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another of the little chibis
dude you should have been at the club last night it was insane. the dj was playing the lament and funeral of hector from the iliad and everyone was beating their breasts and tearing open their garments. at the end we all built up a funeral pyre in the middle of the dance floor and set it aflame. we were all feeling the inherent human connection through millennia old poetry, it was wild
illustration commission for @itsfabula of Keldrin Zautyl, a rogue in his natural, and well decorated habitat āØāØ
āØcommission info hereāØ

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So a couple days ago, some folks braved my long-dormant social media accounts to make sure Iād seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. Ā These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.Ā They had a lot of knowledge, but ā hereās the important bit ā a lot of them didnāt share it. Ā Itās not just that they werenāt internet-savvy enough to share it, or didnāt have the time to write up tutorials ā no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Ā Now, thatās a generalization ā there were definitely some lovely and kind and helpful old-school costumers ā but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasnāt much of a thing. Ā And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. Ā NOT beginner friendly, is what Iām saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. Ā What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. Ā I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we werenāt inclined to deal with yet another one.Ā They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. Ā If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Ā Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying ā and succeeding with ā materials that āseriousā costumers would never have considered. Ā I was one of those costumers, but there were many more ā I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing. Ā
Iām not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. Ā Iām saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. Ā That wasnāt necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didnāt share that info I could probably hang on to that edge for a year, or two, or three. Ā And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. Ā People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. Ā And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud. Ā
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesnāt that page just scream āI learned how to code on Geocities!ā), and having it embraced as a springboard for newer and better things warms this fandom-oldās heart. Ā This is our legacy, and a legacy the current group of cosplayers is still creating, and itās a good one. Ā
(Oh, and for anyone wondering: yes, Iām over 40 now, and yes, Iām still making costumes. And that armor is still in great shape after 17 years in a hot attic!) Ā
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
i need to show you all something that made me crylaugh last night. just fucking look at them.
Grand Theft Hamlet is a great movie, by the way, or at least it filled a need I didn't know existed. It's a documentary where a lot of actors in lockdown try to stage Hamlet in Grand Theft Auto Online, getting other people to read various parts, picking places to perform, scheduling rehearsals, picking up some regular people who watch them rehearse, and all the while dodging every other player in the game shooting at them with rockets. It's great.
One thing that especially worked for me, though, was the ghost. This is the first time I really felt it when Horatio begs Hamlet not to follow the ghost. Inside GTA Online, the ghost is in all black except for a ski mask with LED lights in a smiley face, standing on a blimp that Hamlet has to jump down onto from a balcony. Don't follow him, Hamlet!
Anyway, go watch this.
So I did not expect this to be so spectacular, and more fool me. The concept is fascinating, and what you get more than the play is a group of people trying to navigate an adriftness through the timelessness of Shakespeare, where modern conditions and humble truths of human nature clash a magnificent, jarring environment that seems perfectly suited to such a venture.
Went to the zoo today and they had these Arabian Oryxes but one of them found a hat somebody presumably dropped in the enclosure and was playing with it
He managed to get it on too. Looking stylish my friend
Harrisburg Telegraph, Pennsylvania, March 29, 1881

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Itās cool how we found the secret elixir that cures all human disease and itās in this guyās bitey little mouth
What this guyās bitey little mouth has been recently up to:
This is why scientists study everything.
Put this picture in your pocket, next time you get into an argument with someone about 'useless' scientific studies, ask them "Do you think that we should give funding to study the mating habits of endangered iguanas in the Sonoran desert, or should we be funding cures for alzheimer's and diabetes?" and then when they say "Of course we should be using that money to fund cures!" you can whip out this picture and say "trick question, it's the same thing"
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