Minami Gessel

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JBB: An Artblog!

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Aqua Utopia|海の底で記憶を紡ぐ
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Minami Gessel

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CONNIE PANZARINO at a pride march in Boston circa 1990
[ID: Connie is marching along in her sip 'n' puff (SNP) wheelchair. She is wearing a patterned poncho and sporting a green felt party crown on her head. She styles a pair of wire-rimmed glasses with her slicked back hair. She is smiling. Attached to the back of her wheelchair is a large green cardboard poster that reads "Trached Dykes Eat Pussy Without Comin' Up For Air!" followed by a pink upside-down triangle with a stick figure person in a wheelchair at the centre (a symbol for disabled women)].
the cyborg & the crip by Alison Kafer
[ID: “Trached dykes eat pussy without coming up for air.” Connie Panzarino, a longtime disability activist and out lesbian, would attach this sign to her wheelchair during Pride marches in Boston in the early 1990s. Shockingly explicit, her sign refuses to cast technology as cold, distancing, or disembodied/disembodying, presenting it instead as a source and site of embodied pleasure. “Trach” is an abbreviation of tracheotomy, a medical procedure in which a breathing tube is inserted directly into the trachea, bypassing the mouth and nose. Someone with a trach, then, can, in effect, breathe through her throat, freeing her mouth for other activities (another version of this sign is “Trached dykes french kiss without coming up for air”). From a cyborgian perspective, this sign is brilliantly provocative and productive. It draws on the pervasive idea that adaptive technologies grant superior abilities,not merely replacing a lost capacity but enhancing it, yet it does so in a highly subversive way. The message here isn’t about blending in, about passing as normal or hypernormal, but about publicly announcing the viability of a queer disabled location. It’s disnormalizing, adamantly refusing compulsory heterosexuality, compulsory able bodiedness, and homonormativity. As Corbett O’Toole argues, it challenges the perceived passivity of disabled women, presenting them as actively pleasuring their partners, thereby graphically refuting stereotypes linking physical disability with nonsexuality.]
shoutout to peach ice tea
lesbians of color marching at the los angeles christopher street west pride parade, june 1979
HAROLD PERRINEAU as Mercutio | ROMEO + JULIET

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unwoven light by soo sunny park
I plan on watching a movie at some point in the future
my music tastes have become so picky that now i’m not infatuated with whole songs anymore, just the last 20 seconds (that should’ve been made into a different song of it’s own because it’s too pretty to be only 20 seconds)
you have a headache because you have powers
José Eugenio Gómez Rodríguez - Rain water at the bottom of the copper mine in Bisbee, Az. 2008

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we do have to contend with the fact that the reason there is this like perpetual conflation funnel that turns aave and other black dialects into 'gen z slang' and memes and the reason non black performers keep putting on blaccents and the reason pictures of black people just existing gets turned into memes is the same and its because its all minstrelsy.
trucks for girls
"if you worry, you suffer twice"
Brother, I am inventing new types of worry and ways to suffer thrice. Perhaps even FOUR times.

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i just don't know enough things to write a book because i was not here for the first 22 years of my life