This comic is genuinely how I remember which is which.
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@generalherasyndulla
This comic is genuinely how I remember which is which.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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To be quite honest with you all I do think that aro/ace-spectrum fans in fandoms where people are desperately inventing crossover ships and humanizing non-human characters in order to have a conventionally attractive guy to ship the main character with, instead of possibly having to enjoy a story with no romance in it, have the right to refer to everyone else as cowards.
Sorry you almost had to entertain the idea that people like me exist, I'm sure that was very painful for you.
the fantasy lesbian adventurer is immune to the seductive evil sorceress's feminine wiles because she's butch4butch
this is exactly why any evil sorceress worth her salt keeps a towering knightgirl in gleaming black armor "on retainer"
well it's one of two reasons anyway
nobody is immune but some of you are… concerning susceptible… 😟
This is a completely non partisan post btw.
Rules of the Les Misérables magic system (as far as I can figure out):
As long as there is still suffering to be had, Jean Valjean cannot die
Jean Valjean has super strength which cannot be depleted by age or his poor ability to look after himself (up to a point)
Once a person has met Cosette, lack of proximity to her will slowly drain their life force
The dead benevolently haunt those they loved while alive (ily ghost!Fantine)
Javert has an incredible ability to recognise potential criminals (read people from lower social classes)
Eponine has the ability to blend into the background but cannot turn this power off
The only one immune to this power is Javert which isn’t very helpful

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I hate it when people use the IBM recording of Daisy Bell to be creepy.
That song is beautiful, it is one of the earliest examples of us using technology in creative and out of the box ways. Unlike 'AI' where people use technology to take the creativity out of life, this was someone using a computer to make something beautiful.
I think we all need to apologize to the IBM 7090 for calling it creepy and recognize it for the beautiful, soulful woman she is 🖤
That art trend of a character being surrounded by plushies of another character but make it newbaru with subaru plushies
this text post felt very farcille-core :")
you learn something new everyday. unless you're a historian. then you learn something old

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Obi-wan “nobody is allowed to bully my Master except me” Kenobi
listen. newly out tgirl. I am grabbing your hand gently. do not EVER, ever ever ever, trust any tme person who thinks of themself as more of a lesbian than you, or more of an authority on women's issues than you. I promise, no matter how freshly out you are, it's not that you need to quiet down and learn. you are not tainted with some implicitly anti-feminist maleness that you need to atone for. you are a woman, unequivocally. do not trust anyone who makes you feel otherwise, not even for a second. there are no exceptions to this.
I’m glad that OP:
1) Figured this out.
2) Shared so others can learn from their mistake.
Every morning, the queen asked her magic mirror to show her the most beautiful person in the world.
The mirror replied "To whom?"
"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".
The mirror would show her, and she'd be amazed.
The first time, she says "To me," and the mirror dutifully shows her her reflection. And she is pleased.
The second time, she says "To the King," and she is pleased to see herself once more.
The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.
The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.
The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.
The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity
"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.
"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.
"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.
The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.
It is a different person each time, and they are all beautiful.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"For decades, wolf researchers believed ravens followed wolf packs to find food. Every biologist who flew aerial surveys over Yellowstone saw the same thing.
Wolves moving across the snow with ravens overhead, black shapes trailing the pack like a shadow with wings. The assumption was simple. The ravens were following the wolves. The wolves would kill. The ravens would eat. A study published in March 2026 using GPS transmitters on wolves, cougars, and ravens in Yellowstone proved the assumption wrong.
The ravens were not following the wolves. They were remembering where kills had happened before and flying over those locations looking for new carcasses. The relationship between the two species is real. The mechanism is not what anyone thought it was.
Bernd Heinrich, a University of Vermont biologist who spent years studying ravens in Maine and Yellowstone, first documented the scale of the association. His data showed ravens present near wolf packs 99.7 percent of the time during winter in Yellowstone. Not occasionally. Not frequently. Essentially always. On Isle Royale, researcher John Vucetich observed the same pattern from the air.
Every wolf pack had ravens with it. The birds were just always there.
The numbers at kill sites are staggering. The average number of ravens documented at a Yellowstone wolf kill is thirty. The maximum recorded at a single carcass is 135.
A wolf pack brings down an elk in the Lamar Valley, and within hours over a hundred ravens have materialized from across the drainage to feed. They do not wait politely. They land on the carcass while the wolves are still eating. They grab chunks of meat and cache them in the snow and in tree crotches for later retrieval. Research estimates that ravens can consume up to forty percent of a carcass, which means a wolf pack that kills a seven-hundred-pound elk may lose nearly three hundred pounds of it to birds.
That loss is so significant that one study proposed a theory that reshapes how we think about wolf pack size entirely. If a pair of wolves can take down an elk, why do wolves hunt in packs of four, six, eight, or more? The per-capita meat return decreases with every additional mouth. A pair gets the most meat per wolf. The answer may be ravens. Two wolves cannot eat fast enough to outpace a hundred ravens stripping the carcass simultaneously. A larger pack can post guards, feed in shifts, and physically dominate the carcass long enough to retain a greater share of the kill. Wolves may hunt in packs not because they need more teeth to bring down prey, but because they need more bodies to defend the kill from birds.
The ravens pay for their meals. Heinrich documented in his book Mind of the Raven that ravens serve as an early warning system at kill sites. Ravens are more vigilant than wolves. They perch in trees overlooking the carcass and scan the horizon in every direction. When a grizzly bear approaches, or a rival wolf pack, or a mountain lion, the ravens see it first. Their alarm calls alert the feeding wolves to the incoming threat before the wolves' own senses detect it. The wolves get airborne sentries. The ravens get an animal with the jaw strength to open a frozen elk carcass that no raven beak can penetrate.
That is the core of the mutualism. The raven cannot open the hide. The wolf can. The wolf cannot see a threat approaching from a mile away while its head is buried in a rib cage. The raven can. Each species fills a gap in the other's capability, and the result is a partnership so consistent that L. David Mech, the most published wolf researcher in the world, wrote that each creature is rewarded in some way by the presence of the other and that each is fully aware of the other's capabilities.
The play behavior is the part that makes biologists uncomfortable because it implies something beyond transactional mutualism. Wolves and ravens play together. Not at kill sites. Not during feeding. During downtime. Yellowstone observers have documented ravens diving at resting wolves, pulling their tails, and flying away. Wolf pups chase ravens across meadows. Ravens steal sticks from pups and hold them just out of reach. The interactions look like the cross-species equivalent of two bored kids messing with each other because there is nothing else to do.
Doug Smith, the retired lead biologist of the Yellowstone Wolf Project, had watched this relationship from the air for decades. Wolf researchers have believed forever that ravens follow wolves, he wrote after the 2026 study was published. Every wolf researcher has seen it. I have seen it routinely from the plane while wolves are chasing an elk in Yellowstone Park, numerous times. Ravens are just always there. This is an age-old observation. But it has never been rigorously tested until now.
The 2026 study, which used 2.5 years of GPS data from transmitters on wolves, cougars, and ravens simultaneously, revealed that ravens were not tracking wolf movements in real time. They were patrolling known kill sites. A raven that fed at a wolf kill in a specific drainage in November would return to that drainage repeatedly over the following weeks and months, flying over the exact location where the carcass had been, checking whether a new kill had appeared. The ravens were not following the wolves. They were following the memory of where wolves had killed before.
That distinction matters because it changes the raven from a passive follower into an active strategist. A bird that follows a wolf pack is reacting. A bird that memorizes kill locations across an entire landscape and patrols them systematically is planning. The raven is not tagging along. It is running a surveillance network across hundreds of square miles of Yellowstone, checking sites where food has appeared before, and showing up fast enough when it appears again that every observer since the 1995 reintroduction assumed it had been following the wolves the whole time.
The wolf and the raven share almost identical geographic range across the Northern Hemisphere. Everywhere wolves live, ravens live. The association is not a Yellowstone novelty. It is a continental relationship between two of the most intelligent species in North American wildlife, running continuously across boreal forest, tundra, mountain, and prairie, built on meat, memory, and a mutual awareness that neither species has ever needed to be taught."
Sources: Heinrich, B. "Mind of the Raven: Investigations and Adventures with Wolf-Birds." / Stahler, D. et al. (2002). Animal Behaviour. / Mech, L.D. "The Wolf: The Ecology and Behaviour of an Endangered Species." / Cornell Lab of Ornithology, Living Bird, 2020. / Bozeman Daily Chronicle, March 2026.
what if Kris "taming" Susie not in the kind of gross way Monster Kid means it, but in the way of The Little Prince?
thought kind of inspired by the new art