
tannertan36

#extradirty
Sweet Seals For You, Always
sheepfilms
Today's Document
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TVSTRANGERTHINGS

shark vs the universe
Xuebing Du
"I'm Dorothy Gale from Kansas"
Cosmic Funnies

JVL
art blog(derogatory)
RMH

ellievsbear

❣ Chile in a Photography ❣

pixel skylines
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

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@zukriuchen

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The Chinese shoe manufacturer decided to demonstrate the indestructibility of their shoes
And also the indestructibility of that woman's ankles
As the United States celebrates its 250th anniversary, it is worth asking: who gets to control the celebration? The government, the President, or the corporations that fund them both?
In my latest, I discuss President Trump's takeover of the 250 celebrations, the corporations and military contractors who have sponsored them, and the corruption that emerges when corporate power collaborates with unaccountable state power.
The private-private partnership behind the semiquincentennial celebrations.
There are currently two different organizations organizing America’s 250th anniversary, and they are in direct competition with one another. America250 is a bipartisan organization created by Congress with the goal of organizing an anniversary that could be celebrated by all Americans. Freedom 250, on the other hand, is a company created by the White House shortly after President Trump was sworn back into office; though it is technically part of the National Park Foundation, it is controlled by the president and his appointees. Trump’s initiative has gradually absorbed many of the responsibilities that were supposed to be overseen by America250 over the last year, a power grab that mirrors the president’s other efforts to remake the federal government in his own image. Massive posters with Freedom 250 branding now adorn several government agency headquarters across downtown D.C. Freedom 250 has sponsored ads in the city’s Metro system to announce that the CIA is hiring new recruits, and its logo will even be placed on the Social Security cards of all newborn babies for the rest of the year. Both anniversary initiatives are funded by massive corporations that are simultaneously lobbying Congress, donating to politicians, and running advertising campaigns to influence the government. The large pool of money dedicated to the anniversary celebrations—including funds from both the government and the private sector—helped to encourage the president’s takeover: The more events Freedom 250 controls, the more of these funds it can absorb. The result has been a three-way tug-of-war between the public, the president, and corporate boardrooms over who gets to define American culture on this historic occasion. Right now, the public is losing.
Wishing you all a happy Independence Day from Freedom 250’s celebration on the National Mall
dj two headed calf is so happy to see twice as many faces as usual

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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prometheus: hot take,
the greek gods: no give that back
I love this shot of vegeta just absolutely weak and pissy with delusions of vengeance
Rafal Olbinski, from JCA Annual 9 (1990)
"Well dressed dog in Alpine, Texas" National Geographic, September 1939 Photography by Luis Marden
Lynore Avery
The Labyrinth
https://www.behance.net/gallery/13082907/The-Labyrinth

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ooh this just popped into my head and thought it might be a fun ask if you have a random moment to kill! What's a font/typography fact that you found recently that made you go "oh that's dope/cool how they did that/super pretty/wild history"? Just one of those little things you weren't aware of before but made you happy to learn, as general or esoterically niche as you want. I figure you've probably stumbled across some interesting things in your studies and my dragon hoard is collecting people's fun little tidbits from the things they study for fun!
Futura (1927) [Daylight Fonts · Fonts In Use · Identifont] is one of my favorites out of the well-established sans serifs, but one thing that annoys me about it is how C and c have vertical terminals, while G and e have angled terminals.
Besides being internally inconsistent, I find the vertical terminals ugly. (I dislike Antique Olive (1962) [Daylight Fonts · Fonts In Use · Identifont] for the same reason, but at least it uses its vertical terminals consistently.)
I recently learned the reason for this (from the book Paul Renner: The Art of Typography): Futura was designed first and foremost for writing German. In German the letter c only occurs before h and k, and in traditional German blackletter typography, ch and ck are obligatory, inseparable ligatures.
Futura doesn't have joined ch/ck ligatures, but ch and ck were still cast on a single piece of metal, with a smaller gap between the c and h/k than between other letters. The vertical terminal on the c was necessary to allow these letters to be placed so close together.
If Futura had been designed in a non-German-speaking country, the C would probably look different. Yet the German design was used and continues to be used all over the world (though usually with a normal-sized gap between the c and the h/k).
Xユーザーのにゃんちくだいすきくらぶさん: 「https://t.co/WV5l27amGb」 / X
it's too darn hot

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Donated at Diversity Thrift RVA but bought immediately by a staff member before it even made it to the floor
oh my god
Wolfgang Lettl - Die große Freiheit (The Great Freedom ) - 1985. https://www.lettl.de/