I Think That Under The Right Shade Of Summertime, You Could Fall In Love With Anyone
There were all of these years when I was young, when I lived in my parentâs house, where I would fantasize about falling in love with someone (anyone, really. I was twelve). Â
Okay, so not anyone. Normally the people I was picturing had bodies and minds but not faces that I could ever place. My fantasies never lined up perfectly with anyone I knew in real life, or even anyone I ever hoped to encounter. They were blurry, shapeless people whom I hoped would one day become clearer.Â
I grew up. But they didnât get clearer.
Instead, other people took their form. There was the boy who liked to kiss me on his couch when his parents were out of town but not so much in public, there was the other one who smiled at me shyly but never made a move. There was the first person whoâs hand I ever held hands with in the school hallways, the first one I brought home to my parents, the first one I slept with, the first one I ever said, âI love youâ in response to.Â
All of these people had faces. And bodies. And minds. Some of them reminded me of the person Iâd hoped to fall in love with when I was very young and living in my parentâs house. Others reminded me of nothing at all.Â
But there was this particular shade of summertime that always reminded me of the vague hope of meeting such a person. It was something quite literally in the air â a scent I can still scarcely describe â that would make me feel nostalgic for a life that hadnât happened to me. It was pine needles, mixed with the stillness of the cool air on the lake. It was the scent of possibility, set across the backdrop of a Northern Ontario nowhere town that would never see my dreams come to life. But it was the scent of wistful maybes. A scent that would one day come mixed in with marijuana smoke, with wandering hands, with the kind of magic that is born from discovering yourself, discovering your place in the world, for the first time.Â
It was the scent that infiltrated the first non-Northern-Ontario town I ever lived in. The scent that would find me in the early evening hours, curled up in bed with the first named, faced, person who I ever thought was made of pure magic. It was the scent of first love and possibility; it was the scent of beginnings and wonder.Â
It was the scent Iâd settle into after long days on the road, exploring strange cities in caravans with strangers. It was the scent that nicotine would curl into while the people who were leading the pack would light up cigarettes and I would just lie back and inhale the evening. It was the scent of growing into myself, the scent of letting the world unfold around me.Â
And then there was the years where it was gone.Â
The years were city smog took the place of pine needles. The years where I found myself but lost the sense of sweet possibility that had once infiltrated almost everything. The years where I felt too old for hoping for anything faceless, and so I assigned numbers and figures to each fantasy. The years of having grown into myself. The years where it seemed nonsensical to wish.Â
And then there is the paradox of coming back home.Â
The paradox of opening my bedroom window one evening as an adult and finding myself confronted with that same scent that haunted me as a child.
The scent that forces me to visualize the possibilities I still might have before me. Makes me think about reaching out and kissing someone real; someone with a name, someone with a face, someone who knows the same scents of pine needles and summertime and having given it all up for a life of something harder.Â
The scent of realizing that not all new beginnings have been had yet. That they can still weave their way to me; that the aching, desperate taste of possibility can still be tasted on my tongue. That there will still be new beginnings left to have.Â
Unless at twenty-five years old, I am assigning names and faces to a vague and restless sense of possibility that will never become satiated.Â
Unless the reason there was never a name, never a face, never a body that I could assign with permanence to the impression because it was meant to be shapeless; impossible to ever pin down.
Unless it was the particular shade and scent of summer that could make you fall in love with just about anyone.Â
In which case, I lay my memories to rest for the remainder of the evening. Â
In which case, I leave the window open all night long.Â