Mamma Andersson (Swedish, b. 1962), Hypnos/Hypnosis, 2021. Oil and acrylic on canvas, 118 x 90 cm.
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Mamma Andersson (Swedish, b. 1962), Hypnos/Hypnosis, 2021. Oil and acrylic on canvas, 118 x 90 cm.

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https://www.instagram.com/p/BRVJiBOj130
Late Afternoon Sun, Machu Picchu, Peru
Hoyeon on what Squid Game taught her about life i-D The Out Of Body Issue, no. 367, Spring 2022 Photography Colin Dodgson

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Cy Twombly, ‘Wilder Shores of Love’, oil paint, house paint, paint stick, coloured pencil, pencil on panel, 1985
Gregory dances. I don’t think I’ve ever seen him experience joy before. It’s weird.
Jan De Vliegher (Belgian, b. 1964), Yellow interior (Hofburg), 2013. Oil on canvas, 200 x 300 cm.
Silviu & Irina Székely
two trees make a forest as an inoculation against loneliness,
Shelly Wong, from “The Winter Forecast,” The New England Review (vol. 42, no. 4, 2021)

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@wohsbaby
walking is still honest by against me! / photo source
click for better quality (my instagram)
[image ID: in the middle of the photo, a barn is on fire. a person is walking past through a field. the photo is weathered with film grain and other similar textures. in pale yellow text, in a hazy font are the words "dear mother, this is just survival". /End ID]
© Ida Pimenoff
Untitled, from the series "A Shadow at the Edge of Every Moment of the Day", 2010
Paul Klee, Gesetz, 1938
Untitled (Melting Snow), Stamford, CT, 2 5 22, Photo by Joe Bruha, Copyright 2022

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The Black Cat, East Los Angeles, Photo by John Humble, 1982
Madewell Brushed Herringbone Jacquard Tie-Waist Tapered Pants
Ugh I just love monochromatic layers. The textures!!