I'd love to make actually long fanfics with character development for all the characters involved but I fear I love Wylan Van Eck too much to spend time thinking about anyone else

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@gigibear-unfortunate
I'd love to make actually long fanfics with character development for all the characters involved but I fear I love Wylan Van Eck too much to spend time thinking about anyone else

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girls r like "but he's my comfort character" and then it's literally the most emotionally traumatized man you have ever seen ever
wylan van eck ❤️
Reblog if you genuinely support asexuals
It terrifies me that there’s so much raging passion in the lgbt+ community that insist on marginalizing asexuals and implying that asexuals don’t deserve to have safe spaces. There’s still so much acephobia so I just wanna know which blogs are genuinely supportive and a safe space for asexuals
*SLAMS REBLOG BUTTON* ASEXUALS HAVE MY VOTE //ref
Questioning ace-spectrum :)
ages 0-7: slowly gain sentience
ages 7-12: be an ‘old soul’
ages 12-16: allow the darkness to consume you
ages 16-19: be a kid for the first time ever
ages 19-30: develop dad lore
ages 30-35: court a beautiful lady
ages 35-40: get married, start a family
ages 40-55: promise to clean out the gutters and never do it again
ages 55-60: allow the darkness to consume you once more
ages 60-75: swinger cruises with your beautiful wife
ages 75-86: be an eccentric grandfather
age 86: mysteriously disappear
life goals

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this moment in six of crows is a direct parallel to the story of orpheus and eurydice where instead of orpheus turning around rather than continuing to walk, kaz turns to look at inej because he thinks she’s in danger
in this essay i will-
everyone is saying that the Louvre heist was pulled off by the crows and only could have been planned by Kaz Brekker but lowkey it feels more like Jesper kept insisting he could plan a better heist than Kaz until Kaz finally let him plan one expecting it to crash and burn with sixteen back up plans and then Jesper’s plan actually worked
Jesper two days before: so we’ll use a *rolls dice* ladder to get in through the *pulls a paper out of a hat* second floor window where we’ll steal *throws a dart at a board* a bunch of jewelry and then ride away on scooters!
Wylan: and how will we get to the jewelry?
Jesper: …smash through the glass? Ooh! or we could use that thing that cuts holes in glass!
Nina: and what do we do with the ladder afterwards?
Jesper: …set it on fire?
Inej: and you genuinely think this is going to work?
Jesper: …yes?
Matthias: this is not going to end well
Kaz and Inej scootering away after
Inej: so you pulled some strings to make it work?
Kaz, *still reeling and incredibly confused*: …no…i can’t believe he pulled that off
There's always a moment of intense cultural whiplash whenever I realize I'm talking to someone who thinks "legal" and "illegal" are meaningful categories and ascribes innate goodness to following the law. It's like meeting a space alien.
i know folks are gonna call me a pedo for this one, but i grew up seeing my mom and grandma naked. they had health issues and at times needed care and help showering. and i truly think more kids need to be shown the nonsexual reality of naked women at a young age. there is nothing sexual about my grandmothers breasts, they were simply body parts. more women die of heart attacks because people are too afraid of breasts to do real chest compressions, because they are scared to touch their breasts. the sexualization of our bodies literally kills us. i need people to be more normal about naked bodies and i'm 100% serious.
Look whom I found at pride today

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donald trump
fun fact! in the german version of next to normal, "superboy and the invisible girl" is called "superboy und seine schwester aus glas" / "superboy and his sister of glass"
in the german version, natalie doesn't even have her own title in the song, she is an extension of gabe
the crows are so young. they're so young. they make fun of wylan for playing the flute and being a bad criminal. they love waffles. they mock kaz's bad haircut. matthias mentally addresses kaz only with insults for nearly the whole two books. they have all been jealous of each other showing other people attention at some point -- jesper is jealous of anyone kaz gives attention to. matthias is jealous of anyone nina gives attention to. kaz is jealous of how comfortable the others are with each other. wylan is jealous of kuwei flirting with jesper -- they're all insecure at some point. nina gets mad at them for eating her cookies. they're all horny and fantasize about their crushes while actively running for their lives. they all want to kill the woman they kidnapped because she's whiny. they tease inej for sounding philosophical. they have secret hand signals. jesper and nina make sex jokes all the time and love to make others blush. they spite each other. they threatened to tattletale on each other to each other. they compete over who has the biggest bounty on his head. inej uses "being a matthias" as an insult. kaz and jesper have a physical scrap and have to be pulled apart by an Adult. i adore them so much
the removal of all mentions of the crows ages from the dregs editions is genuinely one of the worst choices leigh bardugo has ever made. the youth of every character is so crucial to their stories.
kaz is not an angry adult man who can’t let go of a grudge, he’s a teenager who lost his brother only a few years ago who’s still grieving, but is still naive enough to believe that fathers must love their sons.
inej is not a strong adult woman, she is a child still, forced to grow up too fast and fend for herself. her optimism despite the shitty hand fate dealt her has so much to do with her youth.
jesper is not an adult man who can’t control himself. he is young and reckless and grieving his mother and suppressing one of the most important parts of himself.
wylan isn’t a grown man too sheltered to leave his fathers house despite being well past the age he should’ve left by. he was sixteen when his father tried to kill him the first time, young and still hopeful that his father must love him enough to send him to school to make music, the one thing he truly loves.
and nina and matthias were carefully groomed by their countries to maintain their biases from a young age. they are literal child soldiers. their change is so much more impactful because of their age.
and kuwei?? a literal child being held captive by the fjerdan government for the actions of his father, frightened and too intelligent.
and all this isn’t to say that being an adult would make any of their circumstances less tragic. but these characters were originally written as children. Their character arcs, personality, quirks, dialogue, everything was written to align with the fact that they are children. Changing that ten years later just creates a weird dissonance between the characterization of the Crows and their described age.
it infuriates me to strip these characters of their youth when their age is so tightly woven into their personalities and character arcs.
leigh bardugo has massively edited and rewritten the six of crows books and no one has noticed
or has for some reason decided not to mention it at all or let anyone else know.
I just found out something insane today. in the new dregs editions that came out for the 10th anniversary, leigh bardugo has removed any and all mention of the crows being teenagers, cut out whole sentences and completely changed quotes that are classic and very well known by fans of the six of crows duology. she’s replaced any mention of words like ‘children’ ‘boy’ ‘girl’ and ‘kids’ with ‘man’ ‘woman’ ‘grown’ etc
this is concerning, bewildering and just feels wrong for so many reasons. but besides the obvious —which is that the six protagonists of the duology being young is essential to many aspects of the plot, seeing as their world weariness and competence is a result of their experiences as children and survivors who are victims of their environment—besides even that, editing a piece of literature that’s been published and on shelves for 10 years is objectively not a good idea at all, and doesn’t at all take into account the new contexts and connotations the new wording brings.
above is an example of the original scene we know verses the new version. lots of it has changed, namely their ages, but the sentence at the end in matthas' pov doesn't even sound like him at all. her writing quality has declined noticeably and she sounds like she wrote that sentence in a rush. it makes no sense, and it's not something matthias, who knows practically nothing about the barrel, would be thinking.
and not to mention the famous line 'brekker's eyes were ancient, but he couldn't be any older then matthias' — cut out of the book completely. I do wonder what impact, effect and influence these changes will have on new readers.
this is another example. such a classic line and they cut it completely.
the entire books are like this. inej saying kaz looking seventeen is changed to kaz looking like someone's apprentice. the boy of the barrel changed to man. criminal prodigy changed to just mastermind. inej described as a woman in place of a sixteen year old girl. wylan changed from boy to young man. full scenes cut. 'jesper is zemeni but don't hold it against him' changed to ‘don’t let him wax sentimental about it’ which sounds way worse then the original.
and I don't actually own the new copies of these books, my best friend was looking at them in a bookstore and that's when we first noticed all of the changes. so I truly have no idea what else could possibly be changed besides the things I noticed as I cannot look at them for reference - the crow's physical appearance, more of the plot, other famous scenes just being cut completely, etc. if nothing else has changed, then it’s still way too much and massively changes core aspects of the books. but I do wonder. if you own the dregs special editions, I suggest looking for similar differences. I might have to write examples to express how messed up the new connotations are.
leigh now implies that jesper, an adult black man, made the right choice by handing over his share from his job to his white father to keep for you, as he cannot control himself and isn't ready to receive his own funds, as he is a mindless gambler. this is extremely different to a reckless irresponsible teenager grieving his mother and making stupid mistakes, and then deciding to make better decisions in the future with help from his parent. I'm sure you can see without me spelling it out how awful, racist and problematic the new context of jesper being a grown man makes this situation sound.
another example is matthias' childhood centrally seeing him be groomed, manipulated and indoctrinated by a nazi coded witch hunting organisation that targets grisha, an oppressed community, with the intention of torturing, burning, hanging, raping and eradicating them from the world
matthias is just turning 18 when he meets nina. he has not yet done any of these terrible things himself. he is fresh out of training and still basically a child. his views are first challenged, and he eventually breaks out of the brainwashing and mental manipulation that has been taught and instilled in him with repetition. it's not an excuse, but it's more understandable. matthias, now a grown man apparently way older then 18, has no excuse for these bigoted views as he is way more mature, has way more experience, and would have had to have done these horrific things to grisha at some point.
it feels like some sort of fever dream that six of crows was edited and re published so that these famous teenage characters (who were first written so obviously— in dialogue, actions, pov, - as teenagers) and their criminal prodigy leader were made into poorly written adults. I can put into words how much this has deeply bothered and distressed me and many other readers I've spoken to.
it's such an odd choice and makes me think it was done to soften the backlash the shadow and bone adaption received from some fans for aging up the characters in the first place.
I cannot stress this enough- leigh bardugo would edit iconic lines and change core aspects of her characters that have been around for 10 years to justify a cancelled netflix adaption of these incredibly popular and well loved books. it's odd and uncomfortable.
now, these books mean the world to me, they have quite literally got me through physical, mental and emotional childhood abuse, suicide ideation and self harm, the everyday ableism and oppression, chronic pain and disability experience, severe depression and anxiety, absolute hopelessness, work and life, etc) but the sheer absurdity of this all just outmatches my distress that it happened. it feels like some sort of hallucination becasue it's lowkey just insane. she never even mentioned she was going to do something like this?
there is just no conceivable reason for leigh bardugo to have done this secretly and quietly other then to have stopped people negatively critiquing the show or some other deeply odd notion. and with all of these changes, the new books absolutely are not the 'dregs' editions— the heart of the dregs is the young blood, 'the kids like kaz who he had brought in a organised, who worked the hardest and took the worst jobs'
they are the bad netflix adaption editions. the sympathy for terrible adult cast editions. it's troubling, clearly not a well thought out decision, and deeply bizarre. tell me others agree.

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