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@zukriuchen

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The Barbarians (Ruggero Deodato, 1987)
Nola Hatterman - The people of Suriname in the shadow of the colonial oppressor (ca. 1983)
Rosarito, México
please look through the hiroshima peace memorial museum's august 6 exhibition and the stories of victims and survivors. today, august 6, is the 80th anniversary of the bombing of hiroshima, and saturday is the 80th anniversary of the bombing of nagasaki. please consider these events not only as a series of numbers or even a single day in world history but as the living hell they created for hundred of thousands of people. i realize a lot of people in the world probably don't know as much about the actual circumstances experienced by the people of hiroshima and nagasaki, as well as the indigenous people (downwinders and marshallese) affected by nuclear arms testing by the us, so instead of getting any more angry about how people talk about it (and how they dont talk about it) i just want to share. the images in those links are hard to look at but it's important, if you're in a safe place, please take the time to sit with them and what they say to you, it would mean a lot to me. all of the peace museum's permanent exhibitions are accessible for free online, i strongly recommend exploring them. & free palestine
today is the 81st anniversary of the bombing of hiroshima. august 9 is the 81st anniversary of the bombing of nagasaki. please take some time to remember the lives that were destroyed in these senseless attacks. it's also important to remember that there is no limit to what the united states is willing to do to any people it considers an obstacle to its imperial interest and there is no limit to what it will say in attempt to justify these atrocities.

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the writing in this game is top tier
The World of Ultimate Music
(ATLANSIA STEALTH 2strings)

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Haranishi shows off his special skill
What were the biggest bluffs in the history of warfare?
The biggest bluffs in the history of warfare are the cliffs at Thermopylae in Greece:
This is where in the year 300 (I assume), King Leonopteryx battled the forces of Persia under Xerxes the Great, whose name was in fact Khshayarsha but this was too many letters for Greek news reporters to take down while being shot by arrows.
The spartan king managed to push many of the Persian soldiers off of these bluffs, resulting in him triumphantly still losing the battle with such bravado that soldiers in 21st century America still adorn their Ford Trucks with his immortal words, “Horn Broken, See Finger.”
This event was also depicted in Zack Snyder’s magnificent 3D opus, “Legend of the Guardians: The Owls of Ga'Hoole.” It could sadly not be filmed at the actual location because it is now a parking lot for the biggest McDonalds in Lamia Municipality. The nearby spot where the king died is now occupied by the ice cream machine, which also dies frequently.
Legalizing copyright infringement would be dismantling one of the few limitations on the white urge to steal from Black Art and Black Artists. The practical application of it would be anti-Black as fuck
this argument makes so many assumptions that I disagree with that I don't know where to start
damn asker, that's crazy and would suck. good thing we have robust IP law in the United States to prevent theft from Black artists
now to take a big sip of coffee and look up who owns Tupac Shakur's likeness
Steven Spielberg has received criticism for buying the film rights to MLK's speeches, and further controversy stems from King's estate.
In 2009, Steven Spielberg's DreamWorks company paid the estate for film rights to King's words, along with his life rights, which allow a person or company to make content based on an individual's story. DreamWorks has yet to produce or direct Spielberg's planned King biopic, but the rights have caused complications for numerous filmmakers. (Neither Spielberg's literary agent nor King's estate returned Broadly's request for comment.)
King has received only one major biopic, 2014's Selma, directed by Ava DuVernay […] Instead of using King's speeches, DuVernay wrote original monologues that sounded like soliloquies the civil rights leader could have given. […] When asked about the changes in 2014, DuVernay told the Washington Post, "We knew those rights are already gone. They're with Spielberg."

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Théo van Rysselberghe - The Red Sail, Cap Bénat (1910)
The sky above the port was the color of television, tuned to a dead channel. — William Gibson, Neuromancer
Gibson explained in an interview that it goes back further. In his mind, it was a 1950s set, before broadcast began. The silver cathode ray tube TV, still warming up. They didn't display static, and a black and white tube TV would have a sort of dark tarnished silver quality, while it warmed up and displayed nothing.
Even by 1981 that image was dated. Color TVs were normal, and they display a darker black on a 'dead' channel, and most people pictured the bright snow of a color set, not even the silver tone snow of a black and white, and not the the tarnished silver of a classic, tube receiver.
@coredumpproject but that simply isn't true. the notion that 1950s tvs didn't display static when there was no valid signal being received. and there was little to no consistency in the tone of the viewable screen, its phosphor layer, and any intervening protective and visually filtering glass layers. not uncommon in the least to have, for instance, a layer of evenly smoked or tinted glass specifically to provide a good deep black level for instance.
i have used and even assisted in fixing, on rare occasions, vintage television sets of the 1950s and even seen the real early 1940s and 1930s tvs. once the picture tube warms up to display anything, you will see static on the tv set when it's not being fed a signal it can understand, and it does look like white, black, and varying shades of grey. depending on particular model from that era and how their adjustment settings are at thee moment it will also be rolling horizontally or vertically pretty substantially too.
similarly the visual artifacts of a weak but otherwise compliant monochrome signal with typical broadcast static noise will look about the same on a very old black and white tv as it did on later color sets - the "snowing" effect of near-random bright and dark dots appearing, the whole nine yards. the one thing you don't get, of course, is any incorrect colors or color fading in and out - since you don't have color decoding logic in the set or a means to display it if you did.
now of course he could have simply been misremembering or thinking of a very worn down set that badly needed servicing. it could have even been a specially equipped tv that had circuitry attached to cut off signal if there was some clever means of determining not enough signal (but needless to say, although that later became a thing with 90s/2000s CRTs that could switch to a standby all-blue screen and cut the audio if they didn't get enough signal over the noise, it'd be be pretty expensive to do a similar cut off to a blank screen in the 50s with 50s tech.). but on a normal 1950s tv? nah you'd see the pseudorandom screen image and hear the blare of static on the speaker just the same as you would on a tv 60 years on.