A Botticelli in Brooklyn. βHari in Profileβ (2022) by Will St John portrait of actress and model Hari Nef

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A Botticelli in Brooklyn. βHari in Profileβ (2022) by Will St John portrait of actress and model Hari Nef

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I've been horny. Obviously just in my abstract ways
horse bridle made from watsonia leaves by Hannah Thornhill
A girlβs best friend. Work in progress! β€οΈ
I drop my phone, it lands screen-down on the pavement. I pick it up and slip it into my pocket without inspecting for damage, not as though I "don't want to know" but nonchalantly, like it makes no difference to me. The few passersby who notice are silently astonished, they don't know whether to admire or scorn me, "who is this person," they think, "how is [she] not torn up with anxiety to see if the screen is cracked? Whence this inhuman equanimity?" (They don't think "she" of course.) Years later, in a coincidence they never discover, these passersby happen to meet and form a jazz quartet, and though they never mention it to each other nor even remember it in the ordinary sense of the word, the music they play is always on some level an attempt to grapple with the mystery of that enigmatic stranger who was so indifferent to the fate of [her] phone screen.

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pradaolic
You people are normal right. If I learn how to be a person from you it would be fine right
borrowed gestures. pencil
*throws myself at your mercy*
*it turns out to be just a trompe-l'Εil painting of my mercy and you've thrown yourself right into a solid rock wall*

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nowhere to be gone by jane margarette, 2024, ceramics & glaze, 80 x 64 x 1 inches
βThe plastic paradox is that the same neuroplastic properties that allow us to change our brains and produce more flexible behaviours can also allow us to produce more rigid ones. All people start out with plastic potential. Some of us develop into increasingly flexible children and stay that way through our adult lives. For others of us, the spontaneity, creativity, and unpredictability of childhood gives way to a routinised existence that repeats the same behaviour and turns us into rigid caricatures of ourselves. Anything that involves unvaried repetition - our careers, cultural activities, skills, and neuroses - can lead to rigidity. Indeed, it is because we have a neuroplastic brain that we can develop these rigid behaviours in the first place. As Pascual-Leoneβs metaphor illustrates, neuroplasticity is like pliable snow on a hill. When we go down the hill on a sled, we can be flexible because we have the option of taking different paths through the soft snow each time. But should we choose the same path a second or third time, tracks will start to develop, and soon we will tend to get stuck in a rut - our route will now be quite rigid, as neural circuits, once established, tend to become self-sustaining. Because our neuroplasticity can give rise to both mental flexibility and mental rigidity, we tend to underestimate our own potential for flexibility, which most of us experience only in flashes.β
β Norman Doidge,Β The Brain that Changes Itself
The 7 Teacups in the Kern River location: Kern Canyon, California, USA

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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1950s Removable Flower Petal Ashtrays