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Hannibal scripts: #scripts
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Tag list:
Fics and other things: #writing;
Comparatives by others, posts that remind me of the show, meta by others, etc: #associations;
Videos: #video
Hannibal scripts: #scripts
AO3 - YouTube - Discord: viva_h8

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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yearn
/yərn/
verb
1. to have an intense feeling of longing for something, typically something that one has lost or been separated from.
didn’t I?
I think people always forget that Will was completely aware of everything that Hannibal had done. He knew how he thought, his motivations, and his crimes as if they were his own. And yet, he consistently shows that he wants to choose Hannibal over all others. Even after others find out his crimes, Will is so smitten that he just tells Jack that he wanted to go with the cannibal that tried to kill them both. The icing on the cake though, is that until Will found out Hannibal’s true nature, he was not nearly as interested. Will is so much darker than he lets on, and it’s a layer of his character I wish people talked about more often.
Looks like Jack is starting to get suspicious

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“The best knowledge, sometimes, is not to know, or pretend not to.”
— Baltasar Gracián, The Art of Worldly Wisdom
HANNIBAL Reassuring to recognize when the bolt of our fates slides home.
Potage, 1.03
You can tell a lot about a person by entering their mind palace and encountering their greatest fears and darkest hopes in a labyrinth reflective of their subconscious thoughts.
HANNIBAL + winter
Hannibal (2013-2015)
2x13 || 3x02

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A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.
When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.
fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.
Hannibal (2013-2015)
2x08 - “Su-zakana”
#live social worker that just crawled out of a horse reaction
Berlinde De Bruyckere
character will get 10x hotter with the addition of blood btw. bonus points for disheveled hair, untucked clothing, and glazed, feverish eyes.
ALANA BLOOM: How are you, Will? WILL GRAHAM: (smiles) I have no idea.

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HANNIBAL GIFSET PER EPISODE - potage, s1