Behind the scenes at Bolshoi theatre.
$LAYYYTER
Stranger Things
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Claire Keane
noise dept.
Monterey Bay Aquarium
Misplaced Lens Cap

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Xuebing Du

if i look back, i am lost
I'd rather be in outer space 🛸
cherry valley forever
YOU ARE THE REASON

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Kiana Khansmith

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Sade Olutola
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@haasap
Behind the scenes at Bolshoi theatre.

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Ethiopian wolf stalking a rat
From BBC’s “Life” (2009)
Pavel and Dmitry without any special context
We understand you, Vitya... We understand........
It's no secret that Victor has a very reverent attitude towards werewolves. Of course, he also treats vampires with all the respect and good nature inherent in him, but exactly in relation to werewolves Barbatov constantly say either compliments, or admiring sighs, or requests to appear in beast guise. Sometimes there are even attempts to touch the fur and rub the muzzle. Apparently, for all his long undead years, Vitya did not have time to get enough of the look of giant anthropomorphic wolves, since even in the modern world he continues to observe his other relatives with the same burning enthusiasm. Well, aren't they cool? In present time we can understand it. And from a dozen centuries ago, we would have looked at Victor with a completely different look if he had come up to us and said: “Did you hear that recently the werewolf killed the whole herd in the neighboring village? Paw marks - wow! - like three of my palms! What a power! I ALSO WANT TO BE A WEREWOLF!” Well, Vitya... Rejoice that now these shaggy colossus are working for you and are your kids. Just don’t talk much on the Internet about what exactly they do in this organization of yours.
One of the characters for the comic that is in development Since the introductory story of OutInside became a planned comic and not a textstory, some of the characters and plot actions have not changed radically, but rather supplemented, helping the plot to work and show either the characters or the world they live in. So Hugo, who was an unnamed assistant in the text, acquired both a first name, a surname, and appearance. And he even became a faun, although initially there were no socially adequate magical creatures except for Tsepel, the dryad Pippin and [spoiler] in the district. So I'm more than satisfied. By the way, in the world OutInside, a faun and a satyr are different words for the same creatures. With the industrialization of society, the separation of people from the fairy folk became much more distinct. Production is going on, cities are growing like mushrooms, people need more natural resources to use. Not having time to adapt and get used to such a world, non-humans are not very happy with the progress. They are pushed further and further away, losing homes, forces or followers, and most conflicts today are based on the fact that people have again expanded their borders without asking, for example, some dryad about her willingness to cut off part of her territory in their use. Many magical creatures are no longer able to openly oppose the human race - the times when a pointed stick broke on the horns and got stuck in the skins of forest spirits are long gone. So many Old Gods turned out to be just greedy magical creatures, so people, feeling their ability to fight back, began to reshape the world in their favor with renewed vigor. Guns, battle magic, and Kindred who choose to progress will pacify any magical imp, and therefore compromise is the only way to peaceful coexistence. Beside banditry and lynching on the one hand, and arbitrariness and genocides on the other, of course. But people are not completely lost guys after all, so the majority of representatives of humanity had no desire to destroy and deliberately oppress their magical neighbors. However, cities must be built. Resources and territories are needed. What else is needed? That's right - workers! So one of the compromises proposed by humanity was the integration of magical creatures into their society. The skills of certain representatives of the magical folk were useful in a variety of industries, and for those who were most successful in socialization, all roads were completely open. Unless, of course, we close our eyes to some nuances, but we'll talk about this later, just like about savage creatures who refused to become "full members of society." The first and most numerous of those who successfully managed to get used to the urban environment were the folk of the fauns. Throughout all times, they have been extremely close to people (ah, remember only common holidays....), gradually moving further and further away from their wild nature, so that when they faced a choice between leaving their acquired territories and go further into the forests to start all over again or try to get a regular job, there were many who chose the second option, even though it entailed the loss of some of their magical talents. The seething and rich city life seemed very seductive... Of course, mature and old forest spirits preferred to stay closer to the ground and agreed to the vacancies of foresters, border guards, farmers and hunters, or even won the dispute, leaving their forest untouched, but on the other hand, the young, on the contrary, enthusiastically go to people, very quickly learning how the advantages of the city life and its disadvantages. A case in point is Hugo Juholt, who handles the valuable documentation of a noble gentleman named Benjamin Braggins. It can be said that Hugo is the chief secretary and deputy, and only Benjamin himself stands above him in the whole company, but this does not particularly give the youngster Juholt respect among his colleagues. Why? Well, certainly not because of the stereotypical opinion that fauns are
parasites, lechers and drunkards. Hugo is not like that at all. He is a capable and even a little workaholic fellow, but at the same time very pliable, modest, clumsy and indecisive to the point of cowardice. From the outside, it sometimes even seems that Braggins keeps this grown-up lamb with him not as a subordinate, but as a goofy son, who needs to be placed in a profitable spot and pushed to work so that after the death of his father he will not be drowned by other business sharks. But this opinion is erroneous: although Hugo does not give the impression of a strong-willed and predatory personality, he is still quite independent and knows his duties, therefore he is aware of the deplorable situation in which their company finds itself. And when Braggins disappears, having previously concluded a very strange deal, Hugo takes all his sheep's courage into a fist, seasons it with ram's obstinacy and goes to solve this issue, taking with him a lawyer and, just in case, a psychiatrist magician with a profile in the field of narcology. Because it was only a bewitched man, and certainly not Mr. Braggins, whose working principles Hugo knew all too well, could make such a deal, which essentially puts production in the hands of a competitor and throws out the entire staff of dedicated workers.

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Werewolf reference commission
Some time ago, in addition to the drawing, I also shared a frame-by-frame process of creating that werewolf illustration! The drawing came out huge. Now you can watch it in its entirety! Feel my suffering while working to the fullest (my computer almost died in general)
Well... Not as good as I hoped. In October, I was completely broken by covid
It seems that I drew enought faces this year, but it still feels like there is nothing to choose from. I was tired, it took a long time to decide what to leave and what to remove from the picture. I even thought “I’ll draw a comic strip, and then I’m pulling frames from there for this meme,” but no. There is no comic yet. And I sent myself to hell.
He is kinda like stuck in textures but in fact it is just an illusion to hide from the guy in black The final title has not yet been chosen, therefore I painted over it, leaving only the name of all collection. Testing-of-the-testing, let's say, is not yet a full-fledged start.
How good it is to be an illusionist: you can stalk people point-blank, but they won't even notice, because you are transparent and are visible only to those who look at you through the fourth wall - visible only to the readers. ...Wow, some kind of recursion stalking...
When I compare this background and the background to that illustration for the werewolf artbook, I want to whine, but I justify myself by the fact that I spent more than a month on that background, and on this one a few days at most. “Anyway, you wanted to practice in the comics rather than the background, stop whining,” I declare and give myself an anti-hysterical motivational slap in the face.
In general, I continue to work. You know, it becomes very offensive when I understand that the conventionally autumn comic will be released only in winter. Just... Damn I should have finished this for Halloween. Okay, not in time for Halloween because of the covid. But then it turned out that by the end of autumn I did not have time also. Time, stop. Just fucking stop. I am not so fast.

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Now I can finally post the illustration that I drawn few month ago for Werewolf Artbook
long live my beloved stoned rusreal with an admixture of some sorts of creepy things Initially, of course, I planned to draw a random wolf, but in the process of creating the illustration, another subplot was born in my head, and I could not resist. Thought over both the main character and his immediate entourage. And I wrote it all down in the format of several text facts, which I post along with the sketch-page on other platforms. I wanted to post a sketch page next week, but now I think I'll keep it exclusive to Patreon, Boosty and VkDonut. It will not appear in the public domain in its entirety. However, it will be very useful to share text facts, since a full-color illustration has come out. Information about this wolf, who received the name Gosha (Georgy):- One of the few wolf cubs who after the loss of their parents were not taken away by "services" (VPshniki) and remained in human society- Since he grew up, the number of drug dealers in his little town has sharply decreased and the lists of missing persons have been replenished- He considered himself a good boy, until he was banal to start eating hooligans and all kinds of little bandit scum- As a result, he himself looks like a gopnik and a drug addict for his neighbors, because "he is suspicious and always disappears somewhere" (c)- He wanted to become a K9 Trainer, but the dogs don't like him very much, so he just secretly helps the local vampire-policeman to keep order on the streets
Okay, I DON'T know AT ALL what is going on in these arts. Its's just an AU, I suppose. This time, I came without a canvas of text, come up with it yourself. I just wanted to draw Tsepel's different guises together. I like to compare....... And in general, this is one of the prettyest ("Alive") and one of the most terrible ("Bloodsucker") illusory guises of Tsepel. It's a sin not to compare and not put them together...
All I can hear is Merida from brave 😂
Again, I won't give you any context. Why is Tsepel... like this? Is it okay for him to be like that? Why has Salvator still not abandoned attempts to hunt him, if every year everything repeats itself and "the bloodsucker" escapes? Is it different this time? Why did I use a famous meme instead of giving you a full comic? Perhaps because the comic is not yet ready, but I do not have the time and energy, so I draw at least that just to not feeling guilty? Or am I just trying to keep the intrigue? You can guess the answers to these questions yourself. ______________________ But I have some lore! : How is a deadwalker different from a bloodsucker? Well, at least the fact that he does not drink blood. But there are differences in appearance as well. The color of the eyes of the bloodsuckers turns red, their body mutates, acquires a predatory shape, and over time, their behavior tends more and more to destruction. Hunger pushes bloodsuckers to attack the living, feeding on their blood, flesh and souls. Gradually, the human appearance recedes completely, turning the bloodsucker, who has lost his mind and soul, into a rotting and insatiable corpse eater - the ghoul. And what about the deadwalkers? More often than not, people do not distinguish them from their own kind. With constant magical support, the deadwalkers are warm, ruddy, can eat ordinary food and are completely uninterested in drinking blood and eating flesh. Only difference - they do not age or mature. Their body is almost indistinguishable from the body of a living person as long as the magic around and within them is under control. Otherwise, the results can be... different. Sometimes the deadwalkers who lost their magical support turned into bloodsuckers, sometimes they calmly died again and they soul went to the next world, sometimes they were divided into a ghost and a corpse. Only an experienced wizard will be able to recognize the energy of death, which strives to "fix" the body of its ward and return it to normal as soon as the support from the necromage recedes. Tsepel is precisely a deadwalker. He does not need the blood of other creatures and does not experience predatory hunger. The mutations of his body - claws and fangs - are not associated with the hunting instinct, but with the protection function inherent in the familiars of the necromages. Although... After all, death magic is not the most well-studied field. Who knows how far and clear boundaries are drawn between all the undead? Maybe in time magic science will sort it out completely. The best state necromages are advancing every day, but they still have a lot of discoveries to make. But one thing remains certain: after "Tsepel-the-Bloodsucker", the original appearance of "Tsepel-the-Deadwalker" no longer seems so creepy. Everything is relative.
This video gives me spiritually energy and power

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