we'll be glowing in the dark

Again: no one doesn’t love this, no one doesn’t love the chair dance or young Britney’s awesomely dismissive ”whatever“ when confronted with her boyfriend’s sleazy ways. But this line is only the clearest instance of the spirit of reinvention that runs throughout Oops!… I Did It Again – and her entire oeuvre. I want to take a moment, before we go on, to make explicit one of the driving principles behind this week: Britney’s body of work is very much a body of work, one that is perpetually in dialogue with itself as it revisits recurring themes with changing but consistently coherent perspectives. Her albums reflect and engage with her ever-changing position in the public eye, but also with her evolution as an artist, each one in conversation with and building on what came before. It’s not always as explicit as my loneliness ain’t killing me no more, but it’s absolutely always there, if you give Britney enough credit to bother looking.

“Day at the office with Nyle DiMarco” (via Balthier Corfi on Instagram)

although it's going to be expensive for me (living in malaysia) but it would be nice to see

Everything Everywhere All at Once.

Happy Pride 2022, everyone!!! ⚔️🌈

I hate accidents except when we went from friends to this

more here

— One Tree Hill 2.11, The Heart Brings You Back

Faust the Crow loves you even more than she did last year!