watch the fuck out for my cutie mew mew blast
there will be no survivors

Kaledo Art
wallacepolsom
Xuebing Du
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
hello vonnie
Sade Olutola

Andulka

shark vs the universe
occasionally subtle
trying on a metaphor
Show & Tell
we're not kids anymore.

Kiana Khansmith

blake kathryn


oozey mess

@theartofmadeline
almost home

Janaina Medeiros
seen from TΓΌrkiye
seen from Saudi Arabia

seen from United States
seen from Pakistan
seen from United States
seen from Australia

seen from Argentina

seen from Germany
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seen from Malaysia
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seen from Philippines
seen from United States

seen from TΓΌrkiye

seen from China
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@localcoffeeshop
watch the fuck out for my cutie mew mew blast
there will be no survivors

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βi have to listen to my bodyβs needsβ secret boss fight written by person who has chronic and disabling wrist pain which has fundamentally changed his relationship to his hobbies and his job <- i care it as someone who has also had chronic pain in my wrist/hand for 5 years
another thing i tend to think about with this. i also just think in chapter 5 there's a theme of care and dependency. the flowers have extreme guilt over being taken care of by asgore. flowery conceptualizes himself as weak and useless. in the dark world, his fantasy, he tries to return the care given to him to asgore to "make up for" asgore taking care of him when he should've died decades ago. it's an extreme example, but i also resonate with his feeling.
when your body or mind puts you in a situation where your reliance on other people becomes really explicit, you're trained by the world to see that as shameful or to see yourself as deficient. your efforts to ignore your needs just to avoid "being a burden," will leave you worse off. you punish yourself because of deeply internalized ableism.
regardless, even by virtue of being a living thing on this planet, you are already designed to need others. you have to listen to your body's needs even against a society that teaches you you shouldn't. you have to be okay with the fact that you have needs. sometimes your needs are different or are greater than the person next to you, and all you can do is listen to your body and turn to others when you need them. you're still a person when you need people.
when toby says this:
it's interesting to me how much he uses the language of deltarune to express this feeling. your hopes and dreams slipping away, and bitterness growing is literally the explanation we get for shadow crystals (and so wept the fallen star, making rivers with its tears. then, slowly, from the bitter water, something grew. it looked like glass). this is also the crushing feeling when you lose a sense of control when you're in pain, when you can't do things the way you want, the way you used to. but when you find yourself still able to fly, you do so because you've adapted. you've listened to your body. you've learned that listening to your body means changing the pace, letting yourself be cared for, letting yourself be helped.
as far as toby's said it, having to expand his team has made deltarune a better game. chapter 5 is so expansive because so many people helped to make it. Pink's fight has sprite work from guest artists, music with Camellia, bullets programmed by Toby's team. She is, to me, a love letter to Deltarune's development process as a whole and how it has shaped Toby, and a reflection of the kinds of thoughts Toby has shared with us about developing Deltarune alongside pain. I also think it's a beautiful follow-up to Gerson's themes of storytelling and authorship (letting go of "perfection" + accepting the contributions of others = both about rescinding control and embracing perseverance). Pink is also so much more than this, but I've been thinking about this a lot.
[IDs: Images 1 and 2: a screenshot from Pink's boss fight, showing her separating into ghost and body. Her body is kneeling down, looking hurt, while her ghost floats above and says "Why do you... why do you have to need someone else?" in the next image, she says "Why can't... it just be us?"
Image 3: text reading: "It would not be possible to make or release by myself," Fox writes. "Not only just in terms of sheer hours but also in terms of my physical condition. I still have wrist issues, which, while improved, prevent me from typing for an extended period of time. (I just use voice to text for everything). Also, it can be fun to work with other people and thinking of ideas together."
Image 4: pixelated text reading: Actually, this resonated with me. Because I've also had issues as well. Issues with one of my wrists. It stops you from drawing, from making music, from writing, from programming, basically from making a game.
There's times where it feels like your hopes and dreams are simply slipping away from you. That the things you wanted to achieve are floating away from you in the sky while you lie there, fallen in a crater, your wing torn off, never to grow back. Bitterness grows, and you feel like may never leave the ground again.
But
That's not true.
You can still fly. /End IDs]
[PT: letting go of "perfection" + accepting the contributions of others /End PT]
Having fun and playing toys :)) I wanna say expect more of him soon buy ouuggh yβall know how I amβ¦
considering the ambiguity kris describes the desktop with in ch5, i wonder what look they hit tenna with for him to have that reaction....
break out of your role π»π

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Pink compilation π©·
Art i did of them over the weeks. I love her very much!!
Will probably do more in the future.
Love how you can tell exactly when i got more comfortable drawing her ^ ^
I think this is the single funniest artfight rule. Like....I guess?
WHO DID THIS
this reaction after the updated shop dialogue is so funny she said THATS NOT MY PROTEIN I SWEAR
chapter 5 was when it became the most obvious how much of a gift it is that deltarune is collaborative and is being made by a team full of individuals with different ideas and talents. people who left an indelible mark on the story, too, which may have been written by toby but has been shaped by the people in the room with him. when i look at that chapter 5 soundtrack and i see longterm and new collaborators, iβm enchanted by the way it speaks to the story. the chapter revisits previous tracks like rude buster and field of hopes and dreams but brings on collaborators to re-imagine them, and then both pink and floweryβs themes (the standouts of the chapter) are both collabs with camellia, and then the credits roll on a piano rendition by trevor alan gomes.
people treat toby like a musical prodigy and itβs true that he is and that the UT soundtrack is worthy of the immense praise it receives, but the chapter 5 soundtrack really highlights how strong collaboration can be, how much it brings to the table, and how much deltarune is a team effort and it just keeps growing and evolving. this truth was reflected in the story of the flowers working together to realize their dream and becoming stronger as a unit. feels like chapter 5 carries with it the spirit of making deltarune itself.
"She'll find another kid and instantly forget about you" -> "I'll never let you go again, Asriel"
"I don't think my father could rest well knowing I was... tarnishing his legacy." -> "Telling stories as a way to entertain his children"
#''tarnishing his legacy'' HE WROTE IT FOR YOUUUUUU HE WROTE THAT FOR YOU #THAT WAS YOUR STORY. BECAUSE HE WROTE IT. FOR YOU #LORD OF THE HAMMER GOT SO BIG IT SWALLOWED ITS AUTHOR WHOLE. WHEN IT BURIED HIS SON UNDER IT FIRST #and toriel and flowey... yeah. YEAHGHH. same thing #lord of the hammer is to its fans is to alvin what toriel's self exile and caretaker vow is to the fallen humans is to flowey #they're both things informed by #started because of #and continued in honor of their sons #but neither of them is able to realize it. they only see what those mean for so many people other than them #they don't see the shadow of their parents love and grief for them behind every pen stroke. behind every child taken in and lost again #they think they've been replaced. they think they found someone better #the only difference is that flowey hates his mother for it. alvin hates himself
ID: an image of two hands shaking, labeled as "toriel undertale" and "gerson deltarune", saying "i did this for you. it was always for you. im sorry i never said it right" end ID

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people keep making posts getting mad at the fandom for not paying attention to pink instead of making art or stories or talking about her on her own merits or engaging with the stuff that's out there themselves and helping the cause and it's like, i have the same complaint but if you can type surely you can do more than just complain, it's time to show up and put your pussy to the pedal to the medal and start being the change you want to see against that wicked email
if Napstablook would be around the same age range as Undyne and Alphys, by that logic... I wonder if both Mettaton and Maddie are POSSIBLY around same age range as Asriel, Dess, etc. (And by extension Papyrus) π€
i love making guesses at people's ages it's really fun and low stakes and you can also just change your mind whenever (like i have lowkey different hcs for ut and dr bc they have different time scales so its fun to just have a lalala loosey goosey relationship about it). i always conceive of things by who i wouldve liked to see grow up together (surprising no one, i am clearly a lord of random lightner headcanons)
i like to put napstablook, undyne, alphys, and alvin all in one kind of age range around their early-mid 30s because i like imagining blooky, undyne, and alvin all hangin out together while growing up. and then mettaton and maddie/pink are younger than them and share an age range around late twenties (i might put sans here too since it's all but confirmed that he's the same one from undertale and seems younger here), papyrus (if... if hes still with us) and the asriel/dess/pizzapants/catty/bratty/blue ears/fuku/skater gen are all around 18-20. but i think you can do just about anything!! i think for me i like pink being like, close to 30 because i find it really charming that there's randomly a 30 year old woman here in the dark world. but like... i've thought about the interpretation of younger Pink just a few years outta high school and it's still cute, she's still big sis hikikomori->catgirl. you really can't go wrong...
I've never seen a sunset so breathtaking
these lines are kind of twins to me

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amount of stuff about blooks and windows is absurd you got napstablook closing the blinds you got mettaton keeping the window shut until he starts to open it in ch5 you got mad dummy wanting to stand in a fancy store window then pink and her giant sunset window you got looking at the world through a napkin its really just windows and windows and windows with these guys
the funniest thing is when people call the castletown tenna Mike scene "character development" ... like "development" means the character growing or changing in any way... but battat is not equipped to tell tenna what he needs to hear, so when presented with the sadstuck coke rant from tenna, he rescinds his criticism and basically sits and rolls over and feigns satisfaction with the contract. so i'm not sure what this is actually doing for tenna other than forcing him to constantly circle the drain of his past mistakes over and over while surrounded by the exact same yes-men who walked out on him 48 hours ago for being an asshole on a sinking ship and are now back to coddling him. like you got tenna in the petsmart tank and hes gonna be belly up by morning cus your son forgot to sprinkle the bits in... LOL.