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pairing: bucky barnes x reader | 10.2k words | modern soulmate au
warnings: explicit sexual content (18+), soulmate bond/past life memories, multiple lifetimes, memory flashes, discussions of war, brief references to trauma/recovery, love at first sight across lifetimes, wedding night smut, destiny vs choice, happy ending
summary: when you and bucky reach for the same bag of lemons at the farmerâs market, the touch triggers flashes of the many lifetimes youâve spent loving each other. as those memories keep surfacing, the two of you have to figure out what it means to fall in love again in the life youâre living now.
Saturday mornings belong to James Buchanan Barnes.
That is what Bucky tells himself, anywayâwhat he has been telling himself for the better part of three years, ever since recovery stopped feeling like a cliff edge and started, slowly, cautiously, feeling like a road. Not an easy road, not a straight one, but a road all the same. Something he can wake up and keep walking.
Saturday means the same coffee stand on the corner where the barista with the chipped purple nail polish starts making his drink the second she sees him coming. It means the farmerâs market under the green-striped awnings in the square, where he buys a loaf of crusty sourdough from the old Polish couple in stall fourteen and fresh eggs from the woman who always insists the yolks are brighter in spring. It means peaches if theyâre in season, because one summer in Wakanda he had bitten into one so ripe it had run down his wrist and made him laugh out loud in the middle of a field, and ever since then peaches have felt like proof of life. It means flowers some3times, too, if the apartment feels especially bare. Something cheap and cheerful in a mason jar on the kitchen counter. Something that says a man can make a home even if he was taught for years he did not deserve one.
It is a good routine. A hard-won one. Bucky likes the honesty of it, the way these small rituals ask nothing of him except that he show up.
This morning, June sun already warming the pavement, his paper cup of coffee hot in his hand, he feels almost light. The market is crowded enough to buzz but not so packed he gets hemmed in. A violinist near the fountain is playing something bright and quick. Someoneâs kid is trying to pet every dog within reach. The air smells like basil and strawberries and the faint yeasty sweetness of fresh bread.
Bucky buys his loaf first. Then tomatoes. Then a bunch of green onions. He pauses at the peach stand, testing one for give with his thumb, and decides they need another week.
By the time he reaches the citrus table, the vendor is rearranging pyramids of lemons in rough wooden crates, their skins bright and dimpled in the morning light. Bucky reaches automatically, already picturing chicken piccata for dinner, and another hand reaches at the same exact moment.
Your fingers brush his.
The world splits open.
One second he is standing in the farmerâs market with coffee on his breath and sunlight on the back of his neck, and the nextâ
Neon. Laughter. Chapel bells tinny through cheap speakers. Your mouth, painted the color of a ripe cherry, open on a breathless laugh. White satin clinging to your hips. A fake Elvis in a rhinestone jumpsuit grinning around too-big teeth beneath a plastic crucifix bolted crooked over the altar.
Bucky gasps.
The bag of lemons slips from both your hands and tumbles to the pavement, yellow fruit rolling in wild directions as if theyâve been startled too.
The vision doesnât stop there. Visions of different lifetimes flash through his eyes like heâs watching the life of ten different couples all at once.Â
A steering wheel under his palms, worn smooth with use. Summer wind through open windows. You in cutoff shorts, feet on the dashboard, singing badly and loudly while the road curls ahead of you like a dare.
White sheets. Lace curtains breathing in a warm midnight breeze. Gold band on your finger catching moonlight where your hand presses against his chest. Your mouth moving against his throat with a broken little sound that is half laughter, half prayer.
A rough cabin wall. Splintered pine under his palm. You in a wool shift with your hair braided down your back, cheeks wind-burned, smiling over your shoulder as foxes cry somewhere out in the dark and a baby sleeps in a cradle by the fire.
Smoke and jazz and blackout curtains. East London. Silk black as sin against your skin. Your hand catching his by the wrist before he can disappear back into the war.
A beach. Bright afternoon. Children shrieking at the tide. Orange drinks sweating in glass pitchers while he kneels in the sand with his sleeves rolled up, helping a little girl press shell fragments into the turret of a sandcastle, and you walk toward him laughing, sunlight at your back so fierce it turns you to gold.
Then all of it is gone.
The market snaps back into focus so suddenly it hurts. Sound crashes inâvendors shouting prices, stroller wheels rattling, the violinist sawing away by the fountain. Bucky stumbles backward a step. Across from him, you catch yourself on the edge of the citrus crate, looking exactly as wrecked as he feels.
Your eyes lock on his.
âOh my God,â you whisper.
Buckyâs heart is pounding hard enough to bruise. âYou saw that too.â
It isnât a question.
In this world, everybody knows about soulmarks and first-flashes. Knows that when you meet the person your soul is tied to, memory can strike like lightning. Some people get a single image. A porch swing. A train platform. A hand in a hospital room. Some get a rush of several lives at once, enough to leave them reeling for days. Most people dream of it when theyâre young. Spend adolescence looking at every stranger a little too long. Wondering when it will happen, if it will happen, whether the person on the other end of them is alive or halfway across the planet or just around the corner.
Bucky stopped wondering a long time ago.
HYDRA did not leave much room for destiny.
You swallow. âThat was not normal.â
âNo,â he says, voice rough. âNo, that was⊠not.â
The lemon vendor is gathering the fallen fruit with admirable indifference, the kind that says he has seen stranger things at this market and will see stranger still. âYou two need a minute?â he asks.
You make a sound that could be a laugh or a near-sob. âMaybe five.â
Bucky buys the entire bag of lemons because it feels like the least insane thing he can do, then follows you blindly toward the edge of the square where thereâs a row of benches under a sycamore tree. The shade dapples your face when you sit, and for one unmoored second he knows the pattern of it. Not from now. From somewhere else.
He stays standing until you glance up at him and pat the spot beside you with a shaky hand.
âYouâre real?â you ask once he sits.
He almost laughs. âI was about to ask you that.â
You rub your palms over your knees as if trying to ground yourself. Youâre wearing denim shorts and a white tank top and sunglasses pushed up into your hair, and you look like someone who belongs to summer. Not delicate exactly, but bright. Alive in a way that makes Buckyâs ribs ache. âI know this is a weird question,â you say, âbut are you going to tell me your name, or am I just supposed to keep calling you fake-Elvis-groom in my head?â
âBucky,â he says automatically. Then, because he has spent years relearning how to offer the softer pieces of himself without flinching, he adds, âJames. But people call me Bucky.â
Your mouth curves, the first real smile since the vision hit. âIâm glad to know at least one of us looked better in Vegas.â
He huffs out a breath that is almost a laugh. âI looked good.â
âYou looked reckless.â
âThat too.â
You tell him your name, and the moment it lands between you something in his chest settles with a frightening kind of certainty. Not because fate says so. Not because the universe stamped your names together in some cosmic ledger. Because the sound of it moves through him like recognition. Like stepping into a room he did not realize he had been trying to get back to his whole life.
For a while neither of you says anything. The market hums on around you. Somewhere nearby, a dog sneezes. Someone drops a crate. Bucky stares at the paper sleeve around his cooling coffee and tries to swallow around the strange thickness in his throat.
âIâve heard of people getting strong first-flashes,â you say at last, quieter now. âBut not like that. That was⊠a lot.â
âA lot,â he agrees.
You tilt your head toward him. âHow many do you remember already?â
He thinks of the chapel. The truck. The bed with the lace curtains. The cabin. The club in London. The beach. âSix,â he says. âYou?â
âSame.â
A breeze stirs the leaves overhead. It smells like sun-warmed bark and citrus oil.
âI donât know what to do now,â you admit.
That, strangely, is what steadies him.
Because Bucky knows that feeling. Knows what it is to be handed something overwhelming and not know where to put it. Knows that survival sometimes looks like doing the next smallest thing instead of solving the whole impossible shape at once.
He glances toward the coffee stand, then back at you. âYou want to start with coffee?â
You look at him for one long beat, then laugh softly, incredulously, like maybe you canât believe that is the question that just saved you from bolting. âYeah,â you say. âI think I do.â
So that is how it begins.
Not with thunder. Not with immediate declarations. Not with some cinematic collision that resolves every loneliness in a heartbeat.
With coffee. With your hand wrapped around a paper cup. With the two of you sitting at the edge of the market, dizzy on each otherâs borrowed memories, learning the outlines of the present slowly enough to survive it.
He learns that you come to the farmerâs market most Saturdays too, though usually later. That you always buy flowers you donât strictly need. That you live twenty minutes away in an apartment with bad plumbing and excellent light. That you work in graphic design and keep odd hours and have a weakness for peaches even when theyâre underripe. You learn that he is in therapy. That he likes routine because sometimes routine is the difference between drifting and staying. That his apartment in Brooklyn is small but his windows face west and the light there in the evening is good. That he cooks. That he bakes bread when the weather turns cold because kneading something until it rises feels like a miracle he can participate in.
He does not tell you everything that morning. Not about HYDRA, not about the winter that lasted decades, not about the names he no longer answers to. But you do not push. Maybe because you can feel, in the strange echoing chambers of whatever ties the two of you together, that he has already been dragged open too many times to count.
When you part, it is almost noon.
You both hover awkwardly by the fountain, neither one wanting to be the first to say goodbye.
âSo,â you say, shifting the bouquet of daisies and feverfew you bought somewhere along the way into one hand. âDo soulmate rules say weâre supposed to immediately move in together now, or is there like a grace period?â
Bucky smiles before he can stop himself. âI think thereâs paperwork.â
âTragic.â
He glances at the lemons peeking out of your canvas bag. âYou still owe me half of these.â
You grin then, bright and quick and devastating. âThat sounds fake.â
âMaybe,â he says. âBut itâs a reason to see you again.â
Something softens in your expression. âOkay,â you say. âThen Iâll take the fake reason.â
He gives you his number. You type your own into his phone and hand it back, your fingers brushing his again. No flash this time. Just warmth. Just the sharp, impossible awareness of skin.
âAll right, Bucky Barnes,â you say. âText me when you want to split custody of the lemons.â
He watches you walk away.
At the corner, you turn and look back.
The city seems to hold its breath.
Then you smile at him one more time and disappear into the crowd.
Jesus Christ on a plastic sign
The Vegas lifetime comes back first.
Not all at once. In drips. In flashes that catch Bucky at strange moments over the next few days, as if the memory has been jarred loose and is still deciding how much of itself to reveal.
He is washing dishes on Tuesday night when he looks down at a ring of soap suds circling the drain and suddenly he is twenty-sixâor thirty, or some other age in some other bodyâand the air smells like desert heat trapped in asphalt. He can hear slot machines from the lobby below the motel balcony and your laugh from inside the room, where the air conditioner is fighting a losing battle and you are standing in front of the cracked mirror pinning your hair up with bobby pins you bought from the gift shop downstairs.
âTell me again,â you say, smiling at him through the mirror, âwhy exactly weâre doing this.â
Because you had met forty-eight hours earlier in line for dollar margaritas and spent the night talking until sunrise on the motel roof. Because you had missed your flight on purpose. Because he had looked at you over watery eggs in a diner the next morning and known, with the same bone-deep certainty he feels now on a Brooklyn Tuesday in a kitchen lit by one warm overhead bulb, that life was sometimes simplest when it was ridiculous.
Because you had asked if he wanted to get married as a joke and then kept grinning at him after he said yes.
âTax benefits,â he answers solemnly, sitting on the end of the bed in his borrowed suit jacket.
You laugh. âRomantic.â
âPractical.â
âLiar.â
You cross the room barefoot, white dress swishing around your thighs. It is not really a wedding dress. It is a satin slip from a resale shop with a tiny champagne stain at the hem and thin straps that make him forget his own name every time he looks at you. You stop between his knees and hook your fingers in the lapels of his jacket.
âTell me not to do it,â you whisper. There is laughter in your voice but something trembling under it too, a softness that asks to be taken seriously. âTell me weâre being insane and Iâll call it off.â
He looks up at you and feels his whole impossible life narrow into one clean, brilliant line. âI think,â he says, resting his hands on your hips, âthat if we donât do this, Iâm gonna spend the rest of my life wondering why I let the best idea I ever had walk out of a motel in Vegas.â
Your expression cracks open into something so nakedly happy it almost undoes him.
The chapel is tiny and tacky and perfect. The plastic crucifix is screwed above a velvet curtain backdrop. The fake Elvis officiant keeps winking like he personally invented love. You say your vows through laughter because your bouquet is made of silk roses that smell faintly like dust and the ministerâs sideburn is half detached. Bucky can barely get the ring onto your finger because his hands wonât stop shaking.
Afterward, you run into the sun with your shoes in one hand, your new husbandâs name in your mouth as if you were born to say it.
On the sidewalk outside the chapel, thereâs a sign for a twenty-four-hour wedding package with JESUS CHRIST LOVES YOU printed above a blinking arrow in red bulbs, and the whole thing is so absurd that you double over laughing. Bucky catches you around the waist before you can fall.
âMrs. Barnes,â he says into your hair, tasting the words.
You lift your face to his, eyes wet from laughing. âThat sounds made up.â
âProbably is.â
You kiss him anyway.
In the present, water runs cold over Buckyâs hands in the sink. He blinks hard and finds himself staring at a plate gone slippery in his grip.
He dries his hands, sits on the edge of the counter, and texts you before he can think better of it.
Got another one. Vegas.
The reply comes so fast it is almost a breath.
me too
Then, after a beat:
did we really get married because the line for margaritas was too long and we needed something else to do?
Bucky smiles helplessly at his phone.
we were committed to the bit
You start texting every day after that.
At first it is practical. Did you remember this detail? Did the chapel carpet have stars on it or was that just me? Do you think the fake Elvis was secretly judging us?Â
But the practical gives way to easy almost before either of you notices. He sends you a picture of a dog in a raincoat outside the bodega. You send him a photo of the flowers you bought even though your rational brain said you didnât need them. He tells you when therapy goes badly. You tell him when work is making your eyes cross. By Friday, your name on his screen feels less like a surprise and more like the continuation of something that was already in motion long before lemons hit pavement.
The next Saturday, he finds you at the market before he reaches the citrus stand.
You are standing at the peach table, frowning at a fruit in your hand with the seriousness of someone evaluating a gemstone.
âYou know those need another week,â he says.
You glance up and smile in a way that makes his whole body wake up. âI know. Iâm being optimistic.â
âReckless.â
âWow. You meet one man in Vegas and suddenly he thinks he knows you.â
He laughs, and there is no fear in it this time.
You spend the morning together again. Coffee, bread, flowers. At the tomato stall your shoulder brushes his and warmth skates down his spine, but no memory comes. At the herb table he tucks a stray basil stem behind your ear and your breath catches, but still nothing.
It hits later, when the two of you are leaving the market and pass an old pickup truck parked crooked by the curb, windows down, classic rock spilling tinny from the speakers. You stop dead. So does he.
Your head turns toward him.
His chest caves in around a heartbeat that is no longer entirely his own.
Winding roads, doing manual drive
In that life, you are eighteen and everything feels enormous.
Summer stretches in front of you like a dare. The town is small enough to suffocate if you stay still too long, so you never do. Bucky has a beat-up blue truck with a sticky clutch and a radio that only works when you slap the dashboard in exactly the right place. He teaches you how to drive manual in the abandoned church parking lot at the edge of town, laughing every time the engine stalls because you keep popping the clutch too fast.
âYouâre mean,â you tell him, gripping the steering wheel.
âIâm helpful.â
âYouâre laughing at me.â
âBecause you cuss like my grandpa.â
You cut him a glare so ineffective it makes him grin wider. He reaches across the bench seat to guide your hand to the gearshift, his palm warm over your knuckles.
âSlow,â he says. âFeel it catch. Donât force it.â
Outside, cicadas scream in the heat. The sun is dropping behind the trees, turning the windshield gold.
You try again. This time the truck lurches, shudders, then rolls forward smooth as breath.
âOh my God,â you say, startled into laughter. âI did it.â
Bucky looks at you the way boys in movies are always supposed to look but almost never do in real lifeâlike the sight of you happy is enough to rearrange his whole future. âYeah,â he says softly. âYou did.â
Once you know how, you drive everywhere with no destination at all. Back roads. County lines. Winding stretches of blacktop between soybean fields and creeks and gas stations with flickering signs. You drive because gas is cheap and the cab of the truck is a world no one else can enter. You drive because Buckyâs knee pressed against yours feels better than anything either of you have a name for yet. You drive because being young and in love can make movement feel holy.
Sometimes you pull over on the shoulder just to watch the sky bruise purple over the fields. Sometimes you kiss at red lights until the truck behind you honks. Sometimes you park at the overlook above the quarry and share a bag of gas station peanuts while Bucky tells you all the places he wants to see one day, voice gone soft with wanting.
âAnywhere specific?â you ask.
He shrugs one shoulder. âAs long as youâre there.â
You laugh because you think he is teasing. Then you look at him and realize he is not.
The air changes.
He reaches up, pushes a strand of hair behind your ear with trembling fingers. âI know weâre eighteen,â he says, trying for casual and failing spectacularly. âI know people say that means we donât know anything. But I know this.â
Your breath catches.
Behind you, the truck ticks and cools in the dusk.
âI know,â he says again, âthat I could drive with you forever and never get tired of the road.â
Then he kisses you, and the whole wide summer tilts.
The memory drops away while a bus sighs to the curb and someone nearby curses over a jammed stroller wheel.
You are breathing hard. So is Bucky.
âThat one hurt,â you say quietly.
He knows what you mean. Not because it was bad. Because it was good in the simple devastating way only youth can be. Because watching some other version of yourself love with that much unguarded certainty feels like pressing a bruise you didnât know you had.
âYou drove stick,â he says.
âI was bad at it.â
âYou were terrible.â
You laugh then, startled and watery, and he thinks he would do almost anything to keep hearing that sound.
There is a diner half a block away with cracked vinyl booths and a waitress who calls everyone honey. He nods toward it. âCome on.â
âIs this where we process our cosmic psychic episodes now?â
âPancakes seem medically necessary.â
So you sit across from each other in a booth smelling faintly of syrup and coffee grounds while the waitress tops off your mugs and pretends not to notice that the two of you keep staring. The market bag rests by Buckyâs boots. Your flowers lie across the seat beside you like a witness.
âYou ever think about what it means?â you ask after a while.
He traces a thumb over the seam of his coffee cup. âThe past lives?â
âThe soulmate thing. Any of it.â Your gaze is steady on his. âLike⊠are we supposed to just trust that because we loved each other before, we automatically will now?â
Bucky is quiet for so long, the waitress comes by to ask if he wants more bacon.
When she leaves, he exhales. âI donât know,â he says honestly. âI think maybe itâd scare me if it worked like that.â
You nod once. âMe too.â
Because obligation is not love. Because destiny without choice starts to look too much like a cage.
Bucky leans forward, forearms on the table. âI donât want this to be automatic,â he says, surprising himself with the urgency in his own voice. âI donât want you because of⊠cosmic paperwork.â Your mouth twitches at that. He presses on. âI want to know you. Now. Here. I want whatever this is to be because we choose it.â
Something in your face softens so completely it leaves him winded.
âOkay,â you say.
âOkay?â
âOkay,â you repeat. âThen we do it the hard way.â
His mouth curves. âDating?â
âScandalous, I know.â
He looks at you across the table, sunlight striping the booth through the blinds, and feels a piece of his life click gently into place.
âYeah,â he says. âDating.â
The smile you give him then follows him home and waits with him through the week and sits with him at the edge of sleep. It is still there when he picks you up for your first actual date on Thursday, when you buzz him into your apartment building wearing jeans and a green top that makes your eyes look unfair, when he spends ten whole seconds forgetting why he came.
You cook together in his kitchen because restaurants feel like too much too soon. Lemon chicken. Roasted potatoes. Salad with too much parmesan because you insist there is no such thing.
It is simple. It is easy in the kind of way Bucky once would have distrusted on principle. You move around his kitchen as if youâve already learned its shape. You lean against the counter and steal bites from the pan. You laugh when he pretends to guard the sauce from you and do not look startled when he laughs back.
After dinner, you help him wash dishes. After dishes, you stand by the open window drinking wine while the city breathes warm and loud below.
âI had a nice time,â you say, glancing at him over the rim of your glass.
His pulse kicks. âGood.â
âIâm serious. For a man who hoards lemons as a manipulation tactic, you clean up pretty well.â
He snorts. âIâll put that on my dating profile.â
âYou should. Honest branding.â
He smiles, and you smile back, and the air between you changes.
It is not sudden. Not violent. Just the slow, unmistakable tightening of a thread.
He sets his glass down first.
You do the same.
When he steps closer, you do not move away.
âCan I kiss you?â he asks, because in every life he has ever loved you there has been want in it, but in this one he wants the shape of your yes more than he wants air.
Your eyes go soft. âPlease.â
He kisses you carefully at first, because he is not eighteen in a truck anymore and he is not some reckless fool in Vegas with rings in his pocket and a grin too wide for his face. He is a man who has taken years to learn how to touch gently. Who knows what damage carelessness can do.
But then your hand lifts to his cheek and your mouth opens beneath his and the careful part of him turns molten.
The flash hits so hard he breaks the kiss with a gasp.
You are hit by it too. He sees it in the way your pupils blow wide, the way your hand clutches the front of his shirt.
âOh,â you breathe.
The apartment falls away.
Early nights in white sheets with lace curtains
The room is small and gold with lamplight.
In that life, you have been married for six hours.
Your shoes are by the door. Your veil lies in a pearly heap over the chair back. Somewhere downstairs the last of the wedding guests are still laughing over cake and champagne, but up here the inn is quiet except for the tick of rain against the lace-curtained window and your own uneven breathing.
You stand with your back to Bucky near the bed, fingers trembling where they rest at your throat. The silk of your nightdress skims the backs of your knees. Your wedding band glints like a promise.
He has never seen anything more beautiful.
You are not delicate. Nor candlelight that makes you look like something painted. You are real in all the ways that matter mostânervous and wanting and trying to be brave.
You glance at him over your shoulder, and the vulnerability in your face brings him to his knees faster than reverence ever could.
âWe donât have to,â he says softly.
Your brows draw together. âI want to.â
âI know.â He steps closer, slow enough to stop if you need it. âBut I want you to know we donât have to do anything tonight except be married.â
Something in you loosens. Relief. Love. A tenderness so intense it almost aches to look at.
âI want to be married,â you whisper.
He smiles, cupping your jaw. âYou already are.â
âNo,â you say, eyes luminous. âI mean like this. Here. With you.â Your breath shakes. âI want tonight.â
He kisses you then, gentle enough to ask, deep enough to answer.
The nightdress slips from your shoulders a little at a time. He learns your skin by lamplight and fingertips, by the soft sounds you make when he touches somewhere that matters, by the way you cling to him when pleasure finally starts to outrun nerves. The white sheets twist around your legs. The lace curtains stir in the open window. Rain cools the room, but your bodies are all heat.
You are not shy for long.
He kisses his way down the column of your throat, your collarbones, the slope of your breast. Your fingers knot in his hair when his mouth finds your nipple and he sucks gently, then harder at the sound that tears from you. By the time he lowers you onto the bed your hair is loose around your shoulders and your face is flushed and he is so hard it hurts.
âBucky,â you whisper, reaching for him.
âTell me what you need.â
You laugh softly, dazed with wanting. âYou. Obviously.â
He smiles against your mouth, then works two fingers between your thighs and nearly loses his mind at how wet you are for him already. Your hips jerk. Your eyes flutter shut.
âThatâs it,â he murmurs. âThere you go.â
He takes his time because he can. Because there is no war waiting outside this room, no clock to race. Because after the vows and the music and the endless hands grabbing at you all day, he wants this moment to belong only to the two of you. He strokes you until your body learns the shape of pleasure under his hands. He brings you apart once with his fingers, your back arching off the bed, then again with his mouth until you are clutching the sheets and crying his name into the rain-soft dark.
When he finally settles between your thighs, braced on one forearm, your gaze on his is wrecked and certain all at once.
âYou still sure?â he asks, voice gone rough as gravel.
You wrap a hand around the back of his neck and pull him down until your foreheads touch. âI have never been more sure of anything.â
He pushes into you slowly, giving you every inch with a care that feels like worship. The stretch of you around him steals the breath from his lungs. Your mouth opens on a gasp. He stills.
âOkay?â he whispers.
You nod, biting your lip. âMove.â
So he does.
Slow at first. Then deeper when your nails dig into his shoulders and you lift to meet him. The bed creaks softly. Rain taps the window. He kisses you whenever your face crumples with feeling, every thrust turning more desperate as your body opens for him. You cling to him, legs wrapped around his hips, whispering his name like a secret you intend to keep forever.
When you come, it is with your mouth against his throat and tears bright at the corners of your eyes.
He follows with his forehead pressed to yours, his whole body shaking with it.
Afterward, you lie tangled in white sheets gone warm and wrinkled around you, the lace curtains stirring like breath. He draws lazy circles over your stomach while you trace the line of his mouth with one sleepy fingertip.
âThis counts as a successful wedding night,â you murmur.
He laughs softly. âGood. I was hoping.â
You turn into him, already half asleep. âAnywhere is home,â you whisper, the words blurred at the edges with exhaustion, âif youâre in the bed.â
He never forgets them.
When the memory releases you both, Bucky is still standing in his apartment with his chest heaving and your hands fisted in his shirt.
The kitchen light is too bright. The city outside the window too loud. He can taste you without ever having had you in this life.
Your face is flushed all the way down your neck.
âWell,â you say after a stunned second, voice frayed. âThat was wildly inconvenient timing.â
He laughs once, brokenly, because if he does not laugh he might combust.
âYou okay?â he asks.
Your gaze lifts to his, honest and heated. âAsk me in five minutes.â
He brushes his knuckles over your cheek, a touch so careful it is almost absurd after what you both just saw. âI mean it.â
âI know.â Your hand slides down to cover his where it rests against your face. âYeah. Iâm okay. A little overwhelmed. A lot turned on. But okay.â
Heat hits him hard and immediate. He closes his eyes for a second.
You laugh softly. âRight. Sorry. That wasââ
âDonât apologize.â
When he opens his eyes again, your expression has gentled. âBucky.â
He knows what you are asking. Not just whether he wants you. That is almost insultingly obvious. You are asking whether he can separate memory from present. Whether he can stand in this kitchen and want what is in front of him without letting the weight of every before crush what could be now.
He answers by leaning down and resting his forehead against yours.
âI want this,â he says quietly. âBut I want our first time in this life to be ours.â
Your breath leaves you in a rush. So does some tightness in his chest he hadnât fully realized he was carrying.
âOkay,â you whisper.
He kisses you once more, soft and lingering. Then he walks you home because if you stay the night he is not sure either of you will survive your own restraint, and because there is something holy in wanting badly and still choosing patience.
At your door, you touch his wrist before he can step back.
âFor the record,â you murmur, eyes warm, âthat other us had very good taste.â
He grins helplessly. âYeah?â
âYeah. I get it now.â
Then you kiss him quick and disappear inside with a smile that haunts him for days.
The weeks that follow feel like being built from the inside out.
The flashbacks do not stop, but they become less like ambushes and more like weatherâstill sudden, still powerful, but no longer catastrophic. A scent, a sound, a patch of light can call one up. Sometimes you text each other in the middle of the workday with fragments: did you remember the red truck in the mountain life had one broken taillight? or I think Bucharest-you stole that robe from the hotel. Sometimes a memory arrives whole when you are together and leaves both of you laughing or aching or red-faced in its wake.
In between, you date.
Real dates. Present-tense ones.
You go to a bookstore in Cobble Hill and accidentally spend two hours arguing about whether people who dog-ear paperbacks can be trusted. You sit in the park eating takeout and watch a wedding party take photos under the arch. You make pasta in your kitchen and burn the garlic because you are too busy kissing against the fridge. You let him meet your friends, who like him immediately and try not to look too smug about it. He tells Sam about you over beers and gets stared at for a full ten seconds before Sam breaks into the kind of grin that means Bucky will never hear the end of this.
And slowly, because slowness is another name for mercy, you get used to the fact of each other.
One night in late July, you fall asleep on Buckyâs couch halfway through a movie. Your head ends up in his lap, your bare feet tucked under his thigh, the credits rolling blue light over the room. He does not move for an hour because the weight of you there feels too precious to disturb.
When you wake, drowsy and disoriented, you blink up at him and smile.
âThere you are,â he says before he can stop himself.
The words do something strange to the air.
You sit up slowly, blanket slipping down your shoulders. âWhat?â
He swallows. âNothing. I justââ
But then the memory comes, not violent this time. Gentle as smoke.
You see it in each otherâs faces as it arrives.
Sleepyhead âcause all the fucking foxes kept me awake last night
The cabin is barely more than one room and a stubborn prayer.
In that life, winter has a vendetta against you. The land is raw and half-finished around youâtrees felled and stacked, fields only partly cleared, the nearest neighbors hours away by horse. Everything aches. Your hands, your backs, your hope.
And still, you build.
By day Bucky swings an axe until his shoulders burn and your tiny patch of earth starts, slowly, to look like something that might feed you come spring. By day you mend, cook, scrub, carry water, keep accounts in a little ledger with cramped neat writing, and somehow still find the energy to laugh when the hen gets loose again and wreaks havoc under the table.
By night you sit by the fire mending his shirts while he carves handles for tools and the babyâyour daughter, round-cheeked and solemnâsleeps in a cradle made from wood Bucky planed himself.
It is not easy. God, it is not easy. There are weeks when the roof leaks and the wind gets through the chinks in the walls and your flour goes sour and the loneliness of so much open land makes your chest feel flayed raw. There are days Bucky comes in from the field looking so worn you have to bite the inside of your cheek not to cry.
But there is you. There is him. There is the little sleeping weight of your child and the fire and the bed you built with your own hands.
Sometimes that is enough to make hardship look almost like devotion.
One night in early autumn, the foxes scream outside the cabin so long and loud that neither of you gets any real sleep. By dawn you are cross and bleary-eyed, hair half falling from its braid as you stand over the hearth trying to stir cornmeal mush that refuses to thicken.
âSleepyhead,â Bucky says softly when he comes up behind you.
You elbow him weakly. âIâll kill you.â
He laughs into your hair and wraps his arms around your waist anyway, his chin settling on your shoulder. Outside, the new fence leans and the world is still cold and demanding. Inside, his body is warm all along your back.
âWeâre doing it,â he murmurs after a while.
You blink at the pot. âDoing what?â
âBuilding it.â He turns his face into your temple. âA life.â
The words are simple. They hit with the force of revelation.
You tip your head back against his shoulder and close your eyes. In the other room your daughter stirs. The foxes have gone quiet. Morning light pushes pale and stubborn through the little window above the table.
âWe are,â you whisper.
He kisses your cheek. âTold you Iâd build you something.â
You smile, tired and full to aching. âYou built me everything.â
The memory fades with the warm dim glow of Buckyâs living room around you.
You are still on his couch, the television a muted wash of menu screens no one bothered to turn off. For a while neither of you says anything.
Then you reach out and lace your fingers through his.
âThat one felt different,â you say.
He nods. âYeah.â
Not youthful. Not fevered. Not all heat and spark and want. That life had been built plank by plank. Through work. Through weather. Through choosing each other when the choosing was made of practical thingsâfences, soup, babies, roofs, morning fires.
It lands in him heavier than some of the others. Maybe because recovery has taught him what it means to build anything worth having by hand.
âI liked them,â you say quietly. âThat version of us.â
He rubs his thumb over your knuckles. âMe too.â
You glance around his apartment then, at the bookshelf he assembled crooked and fixed himself, at the herb pot on the windowsill, at the loaf of bread cooling under a dish towel on the counter.
âYouâre doing it too, you know,â you murmur.
He looks at you. âDoing what?â
âBuilding a life.â
The thing in his chest, scarred and careful and too often braced for loss, goes very still.
You squeeze his hand. âItâs a good one.â
He kisses you then because there is no other answer big enough.
By August, you keep a toothbrush at his place.
By September, there is a sweater of yours folded over the back of one of his dining chairs, two hair ties on his bathroom sink, a half-used bottle of your fancy conditioner in his shower that he is under strict orders not to touch. None of it is dramatic. None of it is announced. The shape of your presence simply grows until it feels absurd to remember the apartment before it.
The flash that takes you next comes in early October, on a rainy Thursday when you duck with him into a jazz bar in the West Village to escape a downpour.
The room is all amber light and low ceilings and cigarette-scarred booths preserved from another era. A singer in a black dress stands by the piano, crooning into a microphone. Bucky goes still before you even make it to the bar.
You know before the memory hits what it will be.
The note hangs in the air.
Then London rushes in.
late nights in black silk in east london
The war has made everything look dimmer around the edges.
Bucky is young in the way only war can make a man youngâold enough to be exhausted by it, young enough to still be surprised by beauty. He is stationed overseas for too long in a city stitched with blackout curtains and ration books and the bruise-colored exhaustion of people trying very hard to act as if life is still ordinary.
Then one wet December night, a fellow soldier drags him down a narrow stairwell off an alley in East London and the whole world changes shape.
The club is hidden beneath a tailorâs shop with no sign out front. Music seeps through the floorboards before the door even opens. Inside, the room glows low and gold around the edges, tables crowded close, voices pitched just above the band. Women in silk and men in uniform and civilians with danger in their smiles. Someone is laughing at the bar like the war has never existed. Someone else is dancing with one shoe off.
And there you are.
You should not stick out. Youâre not center stage or demanding attention. Youâre leaning one hip against the bar in black silk gloves and a slip dress that gleams when you move, listening to the pianist with your head tilted slightly as if you know a secret about the song.
Bucky sees you and forgets how war works.
Maybe he forgets how breathing works too.
âCareful,â his friend mutters, following his line of sight. âThat one looks expensive.â
Bucky barely hears him.
When you look over and catch him staring, you smile. Not coy. Curious, amused, entirely too direct. Then you lift your glass in a tiny salute.
He is doomed.
Later, after he has found enough courage or foolishness to cross the room, you tell him your brother runs supplies out of the docks and your mother thinks this place is scandalous and your favorite thing in the world is men who look like theyâd fall apart if a woman in black silk talked to them too long.
âI am not falling apart,â he says, already half gone.
You laugh, low and delighted. âNo? Thatâs a shame. Youâd be awfully handsome doing it.â
You dance with him before midnight. Then again after. The band slows, the room blurs, and you fit against him so easily it feels less like meeting and more like remembering a step he somehow learned before birth.
Outside, the rain has stopped. The alley smells like wet brick and smoke.
âAre you always this easy?â you ask when he walks you to the corner.
âOnly in London.â
âConvenient.â
You stop beneath a streetlamp draped in wartime dimming paint. Your lipstick has worn soft at the edges. His gloves are damp. Somewhere far off, a siren starts and then dies.
âI donât know how long Iâm here,â he says, because war steals the illusion of endless time from a man pretty quick.
You look at him with that same level, fearless steadiness you will carry in every life. âThen donât waste the nights youâve got.â
So he doesnât.
He spends every free hour he can find with you in that black silk East London life. Dancing in hidden clubs. Eating chips from newspaper parcels by the river. Kissing in doorways while the city holds its breath between bombings. Falling in love so fast it would look irresponsible to anyone not living under the same shadow.
On his last night before shipping out again, this time to Bucharest, he finds you in the club after closing, curled barefoot on the stage in your black dress with your knees drawn up, humming to yourself while the pianist smokes by the door.
He sits beside you. The stage creaks.
You do not ask him if he is leaving. You already know.
For a long moment you just lean into him shoulder to shoulder, breathing in the dark.
Then you take his hand and lace your fingers with his as if you have always had the right.
âI hate war,â you say flatly.
âYeah.â
âI hate that it teaches people to love in a hurry.â
He turns to look at you, but your face is tipped toward the empty room. âMaybe,â he says after a while, âit just teaches people not to waste time pretending they donât.â
That makes you smile a little, though your eyes shine.
When you finally kiss him, it feels like grief and promise all tangled together.
âIâd have found you anyway,â you whisper against his mouth.
He believes you.
Presently, the jazz bar swims back around you in amber and brass.
Your hand is flat over your heart. Bucky is gripping the edge of the bar hard enough his knuckles ache.
âYou were terrifying in that one,â he murmurs.
You blink at him. âTerrifying?â
âYou had me done in about twelve seconds.â
Your laugh spills out warm and bright enough to make nearby heads turn. âGood.â
He stares at you, at the woman in front of him and the woman in black silk and the impossible thread between them, and something old in him loosens. That London memory is the first one that brushes directly up against the era he remembers in his bones. The first one that lets him feel, without the cold hand of history around its throat, that he once had youth. Flirtation. A version of himself that existed before damage became the loudest fact in the room.
Later, walking you home under a shared umbrella, he tells you more.
Not everything. Not all at once. But more.
About Brooklyn in the forties. About enlisted men and too much bravado and the way the world sharpened at the edges when war started circling. About the years after, in pieces, with pauses long enough to breathe in between. You listen without interrupting except to ask where it hurts. Not where it happened. Where it hurts. The difference matters so much he nearly stops in the middle of the sidewalk.
At your building, rain dripping from the umbrellaâs edges, you cup his face and kiss him like he is something to return to, not something to be rescued.
That night he sleeps six straight hours for the first time in weeks.
The last of the big memories comes in November.
By then, the market has become yours together. Saturday mornings are no longer Buckyâs alone. They are yours in the plural, so natural now he sometimes forgets to be startled by it. Coffee for two. Bread for two. Peaches finally back in season for a heartbeat before the weather turns. Your fingers hooked through one of the canvas bag straps while he carries the heavier side.
At the stall with the glass-bottled lemonades and orange sodas, you reach for a bright neon-orange drink at the same time he does.
The glass knocks against his ring finger.
Sunlight slams through him.
Neon orange drinks on the beach
Salt lives in the walls of that house.
Here, you and Bucky live in a little coastal town where everyone knows everybodyâs business and no one minds much as long as you bring enough food to the potluck. The house is white clapboard with a porch swing and chipped blue shutters. Sand collects in the doorway no matter how often you sweep. Wind rattles the windows in winter and smells like sunscreen in summer.
You have children in that life. Three of them.
A girl with your laugh and Buckyâs serious eyes. A boy who climbs everything heâs told not to. A baby still soft at the wrists who rides your hip with one fist full of your shirt.
The beach is five minutes from your front door. On hot afternoons you walk there loaded like pack animalsâblankets, towels, snacks, toys, a cooler that bumps against Buckyâs leg every other step, the toddler already whining for the ocean before youâve even crossed the dune grass.
It is a beautiful chaos. Your favorite kind.
The day memory gives you is bright enough to ache.
The sky is clear blue from edge to edge. Your youngest is asleep under the shade tent with one plump foot sticking free of the blanket. Your son is digging a moat around a sandcastle with all the focus of a man handling explosives. Your daughter, solemn with purpose, is handing Bucky shell fragments one by one so he can decorate the towers properly.
âNo, Daddy,â she says with immense patience. âThat one goes there.â
Bucky, thirty-something and sun-browned and already half buried in sand because the children have no respect for rank, nods gravely. âMy mistake.â
You come down from the boardwalk carrying a tray of neon-orange lemonades in plastic cups, ice clinking. Condensation slicks your fingers. The sun catches on the rims of the cups until they glow like tiny lanterns.
Bucky looks up when your shadow falls across the sand.
Even after years, even with sunscreen on your nose and beach hair whipping your cheeks, he looks at you like there has never been anyone else worth the trouble of sight.
âYouâre my favorite person,â he says as you hand him a drink.
You arch a brow. âEven over the tiny tyrants?â
âDepends. Are they giving me lemonade?â
Your daughter takes her cup in both hands and squints up at you. âMama, Daddy made the castle wrong.â
You laugh. âIâm shocked.â
âIt was sabotage,â Bucky says.
The children shout over each other. The baby wakes and starts fussing. A gull swoops dangerously low near the pretzel bag. The tide inches closer. Everything is loud and sandy and sticky and imperfect.
It is paradise.
Later, when the children are collapsing in a sugar crash on towels striped green and white, Bucky stretches out beside you and tugs you down until your head rests on his chest. The ocean hisses and folds itself a few yards away.
âYou think,â he says after a while, fingers combing absently through your damp hair, âweâll ever get tired of this?â
You tip your face up. âThe beach?â
âThis.â
The life. The family. The ordinary miracle of it.
You can feel the answer in him before he says it. In the steady beat under your ear. In the salt-warmed skin of him. In the children making sleepy, disgruntled sounds nearby because even paradise requires snacks and naps and somebody always getting sunscreen in their eye.
âNo,â you say softly. âI donât think so.â
His mouth brushes your forehead. âGood.â
Because in every lifetime, it turns out, what the two of you build is not grandeur.
It is a table. A bed. A road. A cabin. A dance floor. A beach towel in the sun. A thousand tiny places where love gets to put its shoes by the door and stay awhile.
When the memory loosens its grip, you are back at the market with cold glass sweating in your hand.
You are crying.
So is Bucky, though he only realizes it when you reach up and wipe at his cheek with your thumb.
âThat one was rude,â you say thickly.
He laughs through the ache in his throat. âYeah.â
It isnât the children, not really. Though that got him. Itâs the ordinariness of it. The ease. The way love in that life had settled into the bones of things so thoroughly that joy looked almost plain. A beach day. Lemonade. Sand. A family.
A future.
You look at him with tears still bright in your eyes. âDo you ever think maybe thatâs why it keeps happening?â
âWhat?â
âUs.â You glance down at the bottle in your hand, the impossible orange brightness of it. âNot because weâre destined in some giant dramatic way. Maybe just because every time the universe throws us somewhere new, we keep making the same choice.â
The market blurs around the edges.
Bucky takes the bottle from your hand and sets both your drinks down on the stall so he can hold your face in both palms.
âI think,â he says, voice low and unsteady, âthat no matter where I find you, you keep teaching me that a life doesnât have to be extraordinary to matter.â
You inhale sharply.
He goes on because he has spent too much of his existence losing time, losing names, losing chances to say what needed saying. Because he will not waste this one.
âI loved you in a chapel with a plastic sign. In a truck on back roads. In a bed with lace curtains. In a cabin when we had almost nothing. In London when the whole world was on fire. On a beach with kids climbing all over me and sand in places there should never be sand.â Your mouth trembles around a laugh. His thumbs catch the tears on your cheeks. âAnd every time, it wasnât because things were perfect. It was because it was you.â
Your hand covers one of his. âBuckyââ
âIn this life,â he says, holding your gaze, âI donât care what fate says. I donât care what we were before unless it helps me be better to you now. I justâŠâ He exhales, helpless in it. âI just know I am more myself when youâre in the room. And I want to keep choosing that. For however long I get.â
Something breaks open in your face.
Then you are kissing him in the middle of the farmerâs market, November wind cold around your ears and strangers surely staring and lemons probably within a three-yard radius somehow, and Bucky does not care about any of it.
When you finally pull back, you rest your forehead to his and laugh wetly.
âYou took forever to say that,â you whisper.
He blinks. âI did?â
âYes.â You kiss him once, quick and smiling. âItâs okay. I was going to let you.â
That night you come home with him.
Home, because that is what it is now no matter how recently he learned to say it.
The apartment smells like the rosemary chicken you cooked together and the bread he baked that morning and the cold air that followed you in when he opened the door. Your overnight bag sits by the couch. Your laughter is still in the walls from where you nearly dropped the oranges while making cocktails because he kissed your neck and ruined your concentration on purpose.
There are no visions this time.
No past lives pouring through the cracks.
Just the two of you in the warm gold hush of his bedroom, lamplight soft on the sheets, your sweater slipping from one shoulder as you sit on the edge of the mattress and look up at him.
âThis is ours,â you say quietly.
He nods. âYeah.â
You reach for him.
The first time you make love in this life is not a reenactment of any before. There are echoes, maybe. The same reverence. The same hunger braided with tenderness. But this is its own living thing, shaped by who you are nowâolder in different ways, scarred in different places, more careful and more certain all at once.
He undresses you slowly, like unwrapping something he intends to keep. You do the same for him, kissing each mark on his body as if introducing yourself to every chapter. When your fingers brush the long scars at his shoulder and side, you do not hesitate. You just look at him for permission and then kiss them too.
His throat goes tight.
On the bed, he takes his time. He is afraid this time, rather he wants to feel every second of being chosen with full knowledge. Your skin under his mouth. Your breath hitching when he drags his thumb over your clit. The way you smile against his lips when he says your name like a marvel. He works you open with his hands first, then his mouth, until you are clutching the sheets and half laughing, half sobbing because pleasure in this body, in this life, feels new and familiar all at once.
âBucky,â you whisper when he comes back up over you, eyes dark and wrecked.
âIâve got you.â
You nod, hands framing his face. âI know.â
When he pushes into you, slow and careful, your mouths are open against each other. He feels your body welcome him in inch by inch, feels your legs tighten around his hips, feels the tremor that runs through you when he finally settles deep. It is overwhelming in the simplest way. Not because of memory. Because of presence. Because you are here. Because he is too.
He moves. You move with him.
Outside, the city keeps being itself. A siren in the distance. Somebody laughing on the street. Heat clanking faintly through old pipes. Inside, his bedroom narrows to breath and skin and the soft wreck of your voice. You scratch lightly through his hair and murmur yes against his mouth and he nearly comes from the sound alone. He holds himself back long enough to watch the exact moment pleasure overtakes you, the way your eyes go bright and your body arches up into his with a cry he feels all the way to his ribs.
He follows soon after, buried deep, forehead pressed to yours, your names tangled together in the dark.
Afterward you lie under the sheets while the room cools around you. Your head rests on his chest. His hand drifts up and down your bare spine. The curtains are plain cotton, not lace. The sheets are soft gray, not white. The city outside is Brooklyn and not some inn in another century. It does not matter.
You draw lazy circles over his sternum.
âYou know,â you murmur sleepily, âI think I liked every version of you.â
His fingers still for a second. âYeah?â
âYeah.â You tilt your chin to look at him. âBut this one might be my favorite.â
Emotion catches him so hard it almost hurts.
He bends and kisses your forehead because if he tries to speak right then, he will probably embarrass himself beyond repair.
Months later, when winter gives way to spring and then, at last, to summer again, Saturday morning finds the two of you at the farmerâs market under the same green-striped awnings where everything began.
Bucky has two coffees in a cardboard carrier. You have a bouquet of sunflowers tucked under one arm. The bread guy waves. The peach stand is finally, gloriously in season. The lemon vendor clocks you both and grins like he has been expecting to see how this turns out.
âNeed a bag today?â he asks.
You glance at Bucky. Bucky glances at you.
Then, smiling, you both reach for the same lemon on purpose.
No flash comes.
There is no need.
Your fingers lace together instead, easy as breath.
The square is bright with morning. The violinist by the fountain is playing something warm and sweet. Coffee steams between you. Peaches perfume the air. Beside you, your soulmateâyour chosen person, your present-tense miracleâsqueezes your hand.
And because love, in the end, is often this simple, you walk the market together like you have done it all your life.
Maybe you have.
Maybe you will again.
Either way, the peaches are ripe, the bread is warm, and Bucky Barnes is laughing at something you said with his whole face open to the sun.
It is not a dramatic ending.
It is better.
It is a life.
And every ordinary second of it feels, impossibly, like falling in love again and again.
pairing: bucky barnes x reader | 10.2k words | modern soulmate au
warnings: explicit sexual content (18+), soulmate bond/past life memories, multiple lifetimes, memory flashes, discussions of war, brief references to trauma/recovery, love at first sight across lifetimes, wedding night smut, destiny vs choice, happy ending
summary: when you and bucky reach for the same bag of lemons at the farmerâs market, the touch triggers flashes of the many lifetimes youâve spent loving each other. as those memories keep surfacing, the two of you have to figure out what it means to fall in love again in the life youâre living now.
Saturday mornings belong to James Buchanan Barnes.
That is what Bucky tells himself, anywayâwhat he has been telling himself for the better part of three years, ever since recovery stopped feeling like a cliff edge and started, slowly, cautiously, feeling like a road. Not an easy road, not a straight one, but a road all the same. Something he can wake up and keep walking.
Saturday means the same coffee stand on the corner where the barista with the chipped purple nail polish starts making his drink the second she sees him coming. It means the farmerâs market under the green-striped awnings in the square, where he buys a loaf of crusty sourdough from the old Polish couple in stall fourteen and fresh eggs from the woman who always insists the yolks are brighter in spring. It means peaches if theyâre in season, because one summer in Wakanda he had bitten into one so ripe it had run down his wrist and made him laugh out loud in the middle of a field, and ever since then peaches have felt like proof of life. It means flowers some3times, too, if the apartment feels especially bare. Something cheap and cheerful in a mason jar on the kitchen counter. Something that says a man can make a home even if he was taught for years he did not deserve one.
It is a good routine. A hard-won one. Bucky likes the honesty of it, the way these small rituals ask nothing of him except that he show up.
This morning, June sun already warming the pavement, his paper cup of coffee hot in his hand, he feels almost light. The market is crowded enough to buzz but not so packed he gets hemmed in. A violinist near the fountain is playing something bright and quick. Someoneâs kid is trying to pet every dog within reach. The air smells like basil and strawberries and the faint yeasty sweetness of fresh bread.
Bucky buys his loaf first. Then tomatoes. Then a bunch of green onions. He pauses at the peach stand, testing one for give with his thumb, and decides they need another week.
By the time he reaches the citrus table, the vendor is rearranging pyramids of lemons in rough wooden crates, their skins bright and dimpled in the morning light. Bucky reaches automatically, already picturing chicken piccata for dinner, and another hand reaches at the same exact moment.
Your fingers brush his.
The world splits open.
One second he is standing in the farmerâs market with coffee on his breath and sunlight on the back of his neck, and the nextâ
Neon. Laughter. Chapel bells tinny through cheap speakers. Your mouth, painted the color of a ripe cherry, open on a breathless laugh. White satin clinging to your hips. A fake Elvis in a rhinestone jumpsuit grinning around too-big teeth beneath a plastic crucifix bolted crooked over the altar.
Bucky gasps.
The bag of lemons slips from both your hands and tumbles to the pavement, yellow fruit rolling in wild directions as if theyâve been startled too.
The vision doesnât stop there. Visions of different lifetimes flash through his eyes like heâs watching the life of ten different couples all at once.Â
A steering wheel under his palms, worn smooth with use. Summer wind through open windows. You in cutoff shorts, feet on the dashboard, singing badly and loudly while the road curls ahead of you like a dare.
White sheets. Lace curtains breathing in a warm midnight breeze. Gold band on your finger catching moonlight where your hand presses against his chest. Your mouth moving against his throat with a broken little sound that is half laughter, half prayer.
A rough cabin wall. Splintered pine under his palm. You in a wool shift with your hair braided down your back, cheeks wind-burned, smiling over your shoulder as foxes cry somewhere out in the dark and a baby sleeps in a cradle by the fire.
Smoke and jazz and blackout curtains. East London. Silk black as sin against your skin. Your hand catching his by the wrist before he can disappear back into the war.
A beach. Bright afternoon. Children shrieking at the tide. Orange drinks sweating in glass pitchers while he kneels in the sand with his sleeves rolled up, helping a little girl press shell fragments into the turret of a sandcastle, and you walk toward him laughing, sunlight at your back so fierce it turns you to gold.
Then all of it is gone.
The market snaps back into focus so suddenly it hurts. Sound crashes inâvendors shouting prices, stroller wheels rattling, the violinist sawing away by the fountain. Bucky stumbles backward a step. Across from him, you catch yourself on the edge of the citrus crate, looking exactly as wrecked as he feels.
Your eyes lock on his.
âOh my God,â you whisper.
Buckyâs heart is pounding hard enough to bruise. âYou saw that too.â
It isnât a question.
In this world, everybody knows about soulmarks and first-flashes. Knows that when you meet the person your soul is tied to, memory can strike like lightning. Some people get a single image. A porch swing. A train platform. A hand in a hospital room. Some get a rush of several lives at once, enough to leave them reeling for days. Most people dream of it when theyâre young. Spend adolescence looking at every stranger a little too long. Wondering when it will happen, if it will happen, whether the person on the other end of them is alive or halfway across the planet or just around the corner.
Bucky stopped wondering a long time ago.
HYDRA did not leave much room for destiny.
You swallow. âThat was not normal.â
âNo,â he says, voice rough. âNo, that was⊠not.â
The lemon vendor is gathering the fallen fruit with admirable indifference, the kind that says he has seen stranger things at this market and will see stranger still. âYou two need a minute?â he asks.
You make a sound that could be a laugh or a near-sob. âMaybe five.â
Bucky buys the entire bag of lemons because it feels like the least insane thing he can do, then follows you blindly toward the edge of the square where thereâs a row of benches under a sycamore tree. The shade dapples your face when you sit, and for one unmoored second he knows the pattern of it. Not from now. From somewhere else.
He stays standing until you glance up at him and pat the spot beside you with a shaky hand.
âYouâre real?â you ask once he sits.
He almost laughs. âI was about to ask you that.â
You rub your palms over your knees as if trying to ground yourself. Youâre wearing denim shorts and a white tank top and sunglasses pushed up into your hair, and you look like someone who belongs to summer. Not delicate exactly, but bright. Alive in a way that makes Buckyâs ribs ache. âI know this is a weird question,â you say, âbut are you going to tell me your name, or am I just supposed to keep calling you fake-Elvis-groom in my head?â
âBucky,â he says automatically. Then, because he has spent years relearning how to offer the softer pieces of himself without flinching, he adds, âJames. But people call me Bucky.â
Your mouth curves, the first real smile since the vision hit. âIâm glad to know at least one of us looked better in Vegas.â
He huffs out a breath that is almost a laugh. âI looked good.â
âYou looked reckless.â
âThat too.â
You tell him your name, and the moment it lands between you something in his chest settles with a frightening kind of certainty. Not because fate says so. Not because the universe stamped your names together in some cosmic ledger. Because the sound of it moves through him like recognition. Like stepping into a room he did not realize he had been trying to get back to his whole life.
For a while neither of you says anything. The market hums on around you. Somewhere nearby, a dog sneezes. Someone drops a crate. Bucky stares at the paper sleeve around his cooling coffee and tries to swallow around the strange thickness in his throat.
âIâve heard of people getting strong first-flashes,â you say at last, quieter now. âBut not like that. That was⊠a lot.â
âA lot,â he agrees.
You tilt your head toward him. âHow many do you remember already?â
He thinks of the chapel. The truck. The bed with the lace curtains. The cabin. The club in London. The beach. âSix,â he says. âYou?â
âSame.â
A breeze stirs the leaves overhead. It smells like sun-warmed bark and citrus oil.
âI donât know what to do now,â you admit.
That, strangely, is what steadies him.
Because Bucky knows that feeling. Knows what it is to be handed something overwhelming and not know where to put it. Knows that survival sometimes looks like doing the next smallest thing instead of solving the whole impossible shape at once.
He glances toward the coffee stand, then back at you. âYou want to start with coffee?â
You look at him for one long beat, then laugh softly, incredulously, like maybe you canât believe that is the question that just saved you from bolting. âYeah,â you say. âI think I do.â
So that is how it begins.
Not with thunder. Not with immediate declarations. Not with some cinematic collision that resolves every loneliness in a heartbeat.
With coffee. With your hand wrapped around a paper cup. With the two of you sitting at the edge of the market, dizzy on each otherâs borrowed memories, learning the outlines of the present slowly enough to survive it.
He learns that you come to the farmerâs market most Saturdays too, though usually later. That you always buy flowers you donât strictly need. That you live twenty minutes away in an apartment with bad plumbing and excellent light. That you work in graphic design and keep odd hours and have a weakness for peaches even when theyâre underripe. You learn that he is in therapy. That he likes routine because sometimes routine is the difference between drifting and staying. That his apartment in Brooklyn is small but his windows face west and the light there in the evening is good. That he cooks. That he bakes bread when the weather turns cold because kneading something until it rises feels like a miracle he can participate in.
He does not tell you everything that morning. Not about HYDRA, not about the winter that lasted decades, not about the names he no longer answers to. But you do not push. Maybe because you can feel, in the strange echoing chambers of whatever ties the two of you together, that he has already been dragged open too many times to count.
When you part, it is almost noon.
You both hover awkwardly by the fountain, neither one wanting to be the first to say goodbye.
âSo,â you say, shifting the bouquet of daisies and feverfew you bought somewhere along the way into one hand. âDo soulmate rules say weâre supposed to immediately move in together now, or is there like a grace period?â
Bucky smiles before he can stop himself. âI think thereâs paperwork.â
âTragic.â
He glances at the lemons peeking out of your canvas bag. âYou still owe me half of these.â
You grin then, bright and quick and devastating. âThat sounds fake.â
âMaybe,â he says. âBut itâs a reason to see you again.â
Something softens in your expression. âOkay,â you say. âThen Iâll take the fake reason.â
He gives you his number. You type your own into his phone and hand it back, your fingers brushing his again. No flash this time. Just warmth. Just the sharp, impossible awareness of skin.
âAll right, Bucky Barnes,â you say. âText me when you want to split custody of the lemons.â
He watches you walk away.
At the corner, you turn and look back.
The city seems to hold its breath.
Then you smile at him one more time and disappear into the crowd.
Jesus Christ on a plastic sign
The Vegas lifetime comes back first.
Not all at once. In drips. In flashes that catch Bucky at strange moments over the next few days, as if the memory has been jarred loose and is still deciding how much of itself to reveal.
He is washing dishes on Tuesday night when he looks down at a ring of soap suds circling the drain and suddenly he is twenty-sixâor thirty, or some other age in some other bodyâand the air smells like desert heat trapped in asphalt. He can hear slot machines from the lobby below the motel balcony and your laugh from inside the room, where the air conditioner is fighting a losing battle and you are standing in front of the cracked mirror pinning your hair up with bobby pins you bought from the gift shop downstairs.
âTell me again,â you say, smiling at him through the mirror, âwhy exactly weâre doing this.â
Because you had met forty-eight hours earlier in line for dollar margaritas and spent the night talking until sunrise on the motel roof. Because you had missed your flight on purpose. Because he had looked at you over watery eggs in a diner the next morning and known, with the same bone-deep certainty he feels now on a Brooklyn Tuesday in a kitchen lit by one warm overhead bulb, that life was sometimes simplest when it was ridiculous.
Because you had asked if he wanted to get married as a joke and then kept grinning at him after he said yes.
âTax benefits,â he answers solemnly, sitting on the end of the bed in his borrowed suit jacket.
You laugh. âRomantic.â
âPractical.â
âLiar.â
You cross the room barefoot, white dress swishing around your thighs. It is not really a wedding dress. It is a satin slip from a resale shop with a tiny champagne stain at the hem and thin straps that make him forget his own name every time he looks at you. You stop between his knees and hook your fingers in the lapels of his jacket.
âTell me not to do it,â you whisper. There is laughter in your voice but something trembling under it too, a softness that asks to be taken seriously. âTell me weâre being insane and Iâll call it off.â
He looks up at you and feels his whole impossible life narrow into one clean, brilliant line. âI think,â he says, resting his hands on your hips, âthat if we donât do this, Iâm gonna spend the rest of my life wondering why I let the best idea I ever had walk out of a motel in Vegas.â
Your expression cracks open into something so nakedly happy it almost undoes him.
The chapel is tiny and tacky and perfect. The plastic crucifix is screwed above a velvet curtain backdrop. The fake Elvis officiant keeps winking like he personally invented love. You say your vows through laughter because your bouquet is made of silk roses that smell faintly like dust and the ministerâs sideburn is half detached. Bucky can barely get the ring onto your finger because his hands wonât stop shaking.
Afterward, you run into the sun with your shoes in one hand, your new husbandâs name in your mouth as if you were born to say it.
On the sidewalk outside the chapel, thereâs a sign for a twenty-four-hour wedding package with JESUS CHRIST LOVES YOU printed above a blinking arrow in red bulbs, and the whole thing is so absurd that you double over laughing. Bucky catches you around the waist before you can fall.
âMrs. Barnes,â he says into your hair, tasting the words.
You lift your face to his, eyes wet from laughing. âThat sounds made up.â
âProbably is.â
You kiss him anyway.
In the present, water runs cold over Buckyâs hands in the sink. He blinks hard and finds himself staring at a plate gone slippery in his grip.
He dries his hands, sits on the edge of the counter, and texts you before he can think better of it.
Got another one. Vegas.
The reply comes so fast it is almost a breath.
me too
Then, after a beat:
did we really get married because the line for margaritas was too long and we needed something else to do?
Bucky smiles helplessly at his phone.
we were committed to the bit
You start texting every day after that.
At first it is practical. Did you remember this detail? Did the chapel carpet have stars on it or was that just me? Do you think the fake Elvis was secretly judging us?Â
But the practical gives way to easy almost before either of you notices. He sends you a picture of a dog in a raincoat outside the bodega. You send him a photo of the flowers you bought even though your rational brain said you didnât need them. He tells you when therapy goes badly. You tell him when work is making your eyes cross. By Friday, your name on his screen feels less like a surprise and more like the continuation of something that was already in motion long before lemons hit pavement.
The next Saturday, he finds you at the market before he reaches the citrus stand.
You are standing at the peach table, frowning at a fruit in your hand with the seriousness of someone evaluating a gemstone.
âYou know those need another week,â he says.
You glance up and smile in a way that makes his whole body wake up. âI know. Iâm being optimistic.â
âReckless.â
âWow. You meet one man in Vegas and suddenly he thinks he knows you.â
He laughs, and there is no fear in it this time.
You spend the morning together again. Coffee, bread, flowers. At the tomato stall your shoulder brushes his and warmth skates down his spine, but no memory comes. At the herb table he tucks a stray basil stem behind your ear and your breath catches, but still nothing.
It hits later, when the two of you are leaving the market and pass an old pickup truck parked crooked by the curb, windows down, classic rock spilling tinny from the speakers. You stop dead. So does he.
Your head turns toward him.
His chest caves in around a heartbeat that is no longer entirely his own.
Winding roads, doing manual drive
In that life, you are eighteen and everything feels enormous.
Summer stretches in front of you like a dare. The town is small enough to suffocate if you stay still too long, so you never do. Bucky has a beat-up blue truck with a sticky clutch and a radio that only works when you slap the dashboard in exactly the right place. He teaches you how to drive manual in the abandoned church parking lot at the edge of town, laughing every time the engine stalls because you keep popping the clutch too fast.
âYouâre mean,â you tell him, gripping the steering wheel.
âIâm helpful.â
âYouâre laughing at me.â
âBecause you cuss like my grandpa.â
You cut him a glare so ineffective it makes him grin wider. He reaches across the bench seat to guide your hand to the gearshift, his palm warm over your knuckles.
âSlow,â he says. âFeel it catch. Donât force it.â
Outside, cicadas scream in the heat. The sun is dropping behind the trees, turning the windshield gold.
You try again. This time the truck lurches, shudders, then rolls forward smooth as breath.
âOh my God,â you say, startled into laughter. âI did it.â
Bucky looks at you the way boys in movies are always supposed to look but almost never do in real lifeâlike the sight of you happy is enough to rearrange his whole future. âYeah,â he says softly. âYou did.â
Once you know how, you drive everywhere with no destination at all. Back roads. County lines. Winding stretches of blacktop between soybean fields and creeks and gas stations with flickering signs. You drive because gas is cheap and the cab of the truck is a world no one else can enter. You drive because Buckyâs knee pressed against yours feels better than anything either of you have a name for yet. You drive because being young and in love can make movement feel holy.
Sometimes you pull over on the shoulder just to watch the sky bruise purple over the fields. Sometimes you kiss at red lights until the truck behind you honks. Sometimes you park at the overlook above the quarry and share a bag of gas station peanuts while Bucky tells you all the places he wants to see one day, voice gone soft with wanting.
âAnywhere specific?â you ask.
He shrugs one shoulder. âAs long as youâre there.â
You laugh because you think he is teasing. Then you look at him and realize he is not.
The air changes.
He reaches up, pushes a strand of hair behind your ear with trembling fingers. âI know weâre eighteen,â he says, trying for casual and failing spectacularly. âI know people say that means we donât know anything. But I know this.â
Your breath catches.
Behind you, the truck ticks and cools in the dusk.
âI know,â he says again, âthat I could drive with you forever and never get tired of the road.â
Then he kisses you, and the whole wide summer tilts.
The memory drops away while a bus sighs to the curb and someone nearby curses over a jammed stroller wheel.
You are breathing hard. So is Bucky.
âThat one hurt,â you say quietly.
He knows what you mean. Not because it was bad. Because it was good in the simple devastating way only youth can be. Because watching some other version of yourself love with that much unguarded certainty feels like pressing a bruise you didnât know you had.
âYou drove stick,â he says.
âI was bad at it.â
âYou were terrible.â
You laugh then, startled and watery, and he thinks he would do almost anything to keep hearing that sound.
There is a diner half a block away with cracked vinyl booths and a waitress who calls everyone honey. He nods toward it. âCome on.â
âIs this where we process our cosmic psychic episodes now?â
âPancakes seem medically necessary.â
So you sit across from each other in a booth smelling faintly of syrup and coffee grounds while the waitress tops off your mugs and pretends not to notice that the two of you keep staring. The market bag rests by Buckyâs boots. Your flowers lie across the seat beside you like a witness.
âYou ever think about what it means?â you ask after a while.
He traces a thumb over the seam of his coffee cup. âThe past lives?â
âThe soulmate thing. Any of it.â Your gaze is steady on his. âLike⊠are we supposed to just trust that because we loved each other before, we automatically will now?â
Bucky is quiet for so long, the waitress comes by to ask if he wants more bacon.
When she leaves, he exhales. âI donât know,â he says honestly. âI think maybe itâd scare me if it worked like that.â
You nod once. âMe too.â
Because obligation is not love. Because destiny without choice starts to look too much like a cage.
Bucky leans forward, forearms on the table. âI donât want this to be automatic,â he says, surprising himself with the urgency in his own voice. âI donât want you because of⊠cosmic paperwork.â Your mouth twitches at that. He presses on. âI want to know you. Now. Here. I want whatever this is to be because we choose it.â
Something in your face softens so completely it leaves him winded.
âOkay,â you say.
âOkay?â
âOkay,â you repeat. âThen we do it the hard way.â
His mouth curves. âDating?â
âScandalous, I know.â
He looks at you across the table, sunlight striping the booth through the blinds, and feels a piece of his life click gently into place.
âYeah,â he says. âDating.â
The smile you give him then follows him home and waits with him through the week and sits with him at the edge of sleep. It is still there when he picks you up for your first actual date on Thursday, when you buzz him into your apartment building wearing jeans and a green top that makes your eyes look unfair, when he spends ten whole seconds forgetting why he came.
You cook together in his kitchen because restaurants feel like too much too soon. Lemon chicken. Roasted potatoes. Salad with too much parmesan because you insist there is no such thing.
It is simple. It is easy in the kind of way Bucky once would have distrusted on principle. You move around his kitchen as if youâve already learned its shape. You lean against the counter and steal bites from the pan. You laugh when he pretends to guard the sauce from you and do not look startled when he laughs back.
After dinner, you help him wash dishes. After dishes, you stand by the open window drinking wine while the city breathes warm and loud below.
âI had a nice time,â you say, glancing at him over the rim of your glass.
His pulse kicks. âGood.â
âIâm serious. For a man who hoards lemons as a manipulation tactic, you clean up pretty well.â
He snorts. âIâll put that on my dating profile.â
âYou should. Honest branding.â
He smiles, and you smile back, and the air between you changes.
It is not sudden. Not violent. Just the slow, unmistakable tightening of a thread.
He sets his glass down first.
You do the same.
When he steps closer, you do not move away.
âCan I kiss you?â he asks, because in every life he has ever loved you there has been want in it, but in this one he wants the shape of your yes more than he wants air.
Your eyes go soft. âPlease.â
He kisses you carefully at first, because he is not eighteen in a truck anymore and he is not some reckless fool in Vegas with rings in his pocket and a grin too wide for his face. He is a man who has taken years to learn how to touch gently. Who knows what damage carelessness can do.
But then your hand lifts to his cheek and your mouth opens beneath his and the careful part of him turns molten.
The flash hits so hard he breaks the kiss with a gasp.
You are hit by it too. He sees it in the way your pupils blow wide, the way your hand clutches the front of his shirt.
âOh,â you breathe.
The apartment falls away.
Early nights in white sheets with lace curtains
The room is small and gold with lamplight.
In that life, you have been married for six hours.
Your shoes are by the door. Your veil lies in a pearly heap over the chair back. Somewhere downstairs the last of the wedding guests are still laughing over cake and champagne, but up here the inn is quiet except for the tick of rain against the lace-curtained window and your own uneven breathing.
You stand with your back to Bucky near the bed, fingers trembling where they rest at your throat. The silk of your nightdress skims the backs of your knees. Your wedding band glints like a promise.
He has never seen anything more beautiful.
You are not delicate. Nor candlelight that makes you look like something painted. You are real in all the ways that matter mostânervous and wanting and trying to be brave.
You glance at him over your shoulder, and the vulnerability in your face brings him to his knees faster than reverence ever could.
âWe donât have to,â he says softly.
Your brows draw together. âI want to.â
âI know.â He steps closer, slow enough to stop if you need it. âBut I want you to know we donât have to do anything tonight except be married.â
Something in you loosens. Relief. Love. A tenderness so intense it almost aches to look at.
âI want to be married,â you whisper.
He smiles, cupping your jaw. âYou already are.â
âNo,â you say, eyes luminous. âI mean like this. Here. With you.â Your breath shakes. âI want tonight.â
He kisses you then, gentle enough to ask, deep enough to answer.
The nightdress slips from your shoulders a little at a time. He learns your skin by lamplight and fingertips, by the soft sounds you make when he touches somewhere that matters, by the way you cling to him when pleasure finally starts to outrun nerves. The white sheets twist around your legs. The lace curtains stir in the open window. Rain cools the room, but your bodies are all heat.
You are not shy for long.
He kisses his way down the column of your throat, your collarbones, the slope of your breast. Your fingers knot in his hair when his mouth finds your nipple and he sucks gently, then harder at the sound that tears from you. By the time he lowers you onto the bed your hair is loose around your shoulders and your face is flushed and he is so hard it hurts.
âBucky,â you whisper, reaching for him.
âTell me what you need.â
You laugh softly, dazed with wanting. âYou. Obviously.â
He smiles against your mouth, then works two fingers between your thighs and nearly loses his mind at how wet you are for him already. Your hips jerk. Your eyes flutter shut.
âThatâs it,â he murmurs. âThere you go.â
He takes his time because he can. Because there is no war waiting outside this room, no clock to race. Because after the vows and the music and the endless hands grabbing at you all day, he wants this moment to belong only to the two of you. He strokes you until your body learns the shape of pleasure under his hands. He brings you apart once with his fingers, your back arching off the bed, then again with his mouth until you are clutching the sheets and crying his name into the rain-soft dark.
When he finally settles between your thighs, braced on one forearm, your gaze on his is wrecked and certain all at once.
âYou still sure?â he asks, voice gone rough as gravel.
You wrap a hand around the back of his neck and pull him down until your foreheads touch. âI have never been more sure of anything.â
He pushes into you slowly, giving you every inch with a care that feels like worship. The stretch of you around him steals the breath from his lungs. Your mouth opens on a gasp. He stills.
âOkay?â he whispers.
You nod, biting your lip. âMove.â
So he does.
Slow at first. Then deeper when your nails dig into his shoulders and you lift to meet him. The bed creaks softly. Rain taps the window. He kisses you whenever your face crumples with feeling, every thrust turning more desperate as your body opens for him. You cling to him, legs wrapped around his hips, whispering his name like a secret you intend to keep forever.
When you come, it is with your mouth against his throat and tears bright at the corners of your eyes.
He follows with his forehead pressed to yours, his whole body shaking with it.
Afterward, you lie tangled in white sheets gone warm and wrinkled around you, the lace curtains stirring like breath. He draws lazy circles over your stomach while you trace the line of his mouth with one sleepy fingertip.
âThis counts as a successful wedding night,â you murmur.
He laughs softly. âGood. I was hoping.â
You turn into him, already half asleep. âAnywhere is home,â you whisper, the words blurred at the edges with exhaustion, âif youâre in the bed.â
He never forgets them.
When the memory releases you both, Bucky is still standing in his apartment with his chest heaving and your hands fisted in his shirt.
The kitchen light is too bright. The city outside the window too loud. He can taste you without ever having had you in this life.
Your face is flushed all the way down your neck.
âWell,â you say after a stunned second, voice frayed. âThat was wildly inconvenient timing.â
He laughs once, brokenly, because if he does not laugh he might combust.
âYou okay?â he asks.
Your gaze lifts to his, honest and heated. âAsk me in five minutes.â
He brushes his knuckles over your cheek, a touch so careful it is almost absurd after what you both just saw. âI mean it.â
âI know.â Your hand slides down to cover his where it rests against your face. âYeah. Iâm okay. A little overwhelmed. A lot turned on. But okay.â
Heat hits him hard and immediate. He closes his eyes for a second.
You laugh softly. âRight. Sorry. That wasââ
âDonât apologize.â
When he opens his eyes again, your expression has gentled. âBucky.â
He knows what you are asking. Not just whether he wants you. That is almost insultingly obvious. You are asking whether he can separate memory from present. Whether he can stand in this kitchen and want what is in front of him without letting the weight of every before crush what could be now.
He answers by leaning down and resting his forehead against yours.
âI want this,â he says quietly. âBut I want our first time in this life to be ours.â
Your breath leaves you in a rush. So does some tightness in his chest he hadnât fully realized he was carrying.
âOkay,â you whisper.
He kisses you once more, soft and lingering. Then he walks you home because if you stay the night he is not sure either of you will survive your own restraint, and because there is something holy in wanting badly and still choosing patience.
At your door, you touch his wrist before he can step back.
âFor the record,â you murmur, eyes warm, âthat other us had very good taste.â
He grins helplessly. âYeah?â
âYeah. I get it now.â
Then you kiss him quick and disappear inside with a smile that haunts him for days.
The weeks that follow feel like being built from the inside out.
The flashbacks do not stop, but they become less like ambushes and more like weatherâstill sudden, still powerful, but no longer catastrophic. A scent, a sound, a patch of light can call one up. Sometimes you text each other in the middle of the workday with fragments: did you remember the red truck in the mountain life had one broken taillight? or I think Bucharest-you stole that robe from the hotel. Sometimes a memory arrives whole when you are together and leaves both of you laughing or aching or red-faced in its wake.
In between, you date.
Real dates. Present-tense ones.
You go to a bookstore in Cobble Hill and accidentally spend two hours arguing about whether people who dog-ear paperbacks can be trusted. You sit in the park eating takeout and watch a wedding party take photos under the arch. You make pasta in your kitchen and burn the garlic because you are too busy kissing against the fridge. You let him meet your friends, who like him immediately and try not to look too smug about it. He tells Sam about you over beers and gets stared at for a full ten seconds before Sam breaks into the kind of grin that means Bucky will never hear the end of this.
And slowly, because slowness is another name for mercy, you get used to the fact of each other.
One night in late July, you fall asleep on Buckyâs couch halfway through a movie. Your head ends up in his lap, your bare feet tucked under his thigh, the credits rolling blue light over the room. He does not move for an hour because the weight of you there feels too precious to disturb.
When you wake, drowsy and disoriented, you blink up at him and smile.
âThere you are,â he says before he can stop himself.
The words do something strange to the air.
You sit up slowly, blanket slipping down your shoulders. âWhat?â
He swallows. âNothing. I justââ
But then the memory comes, not violent this time. Gentle as smoke.
You see it in each otherâs faces as it arrives.
Sleepyhead âcause all the fucking foxes kept me awake last night
The cabin is barely more than one room and a stubborn prayer.
In that life, winter has a vendetta against you. The land is raw and half-finished around youâtrees felled and stacked, fields only partly cleared, the nearest neighbors hours away by horse. Everything aches. Your hands, your backs, your hope.
And still, you build.
By day Bucky swings an axe until his shoulders burn and your tiny patch of earth starts, slowly, to look like something that might feed you come spring. By day you mend, cook, scrub, carry water, keep accounts in a little ledger with cramped neat writing, and somehow still find the energy to laugh when the hen gets loose again and wreaks havoc under the table.
By night you sit by the fire mending his shirts while he carves handles for tools and the babyâyour daughter, round-cheeked and solemnâsleeps in a cradle made from wood Bucky planed himself.
It is not easy. God, it is not easy. There are weeks when the roof leaks and the wind gets through the chinks in the walls and your flour goes sour and the loneliness of so much open land makes your chest feel flayed raw. There are days Bucky comes in from the field looking so worn you have to bite the inside of your cheek not to cry.
But there is you. There is him. There is the little sleeping weight of your child and the fire and the bed you built with your own hands.
Sometimes that is enough to make hardship look almost like devotion.
One night in early autumn, the foxes scream outside the cabin so long and loud that neither of you gets any real sleep. By dawn you are cross and bleary-eyed, hair half falling from its braid as you stand over the hearth trying to stir cornmeal mush that refuses to thicken.
âSleepyhead,â Bucky says softly when he comes up behind you.
You elbow him weakly. âIâll kill you.â
He laughs into your hair and wraps his arms around your waist anyway, his chin settling on your shoulder. Outside, the new fence leans and the world is still cold and demanding. Inside, his body is warm all along your back.
âWeâre doing it,â he murmurs after a while.
You blink at the pot. âDoing what?â
âBuilding it.â He turns his face into your temple. âA life.â
The words are simple. They hit with the force of revelation.
You tip your head back against his shoulder and close your eyes. In the other room your daughter stirs. The foxes have gone quiet. Morning light pushes pale and stubborn through the little window above the table.
âWe are,â you whisper.
He kisses your cheek. âTold you Iâd build you something.â
You smile, tired and full to aching. âYou built me everything.â
The memory fades with the warm dim glow of Buckyâs living room around you.
You are still on his couch, the television a muted wash of menu screens no one bothered to turn off. For a while neither of you says anything.
Then you reach out and lace your fingers through his.
âThat one felt different,â you say.
He nods. âYeah.â
Not youthful. Not fevered. Not all heat and spark and want. That life had been built plank by plank. Through work. Through weather. Through choosing each other when the choosing was made of practical thingsâfences, soup, babies, roofs, morning fires.
It lands in him heavier than some of the others. Maybe because recovery has taught him what it means to build anything worth having by hand.
âI liked them,â you say quietly. âThat version of us.â
He rubs his thumb over your knuckles. âMe too.â
You glance around his apartment then, at the bookshelf he assembled crooked and fixed himself, at the herb pot on the windowsill, at the loaf of bread cooling under a dish towel on the counter.
âYouâre doing it too, you know,â you murmur.
He looks at you. âDoing what?â
âBuilding a life.â
The thing in his chest, scarred and careful and too often braced for loss, goes very still.
You squeeze his hand. âItâs a good one.â
He kisses you then because there is no other answer big enough.
By August, you keep a toothbrush at his place.
By September, there is a sweater of yours folded over the back of one of his dining chairs, two hair ties on his bathroom sink, a half-used bottle of your fancy conditioner in his shower that he is under strict orders not to touch. None of it is dramatic. None of it is announced. The shape of your presence simply grows until it feels absurd to remember the apartment before it.
The flash that takes you next comes in early October, on a rainy Thursday when you duck with him into a jazz bar in the West Village to escape a downpour.
The room is all amber light and low ceilings and cigarette-scarred booths preserved from another era. A singer in a black dress stands by the piano, crooning into a microphone. Bucky goes still before you even make it to the bar.
You know before the memory hits what it will be.
The note hangs in the air.
Then London rushes in.
late nights in black silk in east london
The war has made everything look dimmer around the edges.
Bucky is young in the way only war can make a man youngâold enough to be exhausted by it, young enough to still be surprised by beauty. He is stationed overseas for too long in a city stitched with blackout curtains and ration books and the bruise-colored exhaustion of people trying very hard to act as if life is still ordinary.
Then one wet December night, a fellow soldier drags him down a narrow stairwell off an alley in East London and the whole world changes shape.
The club is hidden beneath a tailorâs shop with no sign out front. Music seeps through the floorboards before the door even opens. Inside, the room glows low and gold around the edges, tables crowded close, voices pitched just above the band. Women in silk and men in uniform and civilians with danger in their smiles. Someone is laughing at the bar like the war has never existed. Someone else is dancing with one shoe off.
And there you are.
You should not stick out. Youâre not center stage or demanding attention. Youâre leaning one hip against the bar in black silk gloves and a slip dress that gleams when you move, listening to the pianist with your head tilted slightly as if you know a secret about the song.
Bucky sees you and forgets how war works.
Maybe he forgets how breathing works too.
âCareful,â his friend mutters, following his line of sight. âThat one looks expensive.â
Bucky barely hears him.
When you look over and catch him staring, you smile. Not coy. Curious, amused, entirely too direct. Then you lift your glass in a tiny salute.
He is doomed.
Later, after he has found enough courage or foolishness to cross the room, you tell him your brother runs supplies out of the docks and your mother thinks this place is scandalous and your favorite thing in the world is men who look like theyâd fall apart if a woman in black silk talked to them too long.
âI am not falling apart,â he says, already half gone.
You laugh, low and delighted. âNo? Thatâs a shame. Youâd be awfully handsome doing it.â
You dance with him before midnight. Then again after. The band slows, the room blurs, and you fit against him so easily it feels less like meeting and more like remembering a step he somehow learned before birth.
Outside, the rain has stopped. The alley smells like wet brick and smoke.
âAre you always this easy?â you ask when he walks you to the corner.
âOnly in London.â
âConvenient.â
You stop beneath a streetlamp draped in wartime dimming paint. Your lipstick has worn soft at the edges. His gloves are damp. Somewhere far off, a siren starts and then dies.
âI donât know how long Iâm here,â he says, because war steals the illusion of endless time from a man pretty quick.
You look at him with that same level, fearless steadiness you will carry in every life. âThen donât waste the nights youâve got.â
So he doesnât.
He spends every free hour he can find with you in that black silk East London life. Dancing in hidden clubs. Eating chips from newspaper parcels by the river. Kissing in doorways while the city holds its breath between bombings. Falling in love so fast it would look irresponsible to anyone not living under the same shadow.
On his last night before shipping out again, this time to Bucharest, he finds you in the club after closing, curled barefoot on the stage in your black dress with your knees drawn up, humming to yourself while the pianist smokes by the door.
He sits beside you. The stage creaks.
You do not ask him if he is leaving. You already know.
For a long moment you just lean into him shoulder to shoulder, breathing in the dark.
Then you take his hand and lace your fingers with his as if you have always had the right.
âI hate war,â you say flatly.
âYeah.â
âI hate that it teaches people to love in a hurry.â
He turns to look at you, but your face is tipped toward the empty room. âMaybe,â he says after a while, âit just teaches people not to waste time pretending they donât.â
That makes you smile a little, though your eyes shine.
When you finally kiss him, it feels like grief and promise all tangled together.
âIâd have found you anyway,â you whisper against his mouth.
He believes you.
Presently, the jazz bar swims back around you in amber and brass.
Your hand is flat over your heart. Bucky is gripping the edge of the bar hard enough his knuckles ache.
âYou were terrifying in that one,â he murmurs.
You blink at him. âTerrifying?â
âYou had me done in about twelve seconds.â
Your laugh spills out warm and bright enough to make nearby heads turn. âGood.â
He stares at you, at the woman in front of him and the woman in black silk and the impossible thread between them, and something old in him loosens. That London memory is the first one that brushes directly up against the era he remembers in his bones. The first one that lets him feel, without the cold hand of history around its throat, that he once had youth. Flirtation. A version of himself that existed before damage became the loudest fact in the room.
Later, walking you home under a shared umbrella, he tells you more.
Not everything. Not all at once. But more.
About Brooklyn in the forties. About enlisted men and too much bravado and the way the world sharpened at the edges when war started circling. About the years after, in pieces, with pauses long enough to breathe in between. You listen without interrupting except to ask where it hurts. Not where it happened. Where it hurts. The difference matters so much he nearly stops in the middle of the sidewalk.
At your building, rain dripping from the umbrellaâs edges, you cup his face and kiss him like he is something to return to, not something to be rescued.
That night he sleeps six straight hours for the first time in weeks.
The last of the big memories comes in November.
By then, the market has become yours together. Saturday mornings are no longer Buckyâs alone. They are yours in the plural, so natural now he sometimes forgets to be startled by it. Coffee for two. Bread for two. Peaches finally back in season for a heartbeat before the weather turns. Your fingers hooked through one of the canvas bag straps while he carries the heavier side.
At the stall with the glass-bottled lemonades and orange sodas, you reach for a bright neon-orange drink at the same time he does.
The glass knocks against his ring finger.
Sunlight slams through him.
Neon orange drinks on the beach
Salt lives in the walls of that house.
Here, you and Bucky live in a little coastal town where everyone knows everybodyâs business and no one minds much as long as you bring enough food to the potluck. The house is white clapboard with a porch swing and chipped blue shutters. Sand collects in the doorway no matter how often you sweep. Wind rattles the windows in winter and smells like sunscreen in summer.
You have children in that life. Three of them.
A girl with your laugh and Buckyâs serious eyes. A boy who climbs everything heâs told not to. A baby still soft at the wrists who rides your hip with one fist full of your shirt.
The beach is five minutes from your front door. On hot afternoons you walk there loaded like pack animalsâblankets, towels, snacks, toys, a cooler that bumps against Buckyâs leg every other step, the toddler already whining for the ocean before youâve even crossed the dune grass.
It is a beautiful chaos. Your favorite kind.
The day memory gives you is bright enough to ache.
The sky is clear blue from edge to edge. Your youngest is asleep under the shade tent with one plump foot sticking free of the blanket. Your son is digging a moat around a sandcastle with all the focus of a man handling explosives. Your daughter, solemn with purpose, is handing Bucky shell fragments one by one so he can decorate the towers properly.
âNo, Daddy,â she says with immense patience. âThat one goes there.â
Bucky, thirty-something and sun-browned and already half buried in sand because the children have no respect for rank, nods gravely. âMy mistake.â
You come down from the boardwalk carrying a tray of neon-orange lemonades in plastic cups, ice clinking. Condensation slicks your fingers. The sun catches on the rims of the cups until they glow like tiny lanterns.
Bucky looks up when your shadow falls across the sand.
Even after years, even with sunscreen on your nose and beach hair whipping your cheeks, he looks at you like there has never been anyone else worth the trouble of sight.
âYouâre my favorite person,â he says as you hand him a drink.
You arch a brow. âEven over the tiny tyrants?â
âDepends. Are they giving me lemonade?â
Your daughter takes her cup in both hands and squints up at you. âMama, Daddy made the castle wrong.â
You laugh. âIâm shocked.â
âIt was sabotage,â Bucky says.
The children shout over each other. The baby wakes and starts fussing. A gull swoops dangerously low near the pretzel bag. The tide inches closer. Everything is loud and sandy and sticky and imperfect.
It is paradise.
Later, when the children are collapsing in a sugar crash on towels striped green and white, Bucky stretches out beside you and tugs you down until your head rests on his chest. The ocean hisses and folds itself a few yards away.
âYou think,â he says after a while, fingers combing absently through your damp hair, âweâll ever get tired of this?â
You tip your face up. âThe beach?â
âThis.â
The life. The family. The ordinary miracle of it.
You can feel the answer in him before he says it. In the steady beat under your ear. In the salt-warmed skin of him. In the children making sleepy, disgruntled sounds nearby because even paradise requires snacks and naps and somebody always getting sunscreen in their eye.
âNo,â you say softly. âI donât think so.â
His mouth brushes your forehead. âGood.â
Because in every lifetime, it turns out, what the two of you build is not grandeur.
It is a table. A bed. A road. A cabin. A dance floor. A beach towel in the sun. A thousand tiny places where love gets to put its shoes by the door and stay awhile.
When the memory loosens its grip, you are back at the market with cold glass sweating in your hand.
You are crying.
So is Bucky, though he only realizes it when you reach up and wipe at his cheek with your thumb.
âThat one was rude,â you say thickly.
He laughs through the ache in his throat. âYeah.â
It isnât the children, not really. Though that got him. Itâs the ordinariness of it. The ease. The way love in that life had settled into the bones of things so thoroughly that joy looked almost plain. A beach day. Lemonade. Sand. A family.
A future.
You look at him with tears still bright in your eyes. âDo you ever think maybe thatâs why it keeps happening?â
âWhat?â
âUs.â You glance down at the bottle in your hand, the impossible orange brightness of it. âNot because weâre destined in some giant dramatic way. Maybe just because every time the universe throws us somewhere new, we keep making the same choice.â
The market blurs around the edges.
Bucky takes the bottle from your hand and sets both your drinks down on the stall so he can hold your face in both palms.
âI think,â he says, voice low and unsteady, âthat no matter where I find you, you keep teaching me that a life doesnât have to be extraordinary to matter.â
You inhale sharply.
He goes on because he has spent too much of his existence losing time, losing names, losing chances to say what needed saying. Because he will not waste this one.
âI loved you in a chapel with a plastic sign. In a truck on back roads. In a bed with lace curtains. In a cabin when we had almost nothing. In London when the whole world was on fire. On a beach with kids climbing all over me and sand in places there should never be sand.â Your mouth trembles around a laugh. His thumbs catch the tears on your cheeks. âAnd every time, it wasnât because things were perfect. It was because it was you.â
Your hand covers one of his. âBuckyââ
âIn this life,â he says, holding your gaze, âI donât care what fate says. I donât care what we were before unless it helps me be better to you now. I justâŠâ He exhales, helpless in it. âI just know I am more myself when youâre in the room. And I want to keep choosing that. For however long I get.â
Something breaks open in your face.
Then you are kissing him in the middle of the farmerâs market, November wind cold around your ears and strangers surely staring and lemons probably within a three-yard radius somehow, and Bucky does not care about any of it.
When you finally pull back, you rest your forehead to his and laugh wetly.
âYou took forever to say that,â you whisper.
He blinks. âI did?â
âYes.â You kiss him once, quick and smiling. âItâs okay. I was going to let you.â
That night you come home with him.
Home, because that is what it is now no matter how recently he learned to say it.
The apartment smells like the rosemary chicken you cooked together and the bread he baked that morning and the cold air that followed you in when he opened the door. Your overnight bag sits by the couch. Your laughter is still in the walls from where you nearly dropped the oranges while making cocktails because he kissed your neck and ruined your concentration on purpose.
There are no visions this time.
No past lives pouring through the cracks.
Just the two of you in the warm gold hush of his bedroom, lamplight soft on the sheets, your sweater slipping from one shoulder as you sit on the edge of the mattress and look up at him.
âThis is ours,â you say quietly.
He nods. âYeah.â
You reach for him.
The first time you make love in this life is not a reenactment of any before. There are echoes, maybe. The same reverence. The same hunger braided with tenderness. But this is its own living thing, shaped by who you are nowâolder in different ways, scarred in different places, more careful and more certain all at once.
He undresses you slowly, like unwrapping something he intends to keep. You do the same for him, kissing each mark on his body as if introducing yourself to every chapter. When your fingers brush the long scars at his shoulder and side, you do not hesitate. You just look at him for permission and then kiss them too.
His throat goes tight.
On the bed, he takes his time. He is afraid this time, rather he wants to feel every second of being chosen with full knowledge. Your skin under his mouth. Your breath hitching when he drags his thumb over your clit. The way you smile against his lips when he says your name like a marvel. He works you open with his hands first, then his mouth, until you are clutching the sheets and half laughing, half sobbing because pleasure in this body, in this life, feels new and familiar all at once.
âBucky,â you whisper when he comes back up over you, eyes dark and wrecked.
âIâve got you.â
You nod, hands framing his face. âI know.â
When he pushes into you, slow and careful, your mouths are open against each other. He feels your body welcome him in inch by inch, feels your legs tighten around his hips, feels the tremor that runs through you when he finally settles deep. It is overwhelming in the simplest way. Not because of memory. Because of presence. Because you are here. Because he is too.
He moves. You move with him.
Outside, the city keeps being itself. A siren in the distance. Somebody laughing on the street. Heat clanking faintly through old pipes. Inside, his bedroom narrows to breath and skin and the soft wreck of your voice. You scratch lightly through his hair and murmur yes against his mouth and he nearly comes from the sound alone. He holds himself back long enough to watch the exact moment pleasure overtakes you, the way your eyes go bright and your body arches up into his with a cry he feels all the way to his ribs.
He follows soon after, buried deep, forehead pressed to yours, your names tangled together in the dark.
Afterward you lie under the sheets while the room cools around you. Your head rests on his chest. His hand drifts up and down your bare spine. The curtains are plain cotton, not lace. The sheets are soft gray, not white. The city outside is Brooklyn and not some inn in another century. It does not matter.
You draw lazy circles over his sternum.
âYou know,â you murmur sleepily, âI think I liked every version of you.â
His fingers still for a second. âYeah?â
âYeah.â You tilt your chin to look at him. âBut this one might be my favorite.â
Emotion catches him so hard it almost hurts.
He bends and kisses your forehead because if he tries to speak right then, he will probably embarrass himself beyond repair.
Months later, when winter gives way to spring and then, at last, to summer again, Saturday morning finds the two of you at the farmerâs market under the same green-striped awnings where everything began.
Bucky has two coffees in a cardboard carrier. You have a bouquet of sunflowers tucked under one arm. The bread guy waves. The peach stand is finally, gloriously in season. The lemon vendor clocks you both and grins like he has been expecting to see how this turns out.
âNeed a bag today?â he asks.
You glance at Bucky. Bucky glances at you.
Then, smiling, you both reach for the same lemon on purpose.
No flash comes.
There is no need.
Your fingers lace together instead, easy as breath.
The square is bright with morning. The violinist by the fountain is playing something warm and sweet. Coffee steams between you. Peaches perfume the air. Beside you, your soulmateâyour chosen person, your present-tense miracleâsqueezes your hand.
And because love, in the end, is often this simple, you walk the market together like you have done it all your life.
Maybe you have.
Maybe you will again.
Either way, the peaches are ripe, the bread is warm, and Bucky Barnes is laughing at something you said with his whole face open to the sun.
It is not a dramatic ending.
It is better.
It is a life.
And every ordinary second of it feels, impossibly, like falling in love again and again.
Could you write something smutty about the reader being such a brat and not listening to Bucky so he says something along the lines of âGet your tits out, I want to jerk offâ
The apartment door slammed shut behind Bucky with enough force to rattle the framed photos on the wall. Heâd been gone for three days on a recon mission that turned into a shitshow, and all he wanted was a hot shower and his girl. Instead, he found you sprawled on the couch in one of his old henleys and nothing else, legs kicked up, scrolling your phone like you hadnât been ignoring his texts all afternoon.
âMissed you too, doll,â he said, voice low and edged with exhaustion.
You glanced up, lips curving into that mischievous smirk he both loved and wanted to wipe off your face. âTook you long enough. I was starting to think you liked playing soldier more than playing with me.â
Bucky dropped his duffel, shrugging off his jacket. âI told you Iâd be home by eight. Itâs nine-thirty. You couldâve at least answered one message.â
You shrugged, stretching so the hem of his shirt rode up your thighs. âMaybe I was busy. Or maybe I just like making you work for it.â
There it was. That bratty tone. The one that always tested how long his patience would last. He crossed the room in three strides, looming over the couch. His metal fingers flexed at his sides. âYouâve been pushing it all week, sweetheart. Ignoring me. Teasing me with pictures you know I canât open in the field. Now youâre gonna act like Iâm the one whoâs late?â
You sat up slowly, eyes sparkling with challenge. âWhat are you gonna do about it, Buck? Spank me? Tie me up? You always say that and then fold when I bat my lashes.â
He stared down at you, jaw tight. The serum made him strong, but nothing tested his control like you in full brat mode. âKeep running that mouth and youâll find out.â
Instead of backing down, you leaned forward, letting the neckline of the henley dip low enough to show the soft swell of your breasts. âPromises, promises.â
Buckyâs hand shot out, catching your chin. Not hard, but firm enough to tilt your face up. âBedroom. Now.â
You giggled and slipped past him, hips swaying with deliberate insolence. He followed, already half-hard from the sight of you. By the time he closed the bedroom door, you were perched on the edge of the bed, knees together, looking far too innocent for someone whoâd spent the last hour driving him insane.
âStrip,â he ordered.
You tilted your head. âMake me.â
He stepped closer, towering over you. âDonât test me tonight, doll. Iâm not in the mood for games.â
But you were. You tugged the hem of the shirt up just enough to flash your panties, then let it fall again. âToo bad. I am.â
Bucky exhaled sharply through his nose. He reached down and yanked the henley over your head in one swift motion, leaving you bare from the waist up. Your nipples tightened instantly in the cool air. You made a show of crossing your arms over your chest anyway, pouting up at him.
âBrat,â he muttered. His flesh hand cupped your jaw again while the metal one trailed down your sternum, stopping just above where you were covering yourself. âYou love pushing me until I snap, donât you?â
âMaybe I just like what happens when you do.â
He studied you for a long moment, something dark and hungry flickering in his blue eyes. Then he straightened up, unbuckling his belt with deliberate slowness. âGet your tits out. I want to jerk off.â
The words hung in the air, blunt and filthy. Your eyes widened, a flush creeping up your neck, but you didnât move right away. The brat in you wanted to push one more time.
Bucky arched a brow. âNow, sweetheart. Or Iâll do it myself and you can watch without touching.â
That got you. You uncrossed your arms slowly, letting your breasts spill free. They were perfectâsoft, full, nipples already pebbled and begging for attention. You cupped them lightly, pushing them together just to taunt him.
âBetter?â you asked sweetly.
âOn your knees.â
You slid off the bed, sinking down in front of him. Bucky freed his cock, already thick and heavy, the tip glistening. He wrapped his metal hand around the base and gave himself one slow stroke while his flesh hand tangled in your hair.
âLook at you,â he growled. âActing like you run the show until I tell you exactly what I want. Keep those pretty tits right there.â
He pumped his fist over his length, eyes locked on your chest. The wet sound of skin on skin filled the room. You shifted on your knees, thighs pressing together, heat pooling between them. Watching him like this, using you as his personal visual, made you ache.
âTouch them,â he commanded. âPlay with your tits while I get off.â
You obeyed this time, rolling the sensitive buds between your fingers, pinching just hard enough to make yourself gasp. Buckyâs grip in your hair tightened.
âFuck, thatâs it. Look so good like this. My bratty little girl on her knees, tits out, letting me jerk off all over them if I want.â
His strokes grew faster, rougher. Pre-cum beaded at the tip and he smeared it down his shaft. You leaned forward instinctively, tongue darting out, but he tugged you back by the hair.
âNot yet. You donât get to taste until youâve learned to listen.â
You whined, but kept playing with your breasts, squeezing them together, arching your back to present them better. The power shift was intoxicating. One minute you were defying him, the next you were dripping and desperate just from his words and the sight of his hand working that gorgeous cock.
Buckyâs breathing grew ragged. âYou gonna behave now? Or do I need to edge myself while you sit there aching?â
âIâll behave,â you breathed, voice husky. âPlease, BuckâŠâ
He smirked, the first real one since he walked in. âGood girl. Finally.â
He let go of your hair and stepped closer, rubbing the slick head of his cock against one nipple, then the other. The sensation made you moan. Then he was stroking again, faster, using your tits as his target.
âCome on them,â you whispered, looking up at him with wide, needy eyes. âI want it.â
That did it. Bucky groaned deep in his chest, muscles tensing as he came hard. Thick ropes of cum painted your breasts, dripping down the curves, catching on your nipples. He milked every drop, breathing hard.
For a moment, the only sound was your mingled breathing. Then he hauled you up, kissing you fiercely, not caring about the mess between you. His hands roamed down your body, shoving your panties aside to find you soaked.
âBed,â he rasped against your mouth. âWeâre not done. Youâve got a lot of making up to do.â
You laughed breathlessly as he tossed you onto the mattress. âYes, Sergeant.â
He climbed over you, metal arm bracing beside your head while his flesh hand spread your thighs. âKeep calling me that and I might let you come more than once tonight.â
What followed was a blur of heat and surrender. Bucky ate you out like a man starved, tongue and fingers working you until you were shaking, then flipped you over and fucked you deep and slow from behind. Every thrust pushed your cum-smeared tits into the sheets. He pulled your hair, smacked your ass when you tried to rush him, and whispered filthy praise in your ear.
âYou love being my brat, donât you? Love making me take control.â
âYesâfuckâyes, Bucky!â
He came again inside you this time, holding you tight as you clenched around him. Afterward, he cleaned you up gently with a warm cloth, pulling you against his chest.
âNext time you wanna brat out,â he murmured, kissing your temple, âjust say so. Iâll remind you whoâs in charge quicker.â
You smiled sleepily, tracing the scars where metal met skin. âWhereâs the fun in that?â
He chuckled, the sound vibrating through you. âGod help me, I love you, doll.â
Hello hello! Iâve got this idea stuck in my brain and I was wondering if you could expand on it. Iâm just curious to see how someone else would imagine this. Reader and Bucky are getting married. Reader surprises Bucky with a private 40s wedding with just their close friends. Sheâs dolled up in a vintage dress and has her hair done in the same fashion and everything. Just something fluffy. Much love đ
this is so preciousđ„°
---------
The first sign that something is happening comes when you steal Bucky's keys.
He's sitting on the couch polishing his favorite leather boots when you casually pluck the keyring off the coffee table and slip it into your purse like you aren't committing a crime right in front of him. His head slowly lifts, blue eyes following the movement before narrowing with immediate suspicion.
"Doll."
"Hm?"
"You have my keys."
"I know."
"...Can I have them back?"
You can't help the grin that stretches across your face. "No."
He sets the boot aside and leans back against the couch, folding his arms over his chest. "You're being incredibly suspicious."
"I have absolutely no idea what you're talking about."
"Really? Because you've been whispering with Natasha all week, Sam keeps smirking every time I walk into a room, Steve suddenly finds every excuse in the world to get me out of the apartment..." He tilts his head, amusement already tugging at the corners of his mouth despite himself. "Even Alpine had a ribbon tied around her neck this morning."
You fail miserably at hiding your smile.
"So there is something."
"There might be."
"You gonna tell me?"
"Nope."
Instead, you step between his knees, cup his face, and kiss him until he forgets whatever argument he was trying to make. By the time you pull away, his expression has softened into that fond, hopeless smile that always appears whenever you successfully distract him.
"Just trust me," you whisper. "Be ready by four. Wear the navy suit."
"The expensive one?"
"The expensive one."
His eyebrows rise. "Now I'm even more concerned."
---
By the time four o'clock arrives, Bucky is convinced the entire team is conspiring against him.
"I've been tortured by professionals with better poker faces than you two."
Sam snorts so hard he nearly misses a turn.
"You're both terrible liars."
"And yet," Steve says far too calmly, "you're still coming with us."
Bucky sighs dramatically and settles back into his seat, crossing his arms.
"I don't like surprises."
Steve glances at him through the rearview mirror, his smile turning gentler.
"I know."
---
Meanwhile, you're fairly certain you're going to throw up before your own wedding.
Not because you're second-guessing anythingâGod, no. If anything, you've never been more certain of a decision in your life.
You're nervous because you desperately want him to understand.
The ceremony isn't being held in one of the sleek venues every wedding magazine recommended. Instead, it's tucked inside a restored historic building in Brooklyn with polished hardwood floors worn smooth by decades of dancing, exposed brick walls, warm amber chandeliers, and tall windows that let the late afternoon sunlight spill across the room like liquid gold.
Everything feels timeless.
It feels like him.
Months ago, while the two of you were lazily watching an old black-and-white movie curled up on the couch, Bucky had gone unusually quiet during the wedding scene. His thumb absentmindedly traced circles against your hand before he smiled at the television with an expression that looked almost painful.
"My ma always imagined my wedding looking like this," he'd said softly. "Simple. Everybody packed together. Music. Flowers. Nothing fancy."
The conversation hadn't lasted more than a minute before he'd brushed it off, but you never forgot it.
So while he'd assumed the two of you were planning a small courthouse ceremony followed by dinner with the team, you'd quietly spent months piecing together something entirely different.
You searched antique shops until you found lace that looked like it belonged in the 1940s. A seamstress helped recreate a dress inspired by photographs from the era, complete with delicate illusion sleeves and a sweetheart neckline hidden beneath intricate embroidery. You borrowed vintage pearl earrings from an elderly shop owner who teared up when you explained why you wanted them, and your hair stylist spent nearly two hours pinning soft victory rolls and loose curls into place.
When you'd finally looked at yourself in the mirror that afternoon, it hadn't felt like you were wearing a costume.
It had felt like you were carrying a piece of his history with you.
Not because you wanted to recreate the past.
Because you wanted him to know that every part of it, the joyful parts as much as the painful ones, still deserved to be remembered.
---
Steve leads Bucky through the old building without offering a single explanation, and his confusion only grows as they approach a pair of tall wooden doors.
"It's awfully quiet."
Steve hums.
"You know what's happening."
"I might."
"You're enjoying this."
"A little."
Bucky rolls his eyes.
"I hate all of you."
"No, you don't."
"...No."
Before he can ask another question, the doors slowly swing open.
Soft music spills into the hallway, warm and crackling from an old record player tucked into the corner of the room. Fresh white roses line the aisle, candles flicker against the brick walls, and every single one of the people who matter most to him is already standing inside.
Natasha.
Sam.
Steve.
Wanda.
Bruce.
Clint and Laura.
Even Tony.
Their smiles tell him everything before his eyes finally find you.
Time simply... stops.
You're standing at the end of the aisle with your bouquet gathered carefully in your hands, sunlight catching every tiny detail of your dress. The delicate lace sleeves. The fitted bodice. The gloves. The pearls. Your lipstick is the soft rosy shade he'd only ever seen in faded family photographs, and your hairâ
God.
Your hair.
He hasn't seen victory rolls outside of museums and old photographs in nearly eighty years.
For one impossible heartbeat, it feels as though every version of his life has collided into the same moment.
Brooklyn.
The war.
Everything he lost.
Everything he found.
Everything standing in front of him now.
His breathing catches so sharply that Steve instinctively reaches for his shoulder.
"You alright?"
Bucky barely hears him.
"No..."
His voice cracks.
"No."
Across the room, your smile falters.
"You don't like it?"
His head snaps toward you.
"What?"
"The dress."
He lets out the smallest, most disbelieving laugh as tears immediately begin filling his eyes.
"Honey..."
He shakes his head over and over, completely overwhelmed.
"I've spent so long trying not to miss that part of my life because it hurt too much."
His voice grows quieter.
"And somehow... somehow you found a way to give it back to me without bringing any of the pain with it."
He walks toward you before anyone can stop him, closing the distance in long, hurried strides until he's cupping your face between trembling hands.
"You look like every dream I thought I'd buried."
Your own tears finally spill over.
"I wanted you to have one day that belonged to every version of you," you whisper.
"The little boy from Brooklyn."
"The young man who danced before the war."
"The soldier."
"The Avenger."
"The man I fell in love with."
"They all deserved to make it here."
That's what finally breaks him.
Not because of the dress.
Not because of the music.
But because for the first time in nearly a century, someone looked at every chapter of his life and chose to celebrate them instead of pretending they never happened.
His forehead falls against yours as quiet tears slip freely down his cheeks, and you simply hold him, surrounded by the family he'd found in this lifetime.
Natasha eventually clears her throat from somewhere behind him.
"If the groom is finished crying, we'd actually like to witness the wedding."
Bucky laughs through his tears, wiping at his face with the heel of his hand.
"I wasn't crying."
"You absolutely were."
"It was dignified crying."
"It was snotty crying," Sam corrects.
"It was romantic."
"It was disgusting."
The room erupts into laughter, the tension dissolving instantly as Bucky reaches for your hand, intertwining your fingers with his.
He doesn't let go for the rest of the evening.
Not through the vows.
Not while exchanging rings.
Not during your first dance beneath warm string lights as old records skip softly in the background.
Hours later, with your head resting against his shoulder and his arms wrapped securely around your waist, he presses a slow kiss against your temple before looking down at the lace covering your sleeve one more time.
"You know what my favorite part of today is?" he asks quietly.
You smile. "The music?"
"You."
"The flowers?"
"You."
"The dress?"
He gently shakes his head.
"No."
His thumb brushes over your wedding band.
"My favorite part is that when I looked at you standing at the end of that aisle..." His voice softens until it's barely more than a whisper. "...for the first time in almost a hundred years, my past didn't make me sad."
His forehead rests against yours as the record spins quietly behind you.
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hi ken! hope you're doing fine. i'm in such a bad mood becuz of things going on in my life. can you do a bucky x reader thing where no one sees how reader is there for everyone but at the slightest reason the others call the reader selfish and wrong but bucky sees all of it and wants to make sure that at least one person out there is appreciating reader and comforts her through a break down?
-đ°
The accusations hit so quietly that, at first, you almost convince yourself they don't hurt.
You've spent months being the person everyone depends on without ever really thinking twice about it. You're the one answering late-night phone calls when someone's relationship falls apart. The one who remembers birthdays, orders everyone's favorite takeout, offers rides to the airport before sunrise, and somehow always has tissues, Advil, or a phone charger when someone needs one. If a friend is overwhelmed, you rearrange your own schedule without hesitation. If someone needs help moving, you're already on your way. You never keep score because that's what people who love each other do, right?
You don't realize that no one notices until the first time you ask for something yourself.
The evening starts like every other gathering at Sam's apartment. You arrive twenty minutes late because you'd spent the afternoon helping another friend carry furniture into a third-floor apartment before stopping to grab coffee for someone who'd texted you on the way over. By the time you walk through the door, your arms are full of drinks and grocery bags, your feet ache, and all you can think about is curling up in bed once this is over.
No one thanks you.
Instead, someone glances at the clock.
"Finally."
Another rolls their eyes. "We thought you weren't coming."
You laugh awkwardly, apologizing out of habit as you hand everyone the things they'd asked you to bring. The conversation moves on almost immediately, and so do you. You help set the table, refill empty drinks before anyone asks, and clean dishes as people continue talking around the kitchen island. It feels familiar enough that you don't question it.
Not until, a couple of hours later, you quietly mention that you're going to head home.
"I think I'm gonna call it a night," you say with an apologetic smile. "It's been a long week."
The room goes strangely quiet.
"Already?" someone asks.
"You literally just got here."
"I've just been really tired."
Another friend snorts. "You always leave early lately."
You blink. "I... don't think I do."
"Honestly," someone else chimes in, "you've been kind of selfish recently."
The word lands with enough force to steal the air from your lungs.
Selfish.
You stare at them, waiting for someone to laugh or tell you they're kidding, but no one does. Instead, more voices begin piling on, each one somehow making the knot in your chest tighter.
"You've been saying no to things."
"You've seemed distant."
"We never ask you for much."
"You've been making everything about yourself lately."
Your mouth opens, but nothing comes out.
Because all you can think about is every single thing you've done for them over the past few months. The weekends you gave up. The errands you ran. The countless times you dropped everything because someone else needed you.
All of it disappears the moment you admit you're exhausted.
Across the room, Bucky has been watching the entire conversation unfold in silence. At first, he'd assumed someone would catch themselves. That one of your friends would realize how unfair they sounded and backtrack before any real damage was done.
Instead, he watches you shrink a little more with every sentence.
Your shoulders curl inward. Your smile disappears. Then, somehow, despite everything they're saying, you whisper the words that finally push him over the edge.
"I'm sorry."
The apartment falls silent when Bucky speaks.
"No."
His voice isn't loud, but it cuts through every other sound in the room.
"No, we're not doing this."
Every head turns toward him as he pushes away from the kitchen counter, his blue eyes sweeping across the room before settling briefly on you. The hurt written across your face makes something twist painfully in his chest.
"You're calling her selfish?"
No one answers.
Sam shifts uncomfortably. "Buck..."
"No." He shakes his head. "I want somebody to explain it to me."
His gaze moves deliberately from one person to the next.
"Who picked me up after missions because I couldn't drive?"
Silence.
"Who spent fourteen hours sitting in the hospital with Clint when everyone else went home?"
Still nothing.
"Who remembers every birthday, organizes every dinner, checks on all of you when you're struggling, and somehow always knows exactly what everyone needs before they ask?"
His voice never rises, but it doesn't have to.
"It's always been her."
No one argues.
"She gives every single one of you her time, her energy, and every piece of herself she has to spare. Then the first time she says she's tired..." He lets out a humorless laugh. "Suddenly she's selfish?"
The weight of his words settles over the apartment like concrete.
For the first time all night, everyone actually looks at you.
Really looks.
They notice how tightly you're gripping your sleeves. How your eyes have filled with tears. How exhausted you actually look.
Bucky doesn't wait for anyone to respond.
Instead, he crosses the room until he's standing directly in front of you, every trace of frustration melting into something heartbreakingly gentle.
"C'mere, sweetheart."
The endearment is all it takes.
The moment his arms open, every wall you've spent months holding together collapses. You step into his embrace without thinking, and the first sob tears itself from your chest before you've even buried your face against him.
His arms wrap around you immediately, one hand cradling the back of your head while the other rubs slow, steady circles across your back.
"I'm sorry," you cry, the words muffled against his shirt.
He pulls back just enough to look at you, his brow knitting together in confusion.
"What are you apologizing for?"
"I don't know," you admit through broken breaths. "I just... I tried so hard."
"I know you did."
"I wanted everyone to be happy."
His heart breaks right there.
"I know."
"I don't understand what I did wrong."
His thumb brushes beneath your eye, catching another tear before it can fall.
"You didn't do anything wrong." His voice is impossibly soft. "You just reminded people that you're a person instead of someone they can keep taking from."
You stare at him.
"They got so used to you always giving," he continues, "that the first time you needed something back, they mistook it for selfishness."
A shaky laugh escapes you, though it sounds more like another sob.
"I feel so stupid."
"No." He shakes his head immediately. "I think you love people with everything you've got. I think you're the kind of person who would happily carry everyone else's burdens if it meant they smiled a little easier. But somewhere along the way, they stopped appreciating what you were giving because they started expecting it."
Fresh tears spill down your cheeks.
"I just wanted someone to notice."
"I do."
He doesn't hesitate.
"I notice every single thing you do."
You look up at him, eyes wide.
"I notice the way you text everyone to make sure they got home safely. I notice you remembering how Sam takes his coffee, how you always pack extra snacks because Nat forgets to eat, how you ask Steve about therapy when everyone else assumes he's fine. I notice how you quietly clean up after everyone leaves without asking for help."
His hand cups your cheek.
"But I also notice the things nobody else seems to."
His forehead rests gently against yours.
"I notice when you're forcing a smile because you don't want anyone worrying about you. I notice when you're running on empty. I notice the way you keep saying you're okay even when you're barely holding yourself together."
Your breathing stutters.
"I wanted one person to see me," you whisper.
A sad smile tugs at his lips.
"You've had one all along."
He presses a lingering kiss against your forehead before wrapping you back into his arms.
"You don't have to earn love by exhausting yourself. You don't have to prove your worth by giving away every piece of who you are."
His embrace tightens just a little more.
"And as long as I'm here, you'll never have to wonder whether someone appreciates you."
Around the room, no one says a word.
Because while they had spent months taking you for granted, Bucky had spent those same months seeing every quiet sacrifice, every hidden exhaustion, and every small act of love you never expected anyone to notice.
And he silently promised himself that, from this day forward, you would never again have to question whether you were enough.
Ok ok ok, I saw a tiktok the other day of a woman giving birth ON THE SIDE TOF THE ROAD because her contractions and everything came so fast. How do you think Bucky would react to this kind of thing? While he probably has med training from being in the Army/Avengers he's still also just a man worried about his wife and baby? Please please pleaseeee make me cry!
i saw a video like this the other day too! #new fear unlocked
-------
The first contraction hits while youâre still laughing.
It folds you in half mid-sentence, steals the air right out of your lungs, turns your spine rigid as your hand clamps around Buckyâs forearm. He goes still immediately, all humor draining from his face as he watches you, blue eyes sharpening into something alert and searching.
âHey,â he says softly, already moving closer. âTalk to me, doll. Whatâs that?â
You try to brush it off, because it canât be time yet, itâs too soon, youâve got weeks, youâve got plans, but then it hits again, harder, sharper, a deep, pulling ache that makes your knees buckle.
Bucky catches you before you can even think about falling.
âOkay,â he breathes, voice steady even as his hands tighten around you. âOkay, thatâs not nothing.â
The next ten minutes are a blur of movement. He gets you into the car, one hand braced behind your head so you donât hit the doorframe, the other gripping yours like heâs afraid youâll slip away if he lets go. Your hospital bag gets tossed in the backseat, your phone forgotten on the kitchen counter, and then heâs behind the wheel, engine roaring to life.
He's too calm.
Itâs the kind of calm that comes from years of training, from missions where panic gets people killed. His breathing is even, his voice low and controlled as he glances between the road and you, counting the seconds between your contractions like itâs second nature.
âBreathe with me,â he murmurs, squeezing your hand. âIn through your nose, slow. Iâve got you. Youâre doing good.â
But underneath it, buried deep where he hopes you wonât notice, is fear.
Real, gut-deep fear.
Because youâre not supposed to be screaming in pain ten minutes into the drive. Youâre not supposed to be gripping the seat so hard your knuckles go white. Youâre not supposed to be gasping out, âBucky, somethingâs wrongâthis is too fastââ
And then your water breaks.
It soaks through your leggings, warm and sudden, and Buckyâs head snaps toward you so fast itâs almost violent.
âOkay,â he says again, but this time itâs tighter. Thinner. âOkay, thatâsâokay.â
He presses harder on the gas.
The hospital is still fifteen minutes away when you cry out, a broken, desperate sound that rips straight through him.
âI need to push.â
The words hit him like a gunshot.
For a second he freezes.
Because he knows what that means. Heâs been through enough emergency scenarios, enough battlefield triage, enough late-night briefings with medical teams to recognize it instantly.
There is no way youâre making it to the hospital.
âShit,â he breathes, already scanning the road. His grip on the steering wheel tightens, vibranium fingers digging into the leather hard enough to crease it. âShit, okay, okayâhang on, baby, justââ
Another contraction hits you, and your entire body curls forward with a sob.
Thatâs it.
He swerves the car onto the shoulder without hesitation, gravel crunching under the tires as he slams it into park. Heâs out of the driverâs seat before the engine even fully dies, sprinting around to your side, yanking the door open.
âLook at me,â he says, dropping to his knees beside you, his hands cradling your face. His voice is firm now, commanding in a way youâve only heard on missions. âHey. You stay with me, okay? Iâve got you.â
Youâre crying, shaking, terrified, and he hates it.
He hates that youâre in pain. Hates that this isnât safe and controlled and planned the way it was supposed to be. Hates that he canât take it from you, canât carry it the way heâs carried everything else.
But thereâs no time for that.
Another contraction hits, and you scream.
Heâs all instinct now, controlled precious of a soldier in combat. He helps you shift, supporting your back, guiding your breathing, murmuring constant reassurances even as his heart pounds so hard he can feel it in his throat.
âYouâre okay,â he keeps saying, over and over, like he can make it true just by repeating it. âYouâre okay, Iâve got you, youâre doing so goodââ
You cling to him, nails digging into his shirt, your forehead pressed to his shoulder as your body takes over.
âBucky, I canâtââ you sob.
âYou can,â he cuts in immediately, voice fierce. âYou can, you are. You hear me? Youâre doing it right now.â
His metal hand braces your thigh, steady and unyielding, while his other hand grips yours, grounding you through every wave of pain.
He talks you through it.
Every breath. Every push.
His voice is the only thing keeping you tethered until you both hear the cry.
Tiny, unmistakeable and entirely mad at life.
Everything stops.
For a moment, the world goes completely, utterly silent.
Buckyâs hands tremble as he lifts your baby, his breath catching hard in his chest. Thereâs blood, thereâs chaos, thereâs the distant sound of cars rushing pastâbut none of it matters.
Because your baby is crying.
Because youâre here.
Because you both made it.
âHey,â he whispers, voice breaking in a way youâve never heard before. âHey, Iâve got you⊠Iâve got youâŠâ
He places the baby against your chest with hands that are suddenly so, so gentle, like youâre both made of glass, then he looks at you.
Really looks at you.
Your tear-streaked face, your exhausted smile, the way youâre already reaching for your baby like nothing else in the world exists.
His throat tightens.
âYou did that,â he says softly, brushing your hair back with shaking fingers. âYouâGod, you did that, sweetheart.â
His forehead presses against yours, eyes slipping shut for just a second.
Relief crashes over him so hard it almost knocks the breath out of his lungs.
He laughs then, hysterically, as he cups the back of your head, holding you both close.
âWe gotta work on your timing,gâ he murmurs, voice thick with emotion. âCouldnât wait for the hospital, huh?â
But his hand never stops trembling.
And neither does the way he keeps looking at you, like he almost lost everything.
Like heâs never going to take a single second with you for granted again.
Youâre elbow-deep in gingerbread dough behind the counter, Christmas playlist humming through the bakery speakers, when the bell over your door jingles. You call out a distracted, âBe right with you!â and keep kneading, trying not to think about the fact that youâre already two catering orders behind and the display case looks like itâs been pillaged by sugar gremlins.
âDelivery for⊠Sugar Street Bakery,â a voice says.
You glance up, breathless. A kid in a red beanie is standing at the counter, cheeks pink from the cold, hugging a square foil-wrapped pot to his chest. Bright red petals spill over the sides, dark green leaves glossy and perfect.
A poinsettia.
âFor me?â you ask, wiping your hands on your apron.
The kid shrugs. âIt says your bakery, so. From Bloom & Buck, next door.â He jerks his chin in the direction of the flower shop. âGuy with the long hair told me not to drop it, like, fifty times.â
You try not to smile too hard. âThat sounds like him.â
James Buchanan BarnesâBucky to every old lady in a five-block radiusâowns the flower shop next to your bakery. He opened Bloom & Buck a year before you took over Sugar Street. Youâve spent the last two years trading early-morning hellos, borrowed cups of sugar, and the occasional shared lunch in the alley out back when your breaks overlap. You know he likes his coffee black, sings off-key to Motown when heâs cleaning buckets, and always hangs a wreath on your door before you can get around to ordering one.
You also know you have a massive crush on him and absolutely no time to do anything about it.
You step around the counter. The poinsettia is lush and symmetrical, the bracts a perfect, velvety red. Thereâs a tiny envelope stuck into the soil on one of those little plastic card holders, printed with your bakeryâs name.
Your chest squeezes. Of course heâd send something festive.
âWow,â you murmur. âTell Bucky I said thank you?â
The kid salutes with two fingers. âSure thing.â Then heâs gone, bell jingling behind him.
You carry the poinsettia carefully to the front window. The old building has wide sills that collect dust and crumbs; you swipe them clean with your sleeve and set the plant in the corner, turning it until the best side faces the street. It looks like it belongs there, glowing against the frost-rimmed glass, a little beacon of holiday cheer.
You notice the envelope again and pluck it free. Itâs one of those floral shop cards, small and cream with a delicate border. Probably something like Happy Holidays or Thanks for being a great neighbor.
You really should get back to the dough.
You tuck the card back into the soil. Youâll read it later, you tell yourself. After the gingerbread. After the sugar cookies. After you wrestle the temperamental oven into baking the peppermint brownies evenly for once.
By closing time, your feet ache, youâve got powdered sugar in your hair, and the little envelope is completely forgotten.
The second poinsettia shows up two days later.
Youâre sliding trays of cinnamon rolls into the display case, warmth blooming in your face from the ovens, when the bell jingles again.
âSpecial delivery for my favorite sugar dealer,â a familiar voice calls.
You straighten so fast you nearly slam your head on the glass. âBucky.â
Heâs standing by the counter, cradling another poinsettia like itâs made of spun glass. Heâs got his hair pulled back in a messy bun at the nape of his neck, a knit beanie shoved over his ears. Thereâs a smudge of green on his cheekboneâpollen, or maybe leaf dustâthat somehow just makes him more unfairly attractive.
âHey, doll,â he says, mouth quirking. âBrought you something.â
You wipe your hands again, like thereâs somehow a world where you greet him without flour on your fingers. âYou didnât have to. The first one was already way too much.â
He shrugs, stepping closer. The plant between you smells faintly of damp soil and something clean and green underneath the bakeryâs sugar fog. âWindow looked a little lonely on the other side. Thought Iâd give it a friend.â
âThatâs what the gingerbread men are for,â you tease.
âThey keep losing their heads,â he counters, eyes flicking toward the display case. âSeems like theyâve got bigger problems.â
You huff a laugh, heat pricking your cheeks that has nothing to do with the ovens. âYouâre ridiculous.â
âCompliment accepted.â
He carries the new poinsettia to the window like heâs staging an exhibit, setting it a few inches from the first. His fingers gentle the leaves apart, nudging the pot until both plants line up in a perfect crimson duo.
Thereâs another tiny envelope in this one. You clock it, the white paper tucked among the red bracts.
âAre these⊠like a promotion?â you ask, leaning your hip against the counter. âCross-branding for Christmas? Because we can totally put a little âCourtesy of Bloom & Buckâ sign in the window if you want. Or I can pay you for them. Seriously, Bucky, I know these arenât cheap.â
He glances over his shoulder, something quick and unreadable flashing across his face. âYeah,â he says after a beat. âSomething like that.â
Your stomach does a little flip, but before you can parse it, a customer bustles in behind him, shaking snow off her scarf and demanding six dozen iced sugar cookies by Saturday.
By the time you look back at the window, Bucky is gone.
The little envelope winks up at you and you think, again, Iâll read it later.
You do not, in fact, read it later.
It becomes a thing.
Every few days, another poinsettia appearsâsometimes delivered by the red-beanie kid, sometimes carried in by Bucky himself, sometimes inexplicably already sitting in your window when you arrive, condensation fogging the glass behind them.
Your sill turns into a mini forest of red and green. Customers gush over them, noses pressed to the glass while they debate between peppermint bark and cranberry crumble bars. You answer questions about care like youâre the one who knows how not to kill plants that arenât made of sugar and butter.
You text Bucky midafternoon one day when youâre particularly buried in dough.
you: okay poinsettia king. people keep asking how i havenât murdered the window yet. iâm sending them all to you.
bucky: theyâre in good hands
bucky: besides i check on them every night
You stare at that last line for a second, a weird flutter in your chest.
you: you break into my bakery to water my plants??
bucky: breaking in is a serious accusation, doll
bucky: i have a key
Right. The key in the back hallway, on the hook between your two doors, for emergencies or shared deliveries. Rational. Boring. Safe.
It doesnât explain why your heart is pounding.
you: still sounds like breaking in
bucky: guess youâll have to arrest me
bucky: officer
Heat creeps up your neck. You send back a bakery-themed gif and then force yourself to go back to piping snowflakes onto sugar cookies, telling yourself itâs just banter. Bucky flirts with everyone. Thatâs his thing. Flower guy charm, built into the job description.
You ignore the tiny envelopes tucked into each pot like itâs part of the packaging, the way a pastry box comes with string. Youâre busy. Youâre tired. Youâll read them when you have five minutes alone that arenât immediately filled with sleep.
Somehow, those five minutes never come.
The day everything changes, itâs snowing.
Not the sprinkling youâve had the last week, but proper, thick flakes, the kind that muffle the city noise and turn the streetlights into glowing halos. Business has slowed to a trickle. People come in with pink cheeks, buy hot chocolate and a cookie or two, then hurry back into the swirling white. You find yourself watching the snow more than the batter.
Itâs late afternoon when your best friend barges in.
âYouâre a criminal,â she announces, shaking snow into your already-messy entryway. âAn actual criminal. I should report you to someone.â
You blink at her from behind the espresso machine. âHi to you too?â
She stomps her boots, then slides behind the counter like she owns the place, stealing a sip of your hot chocolate before you can protest. âI just came from Buckyâs. Do you know what he looks like out there? Like a sexy Christmas lumberjack in an apron.â
âYou think everyone looks like a sexy Christmas lumberjack,â you mutter, cheeks warming.
âIncorrect. I think everyone looks like a mess. Bucky looks like a very specific, very sinful mess, and youââshe pokes your shoulderââare committing a felony by not doing anything about it.â
âIâm busy,â you protest weakly, gesturing around. âAlso, thatâs a dramatic overstatement.â
She ignores you, wandering toward the window. âHoly shit, the poinsettias multiplied.â
âI know. I told him he doesnât have to keep sending them, but heâs⊠persistent.â You try to sound casual. âI think itâs, like, a marketing thing.â
âUh-huh,â she says.
You go back to fussing with the hot chocolate machine. âWeâre doing that charity display next week, remember? He probably wants to make sure his stuff is front and center. Which is totally fine. It helps both of us, actually, andââ
âOh my God.â
Something in her voice makes you look up.
Sheâs crouched by the window, peering at one of the poinsettias like itâs revealed state secrets. Her fingers pluck the tiny envelope card free. She flips it open, then whips around to gape at you.
âWhat?â you ask, unease crawling up your spine. âWhat?â
âYou havenât read these?â she demands, waving the card.
âIâve been busy,â you say, defensive now. âHoliday rush? My oven hates me? Yesterday I had a lady cry because we ran out of yule logs? Why are you looking at me like that?â
She strides behind the counter, thrusts the card into your flour-dusted hands. âRead.â
You glance down. The card is small, your bakery name printed in neat script at the topâBloom & Buckâs stationary, you realize. Underneath, in Buckyâs messy, looping handwriting, are four words.
For the girl next door,
who always smells like sugar.
Your heart stops.
Itâs⊠sweet. Cheesy, even. You swallow, mouth dry. âItâs just, like⊠branding. Sugar Street Bakery, girl next door, smells like sugar, they all do, thatâs the pointââ
âUh-huh.â Sheâs already snatched another card from another plant, ripping it open. âLetâs see what the second marketing slogan says.â
âMaybe donâtââ
âFor the baker who feeds the neighborhood,â she reads aloud, âand the florist whoâs starving for her attention.â
Your brain bluescreens.
âYouâve gotta be kidding me,â you whisper.
She grins like the devil. âOh, this is good. This is so much better than I imagined.â
Panic surges. You grab the card. Itâs real. The ink smudges a little under your thumb, like he wrote it in a hurry.
âNope,â you say, voice a little too high. âNope, absolutely not, this isâthereâs no way these areââ
Sheâs already moving, raiding the entire sill, pulling out envelope after envelope. Some are crammed deep between leaves, some half-visible. She piles them on the counter like evidence.
âRead,â she orders. âOr I will. Loudly. Maybe into the street with a megaphone.â
You stare at the small stack. Your heartbeat is so loud itâs making you dizzy.
The bell over the door jingles. Buckyâs voice carries in with the cold air.
âHey, doll, you got a sec? I broughtââ
He stops halfway to the counter.
You freeze. Your friend, for once, has the decency to look mildly abashed.
The three of you stare at each other. The stack of opened envelopes sits between you like a small, incriminating mountain.
âOh,â Bucky says.
His voice is different. Less easy drawl, more⊠oh God.
âHi,â you say weakly. You wish the floor would open and swallow you whole. âUm. We were justâŠâ
âReading,â your friend supplies helpfully. âYour very subtle marketing materials.â
Buckyâs Adamâs apple bobs. The tips of his ears are pinkânot from the cold anymore, you realize. âRight. Those.â
You canât look at him. You canât not look at him. His jaw flexes, his hand tightening briefly on the door handle like heâs considering a tactical retreat.
Your friend clears her throat. âWell, this has been deeply satisfying, but I suddenly remembered I have to go⊠uh⊠stand somewhere else.â
âTraitor,â you hiss under your breath.
She leans in, stage-whispers, âRead them,â into your ear, then escapes in a swirl of wool and snowflakes.
The bell jingles, then itâs just you, Bucky, the hum of the fridge, and the stack of tiny cards.
You pick one up because doing nothing feels worse. Your hands shake.
For the woman whose laugh blooms louder than my shop on Valentineâs Day.
Your throat tightens. You grab another, swallowing hard.
For the baker who dusts her nose with powdered sugar and doesnât know itâs the cutest thing Iâve ever seen.
âBucky,â you croak.
âYeah,â he says hoarsely.
âYeah,â he says hoarsely.
You look up. His eyes are dark, lashes tipped with melted snow, jaw tight. His hands are shoved into his coat pockets like heâs afraid of what theyâll do if he lets them hang loose.
âThese areâŠâ You search for a word that isnât you wrote love notes and I ignored them. âNot marketing slogans.â
He huffs out a weak laugh. âNo. No, theyâre not.â
You stare down at the cards. There are more. So many more. You shuffle them, the words blurring.
For the girl whose smile makes the lights on this street look dim.
For the woman who keeps me up at night wondering if she knows Iâd cross a blizzard for her hot chocolate.
For the neighbor I thought would read these the first day and hasnât, which is either the meanest thing anyoneâs ever done to me or the funniest.
You choke on a startled laugh at that last one. âYouâwhy didnât you say anything?â
Bucky shifts his weight. Snowflakes cling to his coat, melting into darker spots. âKinda hard to bring up, doll. âHey, did you get my very smooth romantic plant confessions?â Not exactly cool.â
âI thought they were for my window display,â you burst out. âLike, for the bakery. For customers. I didnât know they were⊠me things.â
He looks at the sill, then back at you. âYou didnât read a single one?â
âI was going to,â you say defensively, then wince. âEventually. Weâve been so busy and Iâd tell myself Iâd read them after I cleaned up, and then Iâd pass out on my couch, and then another one would show up and Iâd just⊠put it in the window.â
He presses his lips together, like heâs fighting a smile or something else. âSo my grand romantic gesture turned into an accidental seasonal merch drop.â
âI am an idiot,â you groan, dropping your head into your hands. Flour dusts the backs of your fingers, streaks across your cheeks when you drag your hands down. âBucky, I am so sorry. I didnât mean to ignore youâthis, any of thisâI just thoughtâŠâ
âThat I was drumming up business.â He shrugs one shoulder. âCanât blame you. I mean, I was kinda doing that too. If people come to look at my plants and accidentally buy your pecan pie, thatâs a win as far as Iâm concerned.â
âThis is not funny,â you protest, even as a laugh bubbles up.
âA little funny,â he says, mouth twitching.
You meet his gaze. Thereâs humor there, yeah, but something else, too. Something softer. Something that makes your stomach swoop.
âHow many are there?â you ask quietly, fingers skimming the stack.
He exhales, a white puff between you. âUh. One for each plant.â
You glance at the sill. There are eleven poinsettias lining it now, in various sizes and shades of red and creamy white. Eleven plants. Eleven tiny confessions you didnât know were yours to read.
Your chest feels tight.
âWhy poinsettias?â you ask.
He looks down at his boots, then up again. âTheyâre stubborn,â he says finally. âPeople think theyâre delicate, but they hang on. All winter if you let âem. And they remember.â His fingers curl in his pockets. âYou treat âem right, theyâll come back next year. Stronger.â
Thereâs something raw about the way he says it. You swallow.
âAlso,â he adds, a little sheepish, âtheyâre pretty. And they match your apron.â
You glance down at your red-spattered apron, then back up, a breathless laugh escaping. âThatâs your criteria? Matches my apron?â
âAnd your cheeks,â he says lightly.
Your face goes hot. Youâre pretty sure the poinsettias have competition now.
Silence stretches between you, thick with things unsaid.
âSoâŠâ you manage. âThese little notes. Theyâre all⊠love confessions?â
His jaw ticks. For all his easy charm, youâve seen him nervous exactly twice: when the city inspector came by to check his shop, and right now.
âYeah,â he says. âGuess they are.â
Your heart does something ridiculous. âFor⊠me.â
âUnless thereâs another gorgeous baker on this street who smells like vanilla and works herself half to death,â he says softly. âYeah. For you.â
Your eyes sting.
You liked him before this. You liked his crooked smile and his flower trivia and the way heâd lean in your doorway at the end of the day, trading stories about nightmare customers and suppliers who lied about delivery times. You liked the way heâd show up with a single rose when he heard youâd had a bad week, or a bunch of daisies âjust becauseâ on a Tuesday that had nothing special about it.
But this? This is a different kind of liking. This is your chest flipping inside out, your bones suddenly too small for your heart.
âHow long?â you ask, voice small. âHow long have you⊠liked me?â
He huffs a laugh that sounds more self-conscious than anything youâve heard from him. âSince you came over my first Valentineâs Day and helped me wrap bouquets until midnight when my staff bailed.â His gaze drops to your hands, then back to your face. âYou had glitter in your hair and you refused to let me pay you and you kept stealing the chocolate from the gift baskets. I was a goner.â
âThat was two years ago,â you whisper.
He nods, eyes steady. âYeah.â
Your head spins. âAnd you never said anything?â
âWasnât exactly a secret,â he mutters, half under his breath.
You think of the way he always saves you the first wreath of the season, of how he shows up with your coffee order before youâve unlocked the door, of the handwritten notes youâve been obliviously watering.
âMaybe not for you,â you murmur.
He smiles, small and lopsided. âI didnât want to make things weird. Youâre my neighbor. My friend. You work too hard. You donât need your florist creeping you out with⊠feelings.â
âBucky,â you say, startled. âYou could never creep me out.â
He raises an eyebrow. âPretty sure right now Iâm creeping myself out.â
You laugh, breathless. The sound is shaky, but real. âIâm just⊠Iâm processing.â
âTake your time,â he says softly. âIâve had two years, you can have at least two minutes.â
You stare at him. At the way the snow melting on his shoulders darkens the fabric. At the vein that jumps in his throat when he swallows. At the way his eyesâblue, deep as a winter skyâwatch you like heâs braced for impact.
âRead one more,â he says suddenly.
You blink. âWhat?â
âPick the one from today.â He nods toward the line of plants. âI brought a new one in this morning. Before you opened. Itâs the one with the little gold bow.â
You glance at the sill. The last poinsettia on the right has a small gold ribbon tied around the pot, just above the foil. Your stomach flips again.
You walk over on autopilot, fingers numb. The envelope is tucked deep, almost hidden under the red bracts. You pull it free, the stationary smooth against your flour-rough skin.
You open it.
For the woman Iâm terrified to ask out,
because if she says no, this street goes dark.
Your chest caves in.
You turn. Heâs closer than before, like he stepped in without realizing it. Snowmelt drips from the edge of his beanie onto his cheek. His lashes flutter once, like heâs bracing for you to laugh.
You donât laugh.
You cross the space between you, the card still in your hand. Your heart is pounding so hard you can feel it in your fingertips.
âJames,â you say, and his eyes flick up, startled.
No one calls him that. Not customers. Not nosy neighbors. Not even your friend, who insists his name is âFlirty Flower Guy.â
His throat works. âYeah?â
You hold up the card, voice shaking. âYouâre terrified?â
He huffs out a breath, humorless. âHave you met you? Youâre⊠you.â His gaze flicks over your face like itâs memorizing. âYou could do better than some guy who talks to plants for a living.â
Your indignation punches through the panic. âHey. You do a lot more than talk to plants.â
âOh yeah?â His mouth hints at a smile. âName three things.â
âYou know how to make my shop smell like a pine forest without giving anyone allergies,â you say immediately. âYou fixed my leaky sink last month when the plumber bailed. And you bring me coffee exactly the way I like it without ever asking me to write it down.â
He stares at you, something open and raw bleeding through his eyes.
âAlso,â you add, a little recklessly, âyou write stupidly sweet notes to a girl too frazzled to notice, and you keep giving her plants even when she doesnât read them. That seems⊠kind of important.â
He lets out a breath that sounds like itâs been stuck in his chest for a long time.
âSo,â he says, slow, careful, âif I⊠if I asked youâproperlyâsometime that isnât smack in the middle of your shift, with frosting on your apron and a line of hungry people behind youâŠâ His gaze flicks around the empty shop. âWhich you donât have right now, by the wayâŠâ
You laugh, nerves trying to crawl out of your skin.
ââŠif I asked you if you wanted to maybe go somewhere that isnât this block,â he finishes, âwould you⊠say no?â
Your heart feels like itâs sitting in your mouth.
You look at him. Really look. At the man whoâs spent two winters making your life easier, who knows the exact number of marshmallows you like in your hot chocolate. At the man whoâs lined your windowsill with red and green promises and been quietly hoping youâd see him.
You think about the way your stomach flips when he leans in your doorway. About the fact that youâve imagined what his hand would feel like in yours more times than youâd admit. About how just reading his messy handwriting makes your knees weak.
âI think,â you say slowly, âI might throw a cupcake at you for not asking sooner.â
His eyes go wide. âIs⊠is that a yes?â
You step closer. Close enough to see the exact shade of his irises. Close enough to smell the faint mix of pine and soil clinging to his coat.
âThatâs a yes,â you whisper.
His smile breaks over his face like sunrise.
âYeah?â he breathes.
âYeah.â You swallow, nerves and excitement tangling. âBut I have one condition.â
He would give you the moon right now, you can see it in the set of his shoulders. âAnything.â
âYou say it out loud,â you say. âYou ask me. Properly. No floral cards to hide behind.â
He huffs a laugh, some of the tension bleeding out of his jaw. âBossy.â
âAccurate.â
He takes a breath, like heâs centering himself. Stands a little straighter.
âOkay.â He clears his throat. âWill you⊠go out with me, doll? Dinner. Or ice skating, if you wanna laugh at me falling on my ass. Or we can just walk around and look at Christmas lights while I try very hard not to beg you to hold my hand.â
You donât realize youâre smiling until your cheeks ache.
âYes,â you say. âIâd love to.â
Relief floods his features, so strong you could almost feel it from across the room. He laughs, disbelieving, and for a second he just stands there, like his body hasnât gotten the message yet.
Then he moves.
He steps closer in one smooth stride, one hand lifting like heâs going to touch your arm and then hesitating. âCan IâŠ?â
You nod before he finishes. âYeah.â
His fingers brush your cheek, warm and careful. He swipes a thumb over a streak of flour, eyes flicking to your mouth.
âIf Iâd known all I had to do was guilt-trip your best friend into coming in here and forcing you to read my stuff, Iâd have done it months ago,â he murmurs.
âI am going to kill her,â you mutter, but it comes out breathless.
His gaze drops to your lips again. âCan IâŠ?â
He doesnât finish the sentence, but you know what heâs asking this time.
âYes,â you whisper.
His mouth meets yours like an exhale.
He tastes like mint and winter air, like the chocolate chips you know he steals when he thinks youâre not looking. His lips are warm, moving over yours slow at first, testing, then firmer when you sigh and lean in. One of his hands slides into your hair, the other dropping to your hip, fingers resting lightly, like heâs giving you plenty of room to pull back if you want.
You very much do not want.
You tilt your head, chasing him, and he makes a quiet sound in his throat that sends a shiver down your spine. His thumb strokes your jaw, his nose nudging yours in a clumsy little bump that makes you both smile into the kiss.
The bell over the door jingles.
You jump back, cheeks flaming. An elderly man in a flat cap peers in, then does a double-take.
âOh,â he says, loudly delighted. âAbout time.â
âHi, Mr. Kline,â you squeak.
He shuffles toward the display case, pretending he didnât just see you devouring your neighbor. âDonât mind me. Just here for my usual. And maybe one of those chocolate tarts.â He squints. âAnd youââ he points a trembling finger at Bucky ââyou remember what I told you about poinsettias, son?â
Bucky clears his throat, ears bright red. âUh, keep âem away from drafts?â
âWater âem when the soilâs dry,â Mr. Kline says. âAnd donât wait too long to repot âem when they outgrow where they are.â
He winks at you.
Youâre pretty sure thatâs not actually about plants.
Buckyâs hand brushes yours as you ring up Mr. Klineâs order. Your fingers twist together, tentative then sure.
They all call it before you do.
Your morning regulars, who start âaccidentallyâ leaving tips for the âflower fund.â The red-beanie kid, who delivers an order with the note âfor my favorite coupleâ scrawled in Sharpie across the box. Even your friend, who sends you a text that just says I TOLD YOU SO in all caps, followed by seventeen poinsettia emojis.
You and Bucky try to play it cool. You fail spectacularly.
He brings you coffee every morning now, lingering in your doorway a little longer. You catch him staring at you through the front windows when he thinks youâre not looking, his expression soft and disbelieving.
You start ending your nights not collapsed on the couch, but in the alley between your shops, sharing leftover pastries and leftover roses. Sometimes you sit on upside-down crates, knees touching. Sometimes you lean against the brick wall, his shoulder warm against yours.
He kisses you in the alley one night when the snow is falling so thick it feels like youâre in a snow globe. Youâre both half-frozen, breath puffing between you, but his hands are warm on your waist, his nose pink, his smile pressed against your mouth.
âYou realize,â you murmur, âyou have to keep up the poinsettias now.â
He groans. âYouâre gonna bankrupt me, doll.â
âYou started it,â you point out.
He pulls back just enough to look at you, his eyes bright despite the cold. âI know.â
On Christmas Eve, your bakery stays open late. People stream in for last-minute pies and emergency cookie platters, hands full of shopping bags, cheeks flushed. The poinsettias in your window are huge now, leaves lush and bracts still glowing red.
Youâre closing up around eleven when someone knocks on the door.
You look up to see Bucky on the other side, bundled in his coat and scarf, a plant cradled in his arms.
âPlease tell me that isnât another poinsettia,â you say as you unlock the door.
He grins as he steps inside. âRelax. I brought reinforcements.â
Itâs not a poinsettia. Itâs a small evergreen tree in a pot, maybe three feet tall, decorated with tiny gingerbread-shaped ornaments and little paper flowers.
âYou made it,â you breathe.
He shrugs, suddenly shy. âFigured your apartment might need a tree. One that wonât make a mess when you inevitably drop frosting on it.â
Your chest swells.
âYouâre ridiculous,â you whisper.
âCompliment accepted,â he says, echoing your words from that second poinsettia delivery.
You lean up and kiss him before he can say anything else. He sets the tree down only after a second, like his hands canât quite decide which is more important.
When you break apart, breathless, you notice thereâs a tiny envelope tucked into the soil at the base of the tree.
âYouâre incorrigible,â you say, but youâre already reaching for it.
âI know,â he says. âRead it this time, yeah?â
You smile, running your thumb over the flap, then open it.
For the woman who thought my poinsettias were for her window, when really, they were always for her heart.
Your eyes sting.
âYou heading somewhere with that?â he asks gently, nodding toward the card.
âYeah,â you say, stepping into his space again. âStraight to my favorites.â
He laughs softly. âFavorites, huh?â
You nod. âRight next to the one about crossing a blizzard for my hot chocolate.â
He groans. âI knew that one was too much.â
âIt was perfect,â you say. âThey all were.â
His expression shifts, something deep and quiet settling there. âYeah?â
âYeah,â you whisper. âThey just⊠took me a minute to get to.â
His hand finds yours, fingers lacing. âI can wait,â he says simply. âTold you. Iâm stubborn like that.â
You glance over his shoulder at the window. At the line of red and green thatâs become part of your December, at the plants you water every morning now with a kind of reverence.
âGood,â you say. âBecause I was thinking⊠this thing? With us?â You squeeze his fingers. âI want it to last longer than poinsettia season.â
His mouth curves slowly. âCareful, doll. Sounds like youâre making me a promise.â
You look back at him. At the man who turned your sill into a garden of confessions, who kept sending pieces of his heart even when you werenât ready to read them.
âYeah,â you say. âI think I am.â
Outside, snow swirls under the streetlights, the world quiet and soft. Inside, in the warmth of the bakery, surrounded by sugar and flowers and the lingering scent of cinnamon, Bucky leans in and seals your poinsettia promises with a kiss.
Natasha is mid-story across the table, hands moving animatedly as she recounts some ridiculous mission detail, Wanda nodding along beside her, Maria half-interested while she picks at a basket of fries. Itâs loud, warm, normalâexactly what you needed after a long week.
Your phone buzzes against the table.
Once. Twice. Three times.
You try to ignore it. You really do. But something in your chest tightens, that familiar pullâlike a string tied straight from your ribcage to Bucky.
You glance down
Bucky đ€
miss you.
Your lips twitch despite yourself. Itâs innocent enough. Harmless.
You type back quickly beneath the table.
miss you too. behave.
You barely have time to set your phone down before it buzzes again.
You hesitate this time.
Natashaâs still talking. No oneâs looking at you.
You check.
canât.
Another message comes in immediately after.
thinking about you.
Heat blooms low in your stomach.
You shift in your seat, pressing your thighs together just slightly, trying to ground yourself. You donât respond this time. You shouldnât encourage him.
Your phone buzzes again anyway, this time with an image, that has you doing everything you can not to choke on your drink.
Bucky is sitting on the edge of your shared bed, shirt nowhere in sight, dog tags resting against his bare chest. His hair is a little messy, like heâs been running his hands through it. His thighs are spread just enough, sweatpants slung low on his hips, one large hand wrapped loosely around himself.
Not fully, ust enough to make your mouth go dry.
Just enough to make it very, very clear what heâs doing.
You snap your phone facedown against the table so fast it almost makes a sound.
âEverything okay?â Wanda asks softly, tilting her head.
âYeah,â you say quickly, voice a little too high. âJustâuhâwork thing.â
Natasha narrows her eyes at you, suspicious, but doesnât push. Thankfully.
Your phone buzzes again.
You ignore it.
It buzzes again.
And again.
You swallow hard, trying to focus on the conversation, but your mind is gone. Completely gone. All you can think about is the image burned into your brainâhis hand, the way his muscles flexed, the implication of what he was doing while you sat here pretending to be normal.
You cave.
You flip your phone back over, shielding it slightly with your hand.
wish it was your hand instead.
Your breath stutters.
Another message follows.
or your mouth.
You nearly choke.
âDrink,â Maria says, shoving your glass toward you with a raised brow. âYou look like you are dying.â
âIâm fine,â you manage, grabbing the drink and taking a long sip just to give yourself something to do.
Your phone buzzes again.
You shouldnât look, but you do. This time there's an even worse picture
His head is tipped back, eyes half-lidded, lips parted. His hand is higher now, grip tighter, veins standing out along his forearm. His other hand is braced on the mattress beside him, fingers digging into the sheets like heâs holding himself together.
Your thighs press together hard this time.
You can feel the heat pooling between them, can feel how soaked youâre getting just from looking at him.
you like this, doll?
You donât respond.
You canât.
Your fingers hover over the keyboard, trembling slightly, but nothing comes out.
bet youâre squirming right now.
You shift again in your seat, biting your lip.
He knows you too well.
come home soon.
Your heart pounds.
You lock your phone this time, shoving it into your bag like itâs burned you.
âAlright,â you say abruptly, pushing your chair back. âIâuhâIâve got an early morning tomorrow. I should head out.â
You say your goodbyes as quickly as possible, ignoring the knowing looks, ignoring the way your entire body feels like itâs buzzing under your skin.
The drive home is torture.
Every red light feels too long. Every second drags. Your mind replays every message, every image, every word.
By the time you get to your apartment, your patience is gone.
You shove the door open, kicking it shut behind you.
âBuckyââ
Heâs in the kitchen, fully dressed and calm as if its any other day.
Leaning against the counter like heâs been there all evening, flipping through something on his phone.
He looks up at you, brows lifting slightly in mild surprise.
âHey,â he says, voice casual. âYouâre back early.â
You stare at him.
Your brain short-circuits.
âWhatââ you start, then stop, gesturing vaguely at him. âWhat are you doing?â
He frowns, pushing off the counter. âWhat do you mean?â
âYouââ You take a step toward him, incredulous. âYou were justââ
âJust what?â he asks, completely innocent.
Your jaw drops.
âYou were sending meââ you lower your voice, glancing around like someone might hear, ââpictures. And texts. And now youâre justâstanding here?â
Bucky blinks at you like he has absolutely no idea what youâre talking about.
âPictures?â he repeats slowly.
You stare at him.
Heâs serious.
Or at least, he looks serious.
Your frustration spikes.
âYou know what Iâm talking about,â you snap, heat flooding your face. âYouâve been torturing me for the last hour and now youâre acting likeââ
Before you can finish, he steps closer.
Close enough that your words falter.
Close enough that you can feel the heat radiating off him.
âWas I?â he murmurs, voice dropping just enough to send a shiver down your spine.
Your breath catches.
His hand comes up, fingers brushing lightly along your jaw, tilting your face up toward his.
âYou seemed fine,â he continues softly. âOut with your friends. Having fun.â
You swallow hard.
âYou know I wasnât fine,â you whisper.
His lips twitch with a hinr of smugness that confirm his intentions.
âYeah,â he admits quietly. âI figured.â
Your hands ball into fists at your sides.
âYouâre unbelievable.â
âMm.â He leans in slightly, nose brushing yours. âAnd youâre soaked, arenât you?â
You inhale sharply while his smirk deepens.
âBeen thinking about me this whole time,â he murmurs, voice low and rough now, all pretense gone. âSitting there, trying to act normal while I had you falling apart.â
Your knees feel weak.
âBuckyââ
âTell me Iâm wrong,â he challenges softly.
You canât.
Because he isnât.
He knows it.
His hand slides down, fingers brushing your hip, your waist, before settling at your thighâsqueezing just enough to make your breath hitch.
âNext time,â he says, voice dark with promise, âyou answer me.â
You shiver.
âOr Iâll make it worse.â
By the way your body reacts, you know you'll let him.
but how does Bucky argue with reader? Just how angsty can things get
You know somethingâs wrong the second Bucky goes quiet.
Itâs not the comfortable kind of silenceâthe kind youâve grown to love, where his presence alone feels like warmth curling around your ribs. No, this one is tense. It stretches too thin between you, like a wire pulled to the point of snapping.
He doesnât slam doors. Doesnât raise his voice. Bucky Barnes doesnât fight like that.
He withdraws.
And somehow, that hurts more.
âYouâre not even going to say anything?â you ask, your voice echoing slightly in the apartment. The city hums outside, indifferent, while you stand in the middle of your living room feeling like everything is tilting.
Bucky stands near the window, his back to you. His broad shoulders are stiff, muscles drawn tight beneath his shirt. His metal hand flexes once at his side, the faint whir of it filling the silence where his voice should be.
âI donât have anything nice to say right now,â he mutters.
The words land harder than if heâd shouted.
You blink, taken aback. âSince when do you care about that? Justâjust say it.â
He exhales slowly, like heâs trying to bleed the anger out of himself before it can touch you. Thatâs the thing about Bucky, heâs always trying to protect you. Even from himself.
But tonight, it feels like heâs protecting himself from you.
âThatâs the problem,â he says quietly. âIf I say it, I canât take it back.â
You swallow. Your chest feels tight, like thereâs not enough air in the room. âSo instead you just shut me out?â
His jaw ticks. You see it in the reflection of the window before he turns around, and when he does, his eyes are dark, stormy in a way that makes your stomach twist.
âIâm not shutting you out,â he says, a little sharper now. âIâm trying not to hurt you.â
âWell, congratulations,â you snap, the frustration finally spilling over. âYouâre doing a great job anyway.â
That does it.
You see it the second it happens, the way something cracks in his expression, something raw and unguarded slipping through the careful control he clings to.
âDo you think I donât know that?â he asks, his voice low but suddenly rough. âYou think I donât hear myself every time I pull away like this?â
âThen donât,â you say, your voice softer now, almost pleading. âBucky, I canât fix something if you wonât even tell me whatâs wrong.â
His gaze drops to the floor, and for a moment, he looks smaller. Physicaclly he isn't, heâs still overwhelming in every way, but thereâs something in the way he folds in on himself, like heâs carrying a weight you canât see.
âItâs not something you can fix,â he says.
âThatâs not your call to make.â
âIt is when IIâm the one whoâs broken.â
The words hit you like a slap.
âDonât do that,â you whisper, shaking your head. âDonât turn this intoâinto that. This isnât about your past, or Hydra, or anything like that. This is about us.â
âItâs always about that,â he shoots back, the frustration finally breaking through. His voice raises to an octave you haven't heard from him. âYou think it just⊠stops? That I can flip a switch and be the guy you deserve?â
âI donât want anyone else,â you say firmly. âI want you. All of you.â
He laughs then, but thereâs no humor in it. Itâs hollow. Bitter.
âYeah?â he says. âEven the parts that push you away? The parts that think maybe youâd be better off without me?â
Your throat tightens. âThatâs not your decision to make, Bucky.â
âMaybe it should be.â
Silence crashes down between you.
Thatâs the closest heâs ever come to saying it outright. To putting words to the fear thatâs always been lurking under the surfaceâthat one day, heâll decide heâs too much for you and walk away before you can leave him first.
Your hands tremble at your sides. âYou donât get to decide that for me,â you say, your voice breaking despite your best effort. âDo you have any idea how unfair that is?â
His expression shifts the second he hears the crack in your voice, the hurt heâs been trying so hard to avoid causing.
âI know,â he says immediately, stepping forward. âI know, Iâmââ
âNo,â you cut him off, backing up a step. âYou donât get to do that either. You donât get to shut down and then come back like nothing happened.â
His face falls, guilt flooding his features. âIâm not trying toââ
âYou are,â you insist, tears stinging your eyes now. âYou push me away, Bucky. Every time things get hard, you just disappear. And Iâm left standing here trying to figure out what I did wrong.â
âYou didnât do anything wrong,â he says quickly, almost desperately. âThis isnât on you.â
âThen stop making it feel like it is.â
That lands.
You can see it in the way his shoulders drop, the fight draining out of him all at once. He runs a hand through his hair, pacing once like heâs trying to outrun his own thoughts before finally stopping in front of you.
âI donât know how to fight like this,â he admits, his voice quieter now. âWhere I donât lose control. Where I donât say something I regret.â
You take a shaky breath. âThen learn. With me.â
His eyes flick up to yours, uncertain.
âIâm not asking for perfect,â you continue, softer now. âIâm asking for honest. Even if itâs messy. Even if it hurts a little. Just donât leave me in the dark.â
For a long moment, he just looks at you.
Then, slowly, he nods.
âI was scared,â he says, the words rough, like theyâre being dragged out of him. âWhen you said you might take that job. The one across the country.â
Your breath catches. âBuckyââ
âI know you havenât decided yet,â he rushes on, âbut all I could think about was you leaving. And me not being enough to make you stay.â
Your heart aches.
âThatâs what this is about?â you ask gently.
He nods once, his gaze dropping again. âI didnât want to say it out loud. Made it too real.â
You step closer this time, closing the distance he created earlier. âYou donât get to decide what I choose,â you say softly. âBut you do get to be part of the conversation.â
His eyes lift to yours, vulnerable in a way that makes your chest tighten.
âI donât want to lose you,â he admits.
You reach for his hands and squeeze. âThen stop pushing me away when youâre scared.â
He exhales, tension finally easing out of him as his grip tightens around yours.
âIâm trying,â he says.
âI know,â you whisper. âJust⊠try with me. Not against me.â
This time, when the silence settles between you, it isnât sharp.
Itâs heavy, yes, but softer. Something you can both carry.
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Could you make a blurb/oneshot about reader being obsessed with Bucky's scent. Like absolutely obsessed. Even on missions, she just can't get enough. She'll nuzzle into him, almost wanting to crawl into his skin. And she's big on PDA, the thunderbolts will be having a movie night and she'll be practically in his shirt. Not paying attention in the slightest. Please and thank you
Really it's a small issue.
The first time Bucky really notices it, youâre coming down from a missionâadrenaline still buzzing in your veins, the quinjet humming low beneath your boots. Youâd taken a hit, nothing serious, but enough to leave you shaken in that quiet, lingering way. He sits beside you without a word, broad shoulder brushing yours, metal hand resting heavy against his thigh.
You donât ask before you lean into him.
At first, itâs subtle. Your head tipping against his shoulder, your breath evening out as you tuck yourself closer. He assumes youâre tired, that you need grounding, something solid to hold onto after everything. So he lets you. Always lets you.
But then your nose presses into the crook of his neck.
And you inhale.
Slow. Deep. Like youâre trying to memorize him.
Bucky stills.
âDoll,â he murmurs, voice low, a little rough around the edges, âyou good?â
You hum in response, barely coherent, fingers curling into the fabric of his jacket. âYeah. Just⊠stay.â
He doesnât move for the rest of the flight.
---
It escalates from there.
Not all at once. Not in a way that feels strange at first. It becomes a habit, something natural, something instinctive. You gravitate toward him in every room, every hallway, every quiet moment between missions.
But itâs not just closeness.
Itâs him.
His scentâclean soap, something faintly earthy and woodsy, a trace of gun oil that never quite leaves his skin no matter how hard he scrubs it away. Thereâs warmth there, too. Something unmistakably him. Grounding. Safe. Addictive in a way you donât even try to fight.
You start seeking it out without thinking.
In the kitchen, youâll slip behind him, arms wrapping around his waist, face pressing between his shoulder blades. Heâll pause mid-sentence, metal fingers tightening slightly on the counter as he feels you breathe him in.
âYouâre doing it again,â he says once, not unkindly.
You donât even bother denying it. âYou smell good.â
A beat.
Then, softer, quieter, almost shy despite the words, âYou always do.â
He exhales slowly, like heâs trying to process that.
âYeah?â he asks.
You nod against him, already nuzzling closer.
He doesnât push you away.
---
On missions, it gets worse.
Or better, depending on who you ask.
After fights, after close calls, after the kind of moments that leave your hands shaking and your chest tight, you seek him out before anything else.
Youâll grab his vest, drag him down just enough to press your face into his neck, inhaling like youâve been starved of it.
âEasy, sweetheart,â he murmurs, one arm coming around you automatically, metal hand hovering at your back before settling carefully against your spine. âWeâre okay. Youâre okay.â
You donât answer.
You just breathe him in again.
And again.
Like if you stop, something terrible might happen.
At first, the others pretend not to notice.
Then they stop pretending.
---
Movie night is when it really becomes a problem.
Or not, again, depending on who you ask.
The Thunderbolts are scattered across the living room, the lights dim, some action movie playing on the screen that no one is really paying attention to. Popcornâs half gone, someoneâs arguing about plot holes, and Bucky is seated on the couch, broad and solid as ever.
You are, quite literally, in his shirt.
Not wearing it.
In it.
Youâd started the night curled against his side, but at some point, youâd tugged his shirt open just enough to slide your arm inside, pressing your cheek flat against his chest. One of your legs is thrown over his thigh, your fingers loosely hooked into his waistband, keeping yourself anchored.
Your face is buried against his skin.
Breathing him in.
Completely oblivious to everything else.
âAre you even watching the movie?â Yelena asks from across the room, one brow raised.
You donât respond.
Bucky glances down at you, lips twitching despite himself. âShe hasnât seen a single second.â
âIâm comfortable,â you mumble, voice muffled against him.
John snorts. âComfortable? She looks like sheâs trying to fuse with you.â
Bucky shoots them a look, but thereâs no real heat behind it. His hand comes up instead, brushing gently through your hair, smoothing it back from your face. You lean into the touch immediately, pressing closer.
âHey,â he murmurs, softer now, just for you. âYou good?â
You nod against him, inhaling again, slower this time. âYou smell like home.â
It hits him harder than he expects.
His chest tightens, something warm and unfamiliar settling deep in his ribs.
âYeah?â he asks quietly.
You hum. âYeah. Makes everything feel⊠quiet.â
For a moment, he just looks at you.
Then his arm tightens around your shoulders, pulling you impossibly closer, if thatâs even possible.
âCâmere,â he murmurs, even tthough youâre already there. âStay as long as you want.â
You donât need to be told twice.
---
Itâs late when the movie ends, the others filtering out one by one until itâs just the two of you left in the dim glow of the television. You havenât moved an inch.
Bucky glances down at you, a soft huff of amusement leaving him. âYou planning on getting up anytime soon?â
âNo,â you answer immediately.
He huffs again, but thereâs fondness in it. âFigured.â
You shift slightly, tilting your head just enough to press your nose back against his neck, inhaling deeply.
He stills for a second then relaxes.
âYâknow,â he says after a moment, voice low, thoughtful, âI donât mind it.â
You blink up at him. âYou donât?â
âNah.â His thumb brushes lazily along your arm. âIf thatâs what you need, doll⊠you got it.â
Your chest warms at that, something soft and heavy settling there.
âYouâre stuck with me, then,â you tease lightly.
His lips curve into a small, almost shy smile.
âYeah,â he murmurs, tightening his hold on you just a fraction more. âI think Iâm okay with that.â
You nuzzle back into him, breathing him in like you always do.
Bucky doesn't think there will be a time he ever wont.
inquiring minds would like to know....how do you feel about bucky setting you up on a sybian and jerking off while watching you on it???
how do i feel? HOW DO I FEEL? I FEEL SO STRONGLY RNNNNNN!
also i refuse to apologize about writing your exact request into the dialogue bc listen it was so fucking hot im dead
---------
You shift nervously on the edge of the bed, the low hum of the machine already vibrating through the floorboards, crawling up your spine before you have even touched it.
Bucky stands in front of you, shirtless, dog tags catching the dim lamplight. His blue eyes are darker than usual, heavy with intent, that familiar smirk tugging at his mouthâthe one that always means he is already five steps ahead of you.
âInquiring minds want to know,â he murmurs, voice rough and gravelly, âhow you feel about me setting you up on this thing⊠and watching.â
His metal fingers drag slowly down your bare thigh, cool and unyielding, and the contrast makes you shiver.
âWhile I take care of myself.â
Heat floods your cheeks instantly.
The Sybian sits in the center of the room like some obscene throneâsleek, black, already prepped, the thick ridged attachment glistening under the light. You had joked about something like this once, half-laughing into his chest after a long mission, safe in the idea that it would never actually happen.
But Bucky remembers everything.
And now he is looking at you like this has been sitting in his head for weeks.
âI⊠I donât know,â you whisper, even as your body betrays you completelyâyour nipples tightening, slick already pooling between your thighs.
He notices. He always notices.
âLiar,â he says softly, stepping closer.
His hand cups your jaw, thumb brushing your lower lip, and the way his gaze drops to your mouth makes your breath hitch.
âYou are soaked just thinking about it.â His voice lowers, gentler but no less certain. âTell me the truth, doll. You want this?â
You nod before you can stop yourself.
âYes.â
His smile turns sharp. Satisfied. Predatory.
âGood girl.â
He helps you onto the machine, guiding you carefully as you straddle it, your knees sinking into the padded base. The thick length presses against your entrance and you gasp as you slowly sink down, stretching around it inch by inch until it fills you completely.
Your hands grip the front handle immediately, thighs trembling as the vibrations bloom inside you, soft at first, teasing every sensitive nerve.
Bucky circles you slowly, like he is taking his time memorizing the sight.
âFuck,â he breathes under his breath, already palming himself through his sweats. âLook at you. So pretty like this. All spread open for me.â
The remote clicks.
The vibration deepens.
It rolls through you in a slow, heavy pulse that makes your hips jerk without permission, a broken moan slipping from your lips before you can stop it.
âThatâs it,â he encourages, pushing his sweats down just enough for his cock to spring free, thick and already leading. âRide it for me, baby. Let me see how good it makes you feel.â
You start moving, tentative at first, but the ridges catch perfectly inside you, dragging over that spot every time you shift, whi;lle the external vibration presses insistently against your clit.
Your head tips back, a soft whimper falling from your lips as your body starts chasing it without hesitation.
Bucky strokes himself in time with you, slow, deliberate pulls, his grip tightening with every movement you make. Pre-cum beads at the tip, sliding down his fingers, but he does not look away from you. Not once.
âGoddamn,â he groans. âYou are dripping all over it. Soaking the damn thing.â
Your hips stutter, then pick up, chasing the pressure.
âYou like knowing I am watching?â he presses, stepping closer. âLike knowing I am getting off on how desperate you look?â
âYesâfuck, Buckyââ
Your words dissolve into a moan when the speed kicks up again, the vibration turning relentless. Your thighs start to shake, your movements losing any rhythm as your body just chases whatever feels best.
He is close enough now that you can feel his heat, smell the faint salt of his skin, the metallic edge of his arm as it reaches out and pinches your nipple just hard enough to make you cry out.
The combination sends you spiraling.
âLook at me,â he orders.
Your eyes snap to his immediately.
His pupils are blown wide, chest rising and falling faster now, his hand moving quicker over his cock. The wet sound of it mixes with the buzz of the machine and your broken noises, filling the room with something filthy and overwhelming.
âI have thought about this,â he admits, voice strained. âComing home and finding you like this. All mine. Falling apart while I stroke myself stupid watching you.â
Your hips stutter harder, chasing the edge that is already right there.
âYou gonna come for me, doll?â he murmurs. âGonna let me see it?â
You nod frantically, words gone, breath gone, everything narrowing down to that tight, coiled pressure.
Your whole body seizes as the orgasm crashes through you, sharp and overwhelming, thighs clamping as you come hard around the machine, a broken cry tearing from your throat as your vision flashes white.
You barely register anything else except the feeling.
The pulsing. The clenching. The way it keeps going.
âThatâs my girlâfuckââ Bucky groans, his strokes turning messy, desperate. His metal hand braces on your shoulder, grounding you as you shake through it, and then he is coming too, thick ropes spilling over his fist, across his stomach, his breathing wrecked as he rides it out with you.
The machine slows gradually, but does not stop.
Soft pulses linger, keeping your body twitching as you slump forward, barely holding yourself up, breath coming in shallow gasps.
Bucky kneels in front of you almost immediately, hands coming up to cup your face, pulling you into a deep, grounding kiss. You taste yourself in the way your moans spill into his mouth, the way he swallows every sound like he needs it.
When he pulls back, his forehead rests against yours.
You are still shaking when you manage, voice hoarse and breathless,
âHow do I feel about it?â
A weak laugh slips out of you.
âI think⊠I think I want you to do it again.â
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch âą No registration required âą HD streaming