- The Ballad of Songbirds and Snakes (2020)
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- The Ballad of Songbirds and Snakes (2020)

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spoilers for ballad of songbirds and snakes
People ignoring the philosophy and Suzanne Collinsâs exploration of what it means to be human and what a government should treat its citizens like by calling The Ballad of Songbirds and Snakes boring or bad because it âreads like fanfictionâ (which it doesnât) because of âname droppingâ is ⌠an interesting take. No Hunger Games fanfiction that Iâve ever encountered has touched on these ideas, let alone let it be its storyâs primary driving force. The five quotes Suzanne Collins included before the prologue were very specific and almost like a thesis statement. I canât believe people are saying Collins didnât do anything to counter Snowâs views within the text, claiming sheâs irresponsible, when Sejanus Plinth and Lucy Gray Baird are obviously meant to not only be foils to Snow but are also her own voice coming through in the text. Sejanus represents the ideas of what a responsible and caring government should do, while Lucy Gray speaks about how people are inherently good and that people arenât naturally evil or violent, only forced to do awful things to each other when the governing power is deliberately creating situations in which there is no other option or when they arenât being properly taken care of by the government.
Iâm so frustrated about peopleâs takes on the romance as well. Suzanne Collins didnât write that in for people to sympathize with Snow or for shipping. Snowâs relationship with Lucy Gray and how he perceives her lines up with his own morals/beliefs. Itâs not love that drew Snow to her - it was possession, control, order. He didnât have much in his life, and less that he controlled, but Lucy Gray was something he âownedâ and could exert his influence over. His jealousy over her past lover wasnât because he was afraid she didnât love him, it was because he wanted her loyalty to belong only to him and if she loved someone else, he couldnât control her.
Suzanne Collins wrote a character who believed the world owed him, who wanted everything to fall in line for him because of the privilege of his name, who felt he was entitled to money, wealth, and power. He blamed everyone but the Capitol and his parents for his familyâs downfall after the war. He blamed Sejanus for coming in and âstealingâ the things he felt entitled to, just because Snow was Capitol-born and Sejanus was an outsider from District Two. He blamed his bad fortune on the districts trying to overthrow a totalitarian government, rather than the Capitol for not taking care of him and his family. The government didnât care for them during the war despite having the resources to (the frozen turkey, the basket of goods, the electricity âmagicallyâ coming on everywhere just in time to watch a parade to promote Capitol propaganda - those came from somewhere). Heâd rather be on the brink of starvation and scavenging for scraps than believe itâs the responsibility of the government to take care of its citizens, Capitol- or district-born. Hello? Remind you of anything? Or anyone? But no, Suzanne Collins clearly wrote this book for fan service and to paint Snow as a âgood guyâ (which is so far from how the book framed Snowâs perspective) rather than commenting on our society and the direction itâs heading in and how valuing law and order over taking care of people with plenty of resources at its disposal is not what a government should do.
On motivation: not every character needs a tragic backstory. Just because Snowâs family suffered during the war doesnât mean he has a tragic backstory. He was just too busy obsessing over status and power, feeling entitled to wealth and being prideful instead of, you know, reaching out to the government for aid. Iâm sorry that Snowâs character doesnât follow the traditional villain backstory, but his beliefs on order and entitlement are far closer to real-life villainsâ âmotivationsâ than characters who are bad because a single event corrupted them and took a hard right turn into villain territory.
The origins of the games and Snowâs rise to power were only vehicles used to explore and lay out the philosophical ideas that Suzanne Collins wanted to write about after observing the world for the past decade since Mockingjay was released. I donât know how anyone could have ignored that when every conversation and character interaction hinges on that.
this!!!
when u are president snow, chilling, eating pie, and the rebels broadcast katniss singing the hanging tree
everyone @ veronica after reading allegiant:
theo james and shailene woodley reading the allegiant script for the first time:

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the divergent series instagram: *posts something*
yâall in the comments:
Does anyone else ever watch or read stuff about post-apocalyptic worlds and wonder what the fuck all of the other countries are thinking? For instance, during the Hunger Games and every year the president was making kids literally murder each other in a giant dome for entertainment was France just watching like⌠damn America, you wildin lmao
[on a date]
me: so, enemies to lovers or friends to lovers?
my date: actually, I prefer established relationships-
me, shoving breadsticks into my purse: I think weâre done here
I FEEL SO ATTACKED RN
Reblog if you agree it's possible to be a big fan of someone without wanting a romantic or sexual relationship with them
If this doesnât include most people I will be sad
I am rewatching harry potter and the prisoner of azkaban and I realize now that peter saw lupin after so many years in the train wagon. And I would love to know what his first thought was. Guilt? Excitement? Sorrow?

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