more Emily and Wendell because I can’t get enough of them💚 (featuring Shadow and Poe🥹)
art by @rosiethorns88 (rosiethorns88 on Instagram)
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@greenglassmarble
more Emily and Wendell because I can’t get enough of them💚 (featuring Shadow and Poe🥹)
art by @rosiethorns88 (rosiethorns88 on Instagram)

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Things i'd like to see happen with Wendell Bambleby and Emily Wilde:
(warning, some spoilers ahead)
Emily gets slapped by someone she's accidentally on purpose antagonised. Bambleby finds out and "just wants to talk to whoever did this". We all know the all-powerful fae king does not just want to talk.
Wendell trying to tactfully negotiate the endless stream of women who come and see him upon his return. Emily watches from her office across the hall.
Emily gets a magical flashback to Wendell's time as a spoilt prince in his land being waited on hand and foot. It may or may not change how she sees him.
Emily going out for supper with a very handsome man who is very interested in her work. Absolutely not her, just her papers. Wendell gets jealous and gets drunk. he's very sappy when she comes back.
Emily views Bambleby through a hagstone to see him as the fae see him. He has an iridescent crown of light and he is even prettier than she ever thought he could be.
Emily and Wendell go out on a picnic. Just a nice, wholesome picnic with good food.
A room full of academics awkwardly witnessing Emily and Wendell having a spat. I wouldn't be suprised if objects are thrown.
Emily gets jealous of one of Bambleby's many admirers. But not wanting to admit it because she's too academic and has "logic'd" her way around it. This ends in tears, naturally.
Emily and Wendell cuddle in front of a fire and it's all nice and cosy.
Emily has a girlboss moment and saves Wendell- preferably like that scene from Ever After where she can take whatever she can carry and she chooses her prince.
Emily having no idea Bambleby is into her, to the point where she thinks he's making fun of her even when he's on one knee in front of her is honestly so relatable to all of us who have no idea when we're being flirted with
Gorgeous artwork by @kelleymcmorris [insta] who also illustrated the beautiful cover for Divine Rivals.
Emily Wilde is THE neurodivergent rep queen. Her parents find her weird and off-putting. She gets to a new town and immediately offends them. She has to constantly remind herself to show empathy. She pulled a faerie king with the power of autistic rizz. Truly the representation we all deserve.

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Can we talk about how Wendell enchanted EMILY’S pens and pencils because he just assumes they will always be together when he needs them anyway?
Professor Emily Wilde and that other guy
Seville Cathedral
He affects 5G towers like metal does a microwave
He walks into Chernobyl and parts the radiation like Moses did the Red Sea
i am going to throw myself out of a window

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also the way that the nimona movie showed that hate is a taught behavior?? the way that gloreth, the hero worshipped for slaying monsters, was fully accepting of nimona until her mother told her what to believe? until that generational bigotry was passed down? the way the director’s motive wasn’t even power like most evil government figureheads in media, but rather a fear of monsters destroying the kingdom because that hate had been instilled in her too, like it had in gloreth? the way ballister was also indoctrinated into hatred of “monsters” until he was just as outcast as one? because only then was he willing to change and learn?? and how even people with good hearts and good intentions like ballister and ambriosius and even the queen herself are still capable of perpetuating bigotry and unnecessary violence when they don’t take the time to understand or learn about the “others” they supposedly hate????????? i need to lie down
Behind the Animation for Nimona | Netflix
i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.
ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.
ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.
which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.
Like the majority of society I’m obsessed with Nimona
And I rewatched it a million times and one thing always sticks out to me
There are moments when Ambrosius is surrounded by light like a little protective bubble
That keeps him away from the man he loves more than anything
I've noticed something in Nimona and I'm adding pictures (UPDATED), but look at the catch lights in the eyes. Nimona has slightly rounded tilted diamonds,
Boldheart has squares (or sideways diamonds),
and the institute has diamonds
Golden Loin has triangles when he doubts the institute or is being purely himself
but diamonds when he's fully on their side.
Glorith has the same eye shines as Nimona in the beginning,
but when she says her famous line, they're diamonds.
Boldheart's catch lights are always a square, or sideways diamond. He never fit in at the institute, but always stood for truth and honor.
This is just something I noticed that I think is cool.

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nimona is abt living in a surveillance police state where the only path to acceptance is conformity as a tool of oppressing those like you. it’s about how a privileged white woman afraid of imagined dangers can often be the greatest threat of all. it’s about how our nature is acceptance, but even a single moment of misinformed paranoia can give rise to lasting cycles of bias and abuse. it’s about how systems of belief will always find a way to validate the harm they inflict upon others, even if it means turning one child into a myth and the other to a monster. nimona is also. a film about a dancing pink shark in sunglasses
nimona the webcomic and nimona the netflix movie are so thematically different and come from such different periods in the artist's (nd stevenson) life and our lives and I love that?? I love the bitterness and angst and how morally gray the graphic novel was, just as much as I love the hopefulness and compassion and how unapologetically trans the netflix film is. watching his work grow as he grew older and I grew older and more secure in my sexuality, is just - so special. it's a rare thing to grow in parallel with the work of an artist you love, especially a queer artist, and I'm so fucking happy this film got made, especially with all its differences to the original work. something something to be loved is to be changed idk lmao.