Hanako, Spirit Of The Toliet

This is very stupid but it’s genuinely what I think about every time I consider skipping dinner after work

Assassin’s Creed:  Tweaked

And I like her tweaking concept, where she exaggerated certain features of characters, which is good if you’re an art block and don’t feel like doing anything terribly difficult haha.

Tweaked Assassin’s Creed Part 2

Based on emlan’s Tweaked Hetalia

Two-Spirit

Two-Spirit is a term created by Indigenous peoples of North America in 1990 to bring together the diverse gender identities and sexualities that exist within their cultures.

It is not a single gender. Each nation has its own traditions, names, and ways of understanding these experiences.

For many communities, Two-Spirit people held important social, cultural, and spiritual roles before European colonization.

The term should not be used by non-Indigenous people, as it is specifically connected to the cultures and experiences of the Indigenous peoples of North America.

Irawhiti (Māori)

Irawhiti is a Māori-language term used by some people to describe transgender or gender-diverse experiences.

The term is part of the contemporary revitalization of Māori language and culture, allowing Indigenous people to describe their identities through their own cultural frameworks.

Although it may be translated as "transgender" in some contexts, Irawhiti carries meanings connected to Māori cultural realities and should not be understood simply as a copy of Western gender categories. ( Flag design by Irauí on Tumblr. ) @irawhiti

takatāpui (Māori)

Takatāpui is a Māori term used by Indigenous LGBTQIA+ people in New Zealand.

Historically, the word referred to an intimate relationship between people of the same sex.

Today, many Māori people use the term to express both their Indigenous identity and their gender or sexual diversity.

More than a specific sexual orientation or gender identity, Takatāpui connects a person to their culture, ancestry, and community.

The term is part of the Māori cultural revitalization movement and demonstrates that gender and sexual diversity can be understood through Indigenous perspectives, not only through Western categories. ( Flag design by Irauí on Tumblr. ) @irawhiti

Māhū (Kanaka Maōli)

Māhū is a traditional Hawaiian cultural identity associated with people who embody both masculine and feminine qualities.

Historically, māhū people held important roles as educators, keepers of knowledge, healers, and transmitters of cultural traditions.

The arrival of colonization and Christian missions attempted to erase these identities, but many Native Hawaiians continue to preserve and revitalize the māhū identity today.

Māhū is not simply the Hawaiian equivalent of "transgender" or "nonbinary." It is a distinct cultural identity deeply connected to Hawaiian history, culture, and spirituality.

Tibira/ Tybyra

Tibira is a historical figure documented during the colonial period.

According to interpretations by Indigenous researchers and collectives, Tibira may be understood as a man who had relationships with other men, or as a person who lived with a feminine gender identity or expression, challenging the norms imposed by colonizers.

Their story is remembered as an example that gender and sexual diversity already existed among Indigenous peoples long before colonization. ( Made by me )

Çacoaimbeguira

Accounts of the Tupinambá people mention the çacoaimbeguiras.

According to interpretations by Indigenous researchers and collectives, they may be understood as women who had relationships with other women, or as people who lived with a masculine gender identity or expression outside the norms imposed by colonization.

✧ Broken ribs suck. You don’t just “walk it off.” Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries won’t be doing heroic sprints.

✧ Concussions aren’t instant naps. Dazed vision, nausea, dizziness, maybe even personality changes, but they’re not going to collapse neatly like in the movies.

✧ Blood loss is sneaky. It’s not just about dramatic pools of blood. It’s dizziness, confusion, and the body getting cold as circulation tanks.

✧ Adrenaline lies. Someone can take a serious injury and not feel it until the fight’s over. That “I didn’t realize I was bleeding until later” trope? Very real.

✧ Twisted ankles are brutal. One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.

✧ Burns linger. Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, it’s not just a cool scar later.

✧ Dislocated shoulders = useless arm. Characters can’t keep swinging a sword or firing a gun. They’re basically fighting one-armed until it’s fixed.

✧ Shock is a thing. Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.

✧ Stitches aren’t magic. Getting sewn up is painful and recovery takes time. They’re not instantly battle-ready after a needle and thread.

Since the ai accusations are still being thrown around, here's how i personally like to use these GASP ai telltales. 🦄✨

Em Dashes (—)

To emphasize a shift / action / thought.

They're accusing us—actually accusing us—of using AI.

To add drama.

They dismissed our skills as AI—didn't even think twice, the dimwits—and believed they were onto something.

To insert a sudden thought. Surely they wouldn't do that to us—would they?

To interrupt someone's speech. "Hey, please don't say that. I honed my craft through years of blood and tears—" "Shut up, prompter."

To interrupt someone's thoughts / insert a sudden event.

We're going to get those kudos. We're going to get those reblogs—

A chronically online Steve commented, “it sounds like ai, idk.”

Semi Colons ( ; )

To join two closely related independent sentences / connect ideas.

Not only ChatGPT is capable of correct punctuation; who do you think it learned from in the first place?

Ultimate pro tip: use them whenever the fudge you want. You don't owe anyone your creative process. 🌈

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”