2026
I CAN DO WHAT I WANT
ANYONE WHO LOVES ME DOESNT CARE WHAT I DO
CONSISTENCY OVER PERFECTION
DISCIPLINE AND PATIENCE WILL SERVE ME WELL
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@godspetdog
2026
I CAN DO WHAT I WANT
ANYONE WHO LOVES ME DOESNT CARE WHAT I DO
CONSISTENCY OVER PERFECTION
DISCIPLINE AND PATIENCE WILL SERVE ME WELL

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Bust bodice, 1905. France. Victoria & Albert Museum.
George Barbier - Illustration from Les Chansons de Bilitis (1922)
Marta Blue

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In the Mood for Love
my mans on his way and i got on black lingerie and imogen rose
5, 6, 13 for the aging tumblr asks? š¤
5. what's your favourite piece of furniture and where did you get it?
ngl not a piece of furniture but my turntable and speakers
6.what's your go-to recipe when you want to make something that requires minimal effort?
anchovy pasta!
just red onions, anchovies and gochugang sweated in olive oil, then dumped linguine on top and mix, then serve - takes 30mins
13. what are your hobbies?
cooking and baking, but i got a sewing machine so im gonna learn how to sew!
silver cupid locket from the 1600s with the inscription "no heart more true than mine to you"

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Nancy Crystalworks Luxor perfume bottle, 1920s
Nothing's ever simple anymore. I'm constantly trying to work it out. Who to love or hate⦠who to trust. It's just like the more I know, the more confused I get. I believe that's called growing up. I'd like to stop, then. Okay? I know the feeling.
BUFFY THE VAMPIRE SLAYER | 2.07, "Lie to Me"
Pirkle Jones: Untitled, from the seriesĀ Walnut Grove: Portrait of a Town, 1961
In this Roman mosaic, the Greek phrase for 'know thyself' is written beneath the skeleton figure.
The mosaic once decorated the floor of a tomb on the Via Appia in Rome. It was discovered in 1865 near Santa Maria Nova, in the vicinity of the Villa dei Quintili. Dating back to the 2nd century AD, the artwork is currently on display in the Terme di Diocleziano section of the Museo Nazionale Romano.
The inscription at the bottom, ĪĪĪ©ĪΠϹĪ΄ΤĪĪ, is the Greek phrase γνῶθι ĻĪ±Ļ ĻĻν, or gnÅthi sauton. It translates to 'know thyself.' This saying was one of the ancient maxims associated with the Temple of Apollo at Delphi.
In a Roman context, this phrase didn't just mean knowing your character. It also carried another meaning: know your limits, know that you're human, and know that you're mortal.
That's why the reclining posture of the skeleton is significant. Resting against a cushion, the figure evokes the tradition of reclining that we recognize from Roman banquet scenes. However, this mosaic doesn't come from a dining room, but from a tomb setting on the Via Appia.
The concept of death wasn't foreign to Roman banquet and dining culture, either. Two silver goblets adorned with skeletons from the Boscoreale treasure serve as a similar reminder: conveying to the drinker that life's short and death is inevitable...
There's no lengthy text on this mosaic. The message is direct: to know thyself is also to know that you're mortal.
Absolutely insane lines to just drop in the middle of an academic text btw. Feeling so normal about this.
[ A Critical History of English Literature, Vol. 1, Prof. David Daiches, first published in 1960 ]

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godstiel x gone girl
Dahling you simply must read this book! Itās all about this devious little caterpillar who simply gorges himself on all manner of divine things