percy, who was the son of a Baronet but didnât live to inherit the title, and was partly disowned financially.
Byron drank, went to theatres, & slept around an inhuman amount, as opposed to Shelley who was more of an outcast. & though he often hated high society events, Byron still got invites to fancy soirĂŠes that Shelley could never get into (due more to Shelleyâs bad reputation as an eloper/atheist/convict/weirdo than to his lack of title). Byron was the best-selling poet & is often called the first modern celebrity â whereas Shelleyâs writing was only known in literary circles, & he got more hate than praise. So they were very different people, & while there are Byronic themes in Frankenstein, it was more influenced by Shelley.
There were TWO famines in Ireland!?
Well I mean there have been more than 2, but in terms of "horrifying instance where the potato crop died and hundreds of thousands of people starved + also there was a plague of loosely defined 'famine fever' due to the conditions caused by it which also killed loads of people, pre-1900 but within the 2 centuries before that and also weirdly in the 4th decade of the century it happened in," as specific as that seems, yeah there's also this one
Although âď¸ please keep in mind that it was completely different from the great famine in that the initial problem was caused by a climate crisis rather than a parasite + due to that it wasn't JUST the potato crop that died (hence why such a high percentage of the population died) + things improved relatively quickly after it was over + didn't last as long + you apparently didn't get the mass migration that famously followed the famine of the 1840s. wish I could provide more information but I don't know very much about this yet so I can't atm
Hiiii anon idk if you are still there and I know everyone is probably sick to death of me talking about this but I have more information for you now.
The so called "second Irish famine," usually referred to as "Bliain an Ăir" ("the Year of Slaughter" in english), took place from december 1739 to about autumn 1741. No one is quite sure what caused the initial frost but basically in winter 1739 an EXTREMELY irregular frost hit Ireland which was so severe that the Boyne and Shannon completely froze over and water turned to ice indoors. At the time the potato crop would be stored in the field, i.e. farmers would harvest them and then just... leave them in the ground until they were needed for food &c, so that year's harvest was totally destroyed. A drought hit in spring 1740 soon after the frost ended, which had a disastrous effect on cattle and other livestock, and the oat + grain crops were also deeply affected by the irregular weather patterns, so even after the Lord Lieutenant banned the exportation of those products to anywhere but Britain there was still not enough food. Mass starvation and food riots began to set in.
The frost returned in winter 1740 and the famine deepened in spring 1741, this time accompanied by a variety of epidemics (typhus, dysentery, etc), with a lot of the same disturbing scenes of death more familiar from the Great Famine playing out in an incredibly rapid fashion. The one thing you didn't have was the mass emigration which happened during the Great Famine -- there WAS emigration, but it was like. just the normal amount and the only account I've come across of an 1840s style coffin ship was treated as exceptional news, so they likely weren't very common if they ever happened again outside of that one case. Large scale relief measures were now attempted. They were for the most part too little, too late, but they did help some people. Most famously (if u can call anything about this famous lmao), aristocrats hired peasants to build them Obelisks in a very Great Famine-like 'work for your charity so you are not idleâ˘ď¸ÂŠď¸ÂŽď¸' scheme, soup kitchens were set up, the Quakers helped people, etc. A few people in the Irish government (NOT the British government, the British completely ignored all of this save for the aforementioned export ban, as per usual) set up a food stamp type system where people were given tickets for one meal a day at certain poorhouses. Finally, the harvest of 1741 rolled around, plenty returned, and, while the peasantry was scarred permanently, everyone in power pretty much instantly and very fatally completely forgot that all of that had happened, at least until a mysterious fungus was discovered affecting the potato crop just over a century later, in 1845.
To look at the crisis overall Munster was probably the hardest hit area -- David Dickson in his book on the famine describes Cullen, Co. Tipperary in particular as "the Skibbereen of the famine" if there is to be one -- and Ulster was definitely the least hard hit due to a variety of factors including the intricacies of the linen industry and the fact that Ulster had experienced multiple mini famines in the early eighteenth century already and therefore its peasantry was not as caught off guard as nearly the entire rest of the country was. However it's important to remember that this famine was so long ago, so poorly documented, and so long ignored that very few records relating to it survive, and so many of the details about deaths &c are hazy. I will leave u with the fact that it's thought that 310,000 - 480,000 people, or 13 - 20% of the population of Ireland at the time, are thought to have died as a result of the famine over a little under 2 years. It's a devastatingly sad period of Irish history & I really think the best we can do is to remember it đ
Sources under the cut
1790s fashion observation (part 1):
They really liked matching brown with red
I figured maybe specific painters just really liked the contrast but I think it was indeed a trend, especially when you consider this fashion plate:
These two are also interesting and picture the rarely shown but existing colored cravats:
It's a popular style with some variations:
And of course:

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Hello! I wanted to humbly ask if you had any pointers on where one could get started on organisations in Ireland in the 18th century that were primarily about harrassing your local landlord for being a greedy asshole? I know I'm terribly simplifying but that is why I'd love to know more and understand how those movements are situated in Ireland's political situation at the time. Thank you for all your history posting btw, it's a fascinating period you talk about and I always know where to look if I want to know more about it.
To hit the main ones, the articles Secret Societies and Agrarian Violence in Ireland, 1790-1840 and The Whiteboy Movement, 1761-5 are good introductions to the Whiteboys + for the Hearts of Steel and Hearts of Oak the best starting places are probably the articles Hearts of Oak, Hearts of Steel and Lord Donegall and the Hearts of Steel + Priests, Parsons and Politics: The Rightboy Protest in County Cork 1785-1788 is a pretty good introduction to the Rightboys. They weren't just an anti landlord group but personally my favourite study of the Defenders is the book The Men of No Property by Jim Smyth but Defenders and Defenderism in 1795 is shorter & also good, if you are curious about the Defenders too.
In terms of books, there's the aforementioned The Men of No Property, and also the book Rituals and Riots: Sectarian Violence and Political Culture in Ulster, 1784-1886 by Sean Farrell, which touches on the Defenders too but I haven't finished it yet so take the recommendation of it with a grain of salt. There exists exactly 1 book afaik about the Steelboys and Oakboys and it is The Ulster Land War of 1770 by Francis Joseph Bigger, which is... basically a tract Bigger wrote to convince more people to join the IRA of the 1910s. Honestly I don't think I can fully recommend it in good conscience but it has its uses. Lastly, if you're interested in contemporary loyalist reactions to these secret societies, Sir Richard Musgrave, an early 19th century Orangeman, talks about nearly all of them (but lingers on the Whiteboys the longest) in his book Memoirs of the Different Rebellions in Ireland. What he says about them is mostly correct, just very opinionated + also Musgrave's nationalist counterpart, RR Madden, talks about all of these groups at different points in his books about the United Irishmen but, again, particularly had a lot to say about the Whiteboys.
on cancel culture, tumblr, lit crit shit, paranoid reading, and some observations on blogging about byron & the shelleys â
every day someone comments on one of my posts about old dead writers with the most insufferable and reactionary takes disguised under a veil of liberalism. go read eve sedgwick's essay on paranoid reading & reparative reading, and learn how to enjoy things!!! why are you trying to cancel people who died 200 years ago? stop!!!
9/10 times they've never read the writer in question, they just hear that these writers were problematic and without using their own critical thinking skills, and having done zero research, they readily condemn them. no real appreciation for literature, no real appreciation for history or culture. and if they do have these, or if they have done research, it's entirely biased, already marked with judgement (aka exemplary paranoid reading).
i think it's very interesting that percy shelley and lord byron were getting cancelled in their own time period left and right, and now they still face cancellation attempts for some of the same reasons, only now more often at the hands of self-described progressives who feel they do so for the "right reasons."
a major problem in discourse (both in and outside of academia) is that most people do not understand the difference between "criticism" in the academic sense (which is synonymous with "discussion," "analysis," "engagement") and "criticism" in the colloquial sense (synonymous with "condemnation" or "harsh judgement" or even sometimes "attacking").
so when we start talking about literary criticism, some misinformed people automatically seek to cancel every dead writer, burn every book, and disregard all of history, even the progressive bits, because they simply don't care, and think that they are being "critical" and that this is a good thing, when they are using the wrong definition of the term to begin with. if i taught a class on literature the first thing i would do is make the distinction between these two definitions.
a lot of people approach dead writers or old writing in bad faith (paranoid reading). they automatically denounce The Olds for being problematic, and then proceed to believe they are morally superior for their own lack of depth.
percy shelley is one of the most progressive and forward-thinking figures of his generation and it's honestly a miracle that we still have access to some of his works which were literally burned in his own lifetime, but that his friends and most importantly his best friend, his wife mary shelley, carefully preserved during his life and long after his death even in the face of social ruin and censure, because they recognized his immense merit and they desperately loved him and his work. this is a beautiful thing!!!
this isn't the narrative a lot of people prefer, though. a lot of people would have mary shelley, instead of being the publisher and defender of his works as she was, be forced into the role which she herself openly derided, of being percy's unwilling bride, victim, who merely tolerated him, who was herself either repressed or oppressed by him. nor is nuance allowed in this narrative.
this narrative is based on a reactionary stance disguised as progressive. that all women writers are mere victims to the men around them. nevermind the fact that mary shelley's husband was one of her biggest encouragers (as well as her trusted proofreader and editor; and all this also goes for her father godwin, but to a lesser extent, as one could more easily make the argument that godwin did emotionally neglect mary).
paint all male writers as abusive control freaks, and all female writers associated with them as their weak-willed puppets, all based on their biological sex and a surface-level analysis of their biographies. these people are arguably just as bad as the sexist pseudo-scholars who have claimed that percy actually penned the entirety of frankenstein and used mary as his puppeteered pseudonym. as if mary never sought agency of her own and never possessed a modicum of it!
for a fair analysis on percy and mary's connection, i highly recommend Anna Mercer's "The Collaborative Literary Relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley" and her interview by Mathelinda Nabugodi for a TLDR version.
i find it interesting that my posts about percy shelley's personal life are not only much more popular than my similar posts about byron (probably due to percy's surname; the mary/frankenstein connection) -- but also that i see way more criticism against percy than against byron.
i think this is partly due to their portrayals in the ahistorical 2018 mary shelley biopic film (see: graham henderson's blog posts on this topic) wherein byron was somehow portrayed as less of an asshole than shelley (which i never would have thought possible had i not seen it). & maybe it has to do with interest in & misconceptions about mary in general. but this is surprising because in many regards, percy really is much more likeable and progressive than byron.
i once had a person hating on byron and trying to argue with me entirely under a post about percy shelley which had nothing to do with byron. whenever i try to critically engage with this sort of backlash on my posts, it is utterly pointless. none of them are interested in or respectful of the opinions of others, nor are they receptive to facts or nuance or engaging with any material in any mature or serious way.
it's especially difficult that they mostly comment on my more popular joking posts/memes, bc that sets up a false pretense for me or my blog to be taken unseriously, when i do take academic figures & topics seriously. my blog is a place for me to unwind and joke about literature, yes, but it's not like i'm just mindlessly joking about writers i've never studied. a lot of people assume that i'm genuinely ridiculing writers when i playfully make fun of them, so they take it as an invitation to do the same, when that's not my case at all.
â back to the percy/byron comparison: in the history of my blog posts, i've seen probably 30+ percy haters and maybe 5 byron haters. as i said, this is honestly bewildering. there are way more justifiable reasons for hating byron than there are for hating shelley.
if we're speaking solely in terms of political, creative, & ideological stances between the two, (and there are hundreds of books/essays comparing their lives/works/philosophies,) i agree and disagree with both of them on various topics. they're both extremely complex writers/thinkers/figures and very different people, despite having been friends.
but if i'm comparing them biographically speaking, if i had to let one of them babysit my children, i would choose percy 10/10 times. if i had to live with one of them, i would choose percy most of the time, although either of them would be tough as a roommate for different reasons.
but overall, percy was a bit more decent biographically speaking, though that doesn't make him a superior writer (percy himself wrote numerous times that he felt byron was creatively superior to him, but morally inferior). and i think most people who've researched the two would agree that percy is the more moral poet by most standards.
for these and many other reasons, it seems apparent to me that the majority of people who hate percy are often parroting the rhetoric of others & not actually thinking for themselves -- which mary endlessly wrote that she despised, as she devoted so much of her time and energy to defending her husband's moral character from critics, so it's especially disappointing that most of the anti-percy sentiment comes from mary shelley fans, who don't even realize how much effort she put into publishing his work and transcribing it as his pre- and posthumous amanuensis.