Arse Goetia

Chapters: 2/5 Fandom: Hellblazer, Constantine: The Hellblazer (Comics), Hellblazer & Related Fandoms Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Relationships: John Constantine/Original Female Character(s) Characters: John Constantine, Original Female Character(s) Summary:

In the small village of Altkaulen, where unemployment is hereditary and Hell barely seems worse than the desolate store down the road, Murne Wyrschik makes a mistake when she tries to wake the dead with a ritual she found in an old cookbook. What answers isn’t her late father but something John Constantine buried under many years of bad decisions.

Two people who’ve forgotten how to want anything. One hellgate. Six shots of schnapps and a death warrant that comes with Constantine‘s hands. He swears he‘ll get her killed. She swears she doesn’t care. They’re both lying.

I keep seeing discussions around this in my social feeds, often from what I’d call 'online goths' selling their 'gothhood' for referral links, content clicks, and monetization. So here’s my take on it, to organize my thoughts and have a reference point going forward. Goth as a subculture is inherently apolitical. There is no "political party line" and the point and goal of goth is not politics. Goth is an inward-facing subculture, not an outward facing subculture.

Many goths do individually tend to lean towards certain politics more than others, but that stems from personal world views and not a subcultural guideline.

What unites truegoths™ (I say with a joking wink), whether they lean politically right (e.g. certain neopagan circles), centrist, or left (e.g. post-punk communities), is not a shared ideology but a shared stance. Most, especially in trad goth spaces, are effectively apolitical while practicing inclusive personal values. What binds them are two broad philosophical pillars:

They look inward more than outward and distance themselves from the loud, consumerist, commercial noise of mainstream society.

They are deeply distrustful/skeptical of authority/authoritarianism.

Certain behaviours and social preferences naturally evolve from these 2 core pillars, but often get conflated with political ambitions.

If you strip away the commercial and socially performing aspect of mainstream every day society, you are left facing death and meaning. Goth art, music, lifestyle reflects these inward considerations. These two pillars are the reason, why a lot of goths tend to be into

dark monotone music (refusing fake feel-good-performance, stripped and raw, for processing internally)

literature/poetry/magic/spirituality/occultism (find meaning in life & death, beauty in ruin, what lies behind mainstream polished flashy life)

morbid things (skulls, serial killers, psychology - the truth behind distractions)

DIY (refusing shallow commercial hype and money-focused living, not as a political rebellion but as a result of your own value of anti-commercialism)

black (minimalist, refusing loud colourful performance and expression for others, connotation of "mourning")

There’s a common claim that “you’re goth if you listen to the music” which gravely oversimplifies the relationship. It’s not about which bands you like, but why you’re drawn to that music in the first place. Goth music isn’t just a genre for dancing or aesthetic vibes but the sonic expression of this particular worldview.

Goths (as opposed to the TikTok and Instagram goths) don’t listen to these bands because they’re catchy or something. They resonate with the emotional and philosophical tone behind the music: alienation, loss, decay, beauty in darkness, the refusal of false positivity. The sound reflects an internal state. You don’t get into goth because you found a playlist, you find the music because you were already there internally. I feel this horse is getting saddled the wrong way around more often than not these days.

And it's a crucial distinction. You don’t adopt goth because you heard The Sisters of Mercy. You found The Sisters of Mercy because something in you already matched them.

Many subcultures function around a POV of "look at me, make space for me". Goth functions around "just leave me alone". It's a culture of loners aesthetically and philosophically dealing with the rot in the world internally, not one of groups shouting how things are bad and need changing.

Goth has no ambition to change society or culture and runs on "leave me alone, I'll do the same for you".

This naturally makes modern day social media goths and Killstar VIP buyers exactly that thing that was the worst insult back in the day of an actual IRL scene: "posers".

Just as the worst insult for any band used to be: "commercial" and there was always much discussion about who is "selling out".

I feel a lot of younger people, especially in the hypercommercialized social landscape of 2025, struggle with these concepts. People are so used to buying visual identities without grasping the essence, there is significant lack of awareness how things like selling and buying shirts with comic bats and pentagram prints is mockery and offensive commodification of what used to be a subculture.