“The Angel answered and said to the women, “Do not be afraid, for I know that you seek Jesus who was crucified. He is not here; for He is Risen, as He said. Come, see the place where the Lord lay.”
The Gospel according to St. Matthew, 28:5-6

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@hiljametsa
“The Angel answered and said to the women, “Do not be afraid, for I know that you seek Jesus who was crucified. He is not here; for He is Risen, as He said. Come, see the place where the Lord lay.”
The Gospel according to St. Matthew, 28:5-6

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Es wäre eine arge Täuschung, sich im angenehmen Gedanken zu wiegen, der Krieg sei zu Ende. Ja, die Kanonen schweigen und die Bomber rasen nicht mehr durch die Lüfte, aber trotzdem geht der Krieg weiter, und die kommende Zeit wird noch schwerste Auseinandersetzung bringen, und es werden sicher noch Tausende von Menschen zu Grunde gehen, bevor die Menschen zur Ruhe, d.h. zu einer Verständigung und wirklichen Zusammenarbeit zum Wohl der Gesamtheit kommen werden. Das wird nur möglich sein, wenn der Geist, aus dem heraus die Menschen handeln, sich von Grund aus ändern wird, und zwar unter der fundamentalen Devise: Liebe deinen Nächsten wie dich selbst.
'It would be to terribly deceive oneself to think that the war has come to an end. Yes, the canons have gone silent and the bombers no longer speed through the air, but yet the war goes on, and the future will bring a still worse conflict which will surely send thousands to their graves before there is any peace, that is to say before people come to a common understanding and to really working together for the wellbeing of all. This will only be possible if that by which people act comes from a spirit of change and, namely, from that fundamental maxim: love your neighbor as yourself.'
-- from a letter to Meinrad and his wife from her uncle, dated October 18th, 1945.
Hwær cwom mearg? Hwær cwom mago? Hwær cwom maþþumgyfa? Hwær cwom symbla gesetu? Hwær sindon seledreamas? Eala beorht bune! Eala byrnwiga! Eala þeodnes þrym! Hu seo þrag gewat, genap under nihthelm, swa heo no wære.
'Where is the horse? Where the rider? Where has the giftgiver gone? Where are the seats of the feast? Where are the wonders of the hall? Alas, the bright cup! Alas, the mailed warrior! Alas, the glory of the lord! How that time has passed away, dark under nightcover, as if it never were.'
-- The Wanderer (Eardstapa), lines 92a-96b, from the Exeter Book. This poem served as the inspiration for Tolkien's Lament of the Rohirrim, as published in The Two Towers, "The King of the Golden Hall":
"Where now the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing? Where is the hand on the harpstring, and the red fire glowing? Where is the spring and the harvest and the tall corn growing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. Who shall gather the smoke of the dead wood burning, Or behold the flowing years from the Sea returning?"
You may also notice the Old English word maþþum used here to mean 'gift', whence Tolkien's use of 'mathom' for the gifts Hobbits give each other on their birthdays.
They’ve had the humanity cooked out of them
Art by • Russ Nicholson

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wanted to take a photo to show how nice the weather became for a brief moment. and yeah, BRIEF. 10 minutes later this is what's happening
Oh, I’m sorry, what was that?
That’s a Christological heresy.
got to be a better technophobe
…. Am I Not Your Mother?
Touching grass is not enough, some of y’all need to touch the hem of His garment.

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The Warrior and Death (self-portrait, 1918). Wolfgang Willrich (1897 – 1948) was a German artist
Wolfgang Willrich
Six-winged Seraph, which served as a symbolic map for a soul's spiritual journey toward God.
Die Verträumte (The Dreamy One) (1898) by Wilhelm Bernatzik (Austrian, 1853 – 1906), oil on canvas, 151 x 138.5 cm (approximately 59.4 x 54.5 in), Moravian Gallery in Brno
“Here, as elsewhere, human reason in its pure use, so long as it was not critically examined, has first tried all possible wrong ways before it succeeded in finding the one true way.”
— Immanuel Kant, Groundwork of the Metaphysics of Morals

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Don’t let the old man in
Piece for Four Hands (Death plays with us), 1905 by Marcel Roux (French, 1878--1922)