Josef Schmidt, 1904, Czechoslovakian. Perfume bottle, c. 1930.
https://www.perfumebottlesauction.com/2020
Cosmic Funnies

Origami Around
PUT YOUR BEARD IN MY MOUTH
DEAR READER

Kaledo Art
we're not kids anymore.


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I'd rather be in outer space 🛸
One Nice Bug Per Day
Today's Document


❣ Chile in a Photography ❣
Mike Driver
RMH

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JBB: An Artblog!
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@discodads
Josef Schmidt, 1904, Czechoslovakian. Perfume bottle, c. 1930.
https://www.perfumebottlesauction.com/2020

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annie cecille iversen
Satish Gujral (Indian, 1925-2020) - Untitled, gouache and ink on handmade paper laid on board, 45.80 x 60.30 cm (1967)
Wang Jieyin (Chinese, b. 1941) - Nirvana, oil on canvas, 60 x 80 cm (1997)

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Keith Haring (1958–1990) [USA] — ‘Untitled’, 1988. Acrylic on vinyl tarpaulin with metal grommets (274.3 x 362.6 cm).
Alfonso Ossorio (1901-1990) [Philippine] — ‘Split’, 1961. Mixed media on masonite in artist's frame (94.9 x 59.4 x 5.4 cm).
Sol LeWitt (1928–2007) [USA] — ‘Color Rectangles’, 1995. Screenprint (75 x 55 cm).
Walter Dexel (1890-1973) [Germany] — ‘From Ten serigraphs after reverse glass paintings’, 1971. Colour serigraphs on cardboard (64,5 x 49.5 cm).
Rita Mota!

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it’s funny how we’re getting to the point in the AI lifespan where you can feel the desperation from tech companies to have you use their AI features. instagram has moved their AI effects to the top of the menu when you’re creating a post for your story, exactly where the draw/edit button used to be. gmail is creating one-click AI-generated replies right before you open up the text box. spotify put a beta AI playlist generator on the front page that looks just like a search bar so all of their users accidentally click on it when they go to search for a song.
tech companies are shaking in their boots trying to prove to shareholders that their investment in AI is worth it, to the point where they’re tricking their users into using the AI features even for a split second in order to fudge the numbers. like awww is your little environment-destroying toy not wielding the results you hoped for? so sad!
Sylvano Bussotti, Collage profilo a L con partiture, 1990s.
Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even, 1915–23.
Kerry James Marshall, Could This Be Love, 1992.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Multiple artists, Photos on Fridges, Harkawik, New York City, 2025.
Agustín Hernández Navarro - Mexico City, 1973 Ph: Julius Shulman