Thereâs a number of things in the world that look a lot different, since they pulled him out of the ice. Dancing is one of those things. Everyone ( Natasha, especially ) is always telling him he needs to get out more. But half the time when he tries to, he ends up like this: standing, watching, feeling a little too much like the man out of time he keeps trying to prove heâs not.
   One thing that hasnât changed, is the look of what he sees going on at the other side of the room. Chasing. Grabbing. Refusing to take ânoâ for an answer. âŚAnd thatâs enough of that. Steve Rogers may not be able to dance the way everyone does these days â but thereâs something he learned a long time ago thatâs no less useful today than it was seventy years in the past. And thatâs how to take out the trash.
   He cuts through the crowd a lot more smoothly than might be expected of a man of his size, and his eyes and jaw are both rock-hard by the time he gets where heâs going.
   âListen, pal â â A big hand clamps down on the shorter manâs shoulder. Right at the base of his neck. Steve squeezes. The manâs grip on the woman pops free â maybe because he doesnât have any choice but to gasp and let go.Â
   ( And if Steveâs fingers leave a bruise or twoâŚ? Well then thatâs just too damn bad. )
   Nearly dragging him bodily, Steve swaps their places. Now heâs between the woman and this nuisance, and can look him in the eye.  âShe shouldnât have to tell you twice.â A little tilt of his head adds emphasis.  âIâm not going to.â His hand snaps open like a bear trap, and the manâs knees buckle, a little. Steve gestures with his chin.  âBeat it.â
   The very picture of the tail between his legs metaphor, the ill-mannered kid obeys.
   And, heaving an annoyed sigh and shaking his head, Steve turns around. Thereâs an almost-smile threatening to appear, but that depends on how she reacts. A jerk of a thumb indicates the jerk recently departed.  âHope you donât mind me butting in. Some days I just canât help myself.â He backs up a little, careful not to crowd her, despite the press of people around them. âYou okay, maâam?â
 Itâs a rare event that moves too fast for her. But what just happened?
 She doesnât say anything --- no need, anymore --- but sheâs certainly having an eyebrow journey as she watches. It takes another moment for whatâs-his-name to disappear around a corner, and for Argoâs hands to drop to her sides. Her palms cool. A very slight sheen of gold dissipates, like dust motes, into the air.
 Her eyes remain just a little narrowed. Itâs odd, to see such a large person move so carefully. So conscious of the space heâs taking up. Thatâs enough to make her less wary, and, besides ---
 He did step up, after all.
   âBig moral compass man,â  she says, appraisingly.  âThank you.â  Sheâs no more used to saying that than she is to other people getting her out of jams, particularly ones she has under control. But the gratitude is all the more genuine for it.
   âIâm well enough. But I think Iâve had enough dancing for one night.â  Admitting defeat, if thatâs what it is, leaves an ashy taste in her mouth. Then her head tilts. It wouldnât be accurate to say she perks up, but a low hmm escapes her.