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Top: the "Where's Wario" microgame in WarioWare Gold, like many others, changes significantly between the three difficulty levels. On Level 1, the player must find Wario's face by rotating a ball, but there are no other faces on it. On Level 2, Mushrooms and Fire Flowers with Wario's face are added to distract the player.

Bottom: however, on Level 3, the Warios and the items are replaced by unique "handsome" variations drawn in an anime style. Here are all the graphics of the heads, extracted from the game's files.

Source: elbfcambiaformas

According to the latest information provided by the unnamed, impossibly debonair-sounding European man who is now answering all of her calls, your ex-girlfriend, Rebecca Norsten, “don’t want to speak to you no more.”

The new policy of non-communication, not elaborated upon by Norsten herself, was announced during a phone call to her apartment early Monday morning in the suave, confident tones of an Italian or possibly Portuguese individual of indeterminate height and muscle tone. Phone records indicate the statement was made at 9:35 a.m.—approximately one hour and 25 minutes too early for the speaker to have been a platonic visitor who did not spend all last night giving the love of your life everything you never could.

A simple tile platform raised from the hardwood floor in the main room designates the kitchen area proper and transforms this large area into functionally distinct spaces. The soft blue-green color tones that characterize the walls, ceiling, and cabinets for a gentle backdrop to the dark appliances and greenish black counter stools.

Super [2026]

By Klaas Vermaas

Harry Fonseca 1979, “Coyote, When Coyote Leaves the Res”

Acrylic on canvas

Harry Fonseca began his art career using imagery from his Native American Maidu heritage in his art. His Coyote Series of paintings started in 1979. These works use the coyote as the trickster of Maidu ancestral stories, depicted in nontraditional clothing and settings. In this painting Coyote is dressed in black leather and other aspects of queer-dress experienced by the artist in San Francisco, expressing Fonseca's personal narrative as a gay Native American living off-reservation.