another two characters from NewTideland RP, Sharron and Rana
styofa doing anything
h

Kiana Khansmith
art blog(derogatory)
taylor price

â
Keni

Andulka
Monterey Bay Aquarium
almost home
Misplaced Lens Cap
hello vonnie
ojovivo

oozey mess

⣠Chile in a Photography âŁ

tannertan36
"I'm Dorothy Gale from Kansas"

@theartofmadeline
sheepfilms

romaâ
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@garvet
another two characters from NewTideland RP, Sharron and Rana

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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When human is wounded the pain makes us flinch, move from the dangerous place or situation. Survival instincts make us pull away burnt hand, jump or run. When SecUnit feels pain it is just pain. No survival instincts. it hurts but the construct does not flinch unless flinching is a chosen strategy or a special code. That helps it fight even without a limb or twowithout screaming or falling down because of pain/ Pain and actions are separated.
whatever. go my ellen-ripley-painted-over-as-human-ART
(more murderhelion human au)
Tbh I'm not sure collapsing down your ribcage is normal for SecUnits. I think Murderbot used its freedom to become the SecUnit version of hypermobile. Three spends too much time with Murderbot to register this as weird I think but one day MB is gonna take a finger off to inch it under a door to open a lock in front of a different rogue and it's gonna be like "what the fuck is wrong with you."
Don't leave that in the tags, that's a correct interpretation. MB has a copy of its schematics. I bet other SecUnits donât KNOW they can do half the stuff MB does.

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PERFORMANCE RELIABILITY: 60%
yeah it's possible I bit off more than I could chew with this one
something something it's called "Away Mission"
The dance shows so much about you, No not that you are clumsy or not used to such entertaiments as dancing. Not that.
1 You stay away from everybody, And that is not only because you do not belong enough. You know crowds are dangerous and the best place in a dance hall is at the wall closer to the exit. Also your job required you to be quiet, unnoticed.
2 You do not make the wide movements? you keep your elbows pressed to your body. You are not used to free spaces. Again - corporate parties always mean big crown in small premises. You can not move free there. The same is valid when it goes about your life.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Our RP team: Heartless killing machine Itric, Brainless Norman, Cass, brave deer Soil Samples and a friendly drone Fauna Wrangler
My OC Itric from Disposable
https://archiveofourown.org/works/80372396
Complimentary species (Happy Valentine)
https://i.ibb.co/G3fYvXjX/IMG-20260130-223226-333.jpg
I am fine

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Another redraw. This time Jaime Jones =)
Letâs talk about THAT SCENE, shall we? The big scene of episode 8, when both Alexander Skarsgard and David Dastmalchian acted their fucking asses off in a mess of mutual vulnerability, mutual aggression and betrayal, and mutual destruction.Â
First off, I have to acknowledge the double-entendres absolutely littering this scene. The mutual vulnerability! The physical link-up, plugging into one another. Digging into their most private (mental) places. The request for fucking restraint followed by an electronic blindfolding. Shit, man, if there arenât 18000 buck-wild Murderathin fics coming out of this one episode, the fandom is seriously dropping the very kinky ball that is this absolute shit-show of a relationship.
Anyway! Onto more serious discussions.Â
First off, we learn so much in such a short time. This show has been a masterclass at utilizing a limited run-time well, demanding that everything on screen pull double or triple duty, layered with meanings and implications, and this scene is no different. Through their mutual accusations, we get mutual confessions. Murderbot uses an instance of mutual vulnerability to dig into Gurathinâs mind to try to find dirt on him, only to get lost in his thoughts. It exposes Gurathinâs most closely-guarded secretâhis unrequited love for Mensahâbut also Gurathinâs belief that he is fundamentally unloveable. And the accusation is read out in first-person, transforming it into a confession. Because Murderbot very much sees itself as unloveable too.
And Gurathin has simultaneously dug into Murderbot, uncovering the fragmented memories of the massacre, and its actual name. And much like Murderbot, what we see is equal parts accusation and a horrified confession. Gurathin is in tears as he watches through the massacre footage (and kudos to the special effects folks for playing the footage over both Dastmalchianâs and Skarsgardâs eyes during the scene, showing both of them trapped in the same instant together), blurting out the revelation in third person rather than first, but following it up immediately with his accusations about being defective. A danger to everyone around him. One thought from something terrible.
Sounds a lot like self-loathing, doesnât it? And thatâs what this scene is all about. Two people who canât help but dig and pry and hurt one another because they see themselves in the other. And they hate themselves. They are both terrified of being defective, of being somehow involved in terrible acts that led to deaths. We donât know if Gurathin killed people directly, but he almost certainly had the information he gathered used to kill people. He was responsible, maybe. Just like Murderbot.
And they are both terrified of falling back into that place. Itâs why theyâre both terrified, more than anything, of being controlled. Murderbot broke free of its governor module, but still works for the Company. It still isnât a fully independent being and never will be so long as itâs a part of this organization. Its small pieces of full independence are its thoughts and its name, and Gurathin exposed both of those.Â
Gurathin is terrified of falling back into substance abuse. Realizing that it was medical painkillers that were the first step to getting him thoroughly addicted and compliant was awful, because it implies either a past physical trauma orâI think more likelyâpain medications as part of the augmenting procedures. You have to imagine having cybernetics laced into your brain and replacing your eyes has to be incredibly painful. And from there it was a slide downward into addiction, likely deliberately by Gurathinâs employers.
But I also find it interesting that, despite the compulsive need to dig at one another and hurt one another, there is also another impulse at play in this scene: some degree of caregiving and weird trust. Murderbot did NOT have to consent to plugging itself into Gurathin to try to bypass his pain receptors and act as a non-drug alternative to pain management during the surgery. It may say that it did this because it would find Gurathin screaming to be irritating, but that seems flimsy. And Gurathin DEFINITELY didnât have to ask Murderbot to restrain him, or accept when it blanked out his vision as well.Â
There is a weird, almost unconscious trust and care there. I feel like this is something that is going to be more explored, and is the basis for something less destructive between them. I also think it speaks to the impulse on both their parts to want forgiveness, care, trust, and love. They donât forgive themselves. They donât care about themselves as they should. They donât trust or love themselves.
But deep down, they both still want that for themselves, even if they are both completely incapable of articulating that outside of accusations at the moment.
This whole scene was just working on so many levels, and they werenât pleasant or comfortable levels. And I love how the show digs into that through these characters, their dumpster-fire relationship, and all the cracks in their psyches they keep exposing because of one another.
What this scene is really exposing is this mutual desperation for connection. They are afraid of loss of control, they are deeply self-loathing, but the seed of their personal growth lies in this craving for connection.