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saint alia of the knife

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forever fascinated by how little irulan speaks in person and how little we know about her as a person by it being expressed directly. yet we find out so much and such deep intimate details about her solely through her works. it feels like we know her, yet there is so much missing. and yet we cannot hear her
Muad'Dib.
dune is so cool as a bildungsroman because there are some scenes where paul is literally coming to terms with the insane amount of psychic ability he has, and yet at the end of the day he's just a 16 year old learning how to navigate a world that forced him to grow up far too quickly
"'It's here.' He put a hand to his head and then to his breast. 'In me. It goes on and on and on and--'" (248)
dude that's literally him realizing that he has these insane abilities living within him, that he is something "other," and he goes hysterical over it because he is realizing his own strength. he realizes that he has this power living within him, that's been cultivated by jessica since he was a kid, and by the spice since he arrived on arrakis, and now he's too powerful to just be a child anymore. to just be paul.
it's like when a kid realizes that if they step on a bug, it dies. it's like when a person realizes that they genuinely have the power to destroy. that's what's happening to paul just on a MASSIVE scale rn

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Imagine dooming the entire universe to a thousand different fates so horrible the only way forward is to choose the less horrifying one, which still makes monsters out of your own children and grandchildren just because your husband wants a son and you love him so you throw away your cult’s 10.000 years of meticulous planning for humanity thinking, “Hey, what’s the worst that can happen really, am I right?” *wink*
Cover artist: Jack Gaughan (1930-1985) Dune Messiah by Frank Herbert (1969)
Promotional poster for David Lynch's Dune (1984) illustrated by Ryoichi Ikegami
Paul heard his mother’s grief and felt the emptiness within himself. I have no grief, he thought. Why? Why? He felt the inability to grieve as a terrible flaw.
Frank Herbert, Dune

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I really like that Edmond's commitment to the bit and theatrical bullshit is just as potent with his loved ones as it is his enemies. Like he absolutely could've told Maximilian once they got to Marseilles or even after leaving Paris "Listen, don't kill yourself, I know this sounds nuts but Valentine's fine. Her entire family aside from her grandpa is either dead or driven insane but it's cool, you guys can be together" but instead he took him on a road trip, took him to a private island, got him high, and actually made him think he was giving him poison
I love Edmond but I especially love that at this point he's incapable of being direct even when it would really benefit everyone involved
The count of Monte Cristo’s locations by Firsin on deviantart
(respectly: Chateau d’if, Monte Cristo house, Morcherf house, Danglars house and Villefort house)
ursula k le guin affirmations for your day:
it is our differences which make us dearer to one another
it is never too late to start loving
the enemy is not the foreigner, but the ones who tell you to hate the foreigner
everyone should have food, shelter, and work
everything is a yin and yang metaphor if you try hard enough
sci-fi is important
how did I forget to post those here??
I like how Ubertino is written ☺️ like why is he at the same like witchy and horny and preachy
I really love this novel! I've read half of it and haven't finished it yet, it's so captivating.

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focault's pendulum fanart
I know nothing. There is nothing that I know. But the heart senses certain things.
Umberto Eco, The Name of the Rose (translated by William Weaver)