𝑾𝑬 𝑵𝑬𝑬𝑫 𝑴𝑶𝑹𝑬 𝑻𝑯𝑨𝑵 𝑨 𝑻𝑯𝑰𝑬𝑭 private writing blog for mr. eames of chirstopher nolan’s 2010 inception, as extracted by tinez. 𝑾𝑬 𝑵𝑬𝑬𝑫 𝑨 𝑭𝑶𝑹𝑮𝑬𝑹.
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@foerger
𝑾𝑬 𝑵𝑬𝑬𝑫 𝑴𝑶𝑹𝑬 𝑻𝑯𝑨𝑵 𝑨 𝑻𝑯𝑰𝑬𝑭 private writing blog for mr. eames of chirstopher nolan’s 2010 inception, as extracted by tinez. 𝑾𝑬 𝑵𝑬𝑬𝑫 𝑨 𝑭𝑶𝑹𝑮𝑬𝑹.
CARRD. INQ. PINTEREST.

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smiles
the thing about being an enemy of eames is that it doesn't mean anything. you're one common goal or shared enemy away from being his ally at all times. he's so "the enemy of my enemy is my friend" that he's practically friend and enemy to everyone at the same time.
taps microphone. submissive top eames. his iq drops to below zero if you're bossy, a little mean AND can get him on his back.
@foerger liked for a starter from yusuf (not that yusuf)
he does not look disappointed, exactly, but there's a downward slope to his mouth that would suggest at least a damper on his spirit. ❝ you don't like joe jones? ❞ his attention shifts back to the little bit of plastic eames is holding: tattered, more importantly long-expired, and presented to eames in the hopes that he would un-expire it. the mandatory passport's been a hugely inconvenient invention for their kind, and having to keep coming up with new identities plays a major part in that. what ever happened to crossing borders unidentified?
but this might be old-man talk. it's eames who holds the expertise, and yusuf should be grateful to him for sharing it. except-- ❝ sometimes it's the obvious lie that people find the most convincing. intricacies only make it easier for you to trip. ❞ he's shifted to lean over the table sideways, a little too casual to be lecturing anyone. it's not that he's attached to the name, exactly. it's that he prefers to pour his creativity into other endeavours, is all. ❝ what about joe smith, then? any takers? ❞
" don't look so crestfallen, my friend, i like joe jones perfectly fine. " he hums in airy amusement through a smile that lounges languidly at the edge of his lips. the passport is turned with a gentle touch, movements unhurried as he curiously scrutinises it the way a jeweller might a rough-edged diamond ⸻ fascinated and critical in equal parts.
" it will get through security, i reckon. " there is most certainly something to be said about the obvious, he is not going to argue with what they both know for a fact. a pinch of truth makes the lie go down smoothly, but it isn't so much the credibility of the name he questions, but rather the lost potential. a little reinvention never killed anybody. he considers it for all of two seconds before his gaze finally turns to yusuf, brow arched in feigned disapproval " ⸻ but it doesn't hurt to have a little fun with it, you know. "
with that he pushes himself out of the chair in a sweeping motion, the card tucked between his fingers as he motions yusuf to follow. " but let's not get ahead of ourselves, " he says as he pushes a door open with his shoulder, holding it open as to let the other enter first. " we can workshop the name, but the priority here needs to be your photograph. i'm afraid the suit makes it rather dated. "

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eames stealing the silliest little items just to see if you notice that they're gone. he is so annoying.
––––well, thank you for illuminating me on male rituals.
iconing more like me looking at him with big sappy adoring eyes non-stop
𝙰 𝙱𝚁𝚄𝚃𝙰𝙻𝙻𝚈 𝚂𝙾𝙵𝚃 𝚆𝙾𝙼𝙰𝙽. carol danvers, originally from marvel comics, adapted for the spy genre. written by rika, est june 2017.
THE GRAY MAN (2022) dir. Anthony & Joe Russo

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eames isnt " i can fix them " or " i can make them worse " he's " i have no idea what is wrong with them but im going to enjoy finding out "
↪ 𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺 . ( a collection of dire / urgent situation sentence & action starters . adjust phrasing + ʳᵉᵛᵉʳˢᵉ as necessary . )
𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :
hide . hide now .
shh !! there’s somebody in the house .
i’m not gonna hurt you ! see ? look , i’m putting down the [ weapon ] .
[ name ] , what were you thinking ?!
you’re being followed , pretend you know me .
stop , stop ! just put the [ weapon ] down !
drive , just drive fast !
you seriously think i could’ve done this ?
can you walk ? i need you to walk for me , okay ?
let me handle it , just go !
what was your plan ?? you could’ve gotten yourself killed !
you’re just going to leave me here ?!
[ name ] , can you hear me ? get out of there !
you knew and you didn’t tell me ?!
don’t you know how dangerous this is ?
you’re not going to shoot me .
move and you die .
i’m gonna come back for you , do you hear me ?
we have to stop the bleeding .
can you see how many fingers i’m holding up ?
i just want to go home !
don’t move a fucking muscle .
if it weren’t for you , we wouldn’t be in this mess .
i almost DIED back there , and you’re laughing ?
you’re only making this worse for yourself .
you think this is a joke ?
if i go down , i want you to run .
we’re gonna die , so what’s the point ?
this was the ONE thing i told you not to do .
i can’t promise we’re going to make it out of here .
where’s your first - aid kit ?!
just calm down and find your phone , we need to call the police .
someone’s been stalking me .
just listen to me for once !
i didn’t think you had it in you .
put the gun down , and kick it over here .
we can’t stick around here , let’s go .
kiss me before we die .
do whatever you need to do , hurry .
i can’t breathe , i can’t -
please , please - let me in , there’s someone -
i’m gonna give you one last chance .
you have to believe me , i didn’t do this !
run , and don’t look back .
this is real , i’m real . look at me .
take this . it’ll keep you safe .
follow my instructions very closely .
put your hands where i can see them .
you can’t just let me die !
i think … i think i need a doctor .
we need to get out of here , come on .
no , this isn’t it . we’re getting you out of this .
you panicking is not going to help us right now .
𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :
[ GETAWAY ] sender acts as a getaway driver for receiver .
[ MEDIC ] sender arrives on receiver’s doorstep , badly bleeding .
[ HIDE ] sender and receiver hide from a threat together .
[ HUSH ] sender clasps a hand over receiver’s mouth to silence them .
[ DRAG ] sender physically hauls receiver to safety .
[ RIGHTS ] sender calls receiver from a police precinct .
[ REALITY ] sender helps receiver through an episode of derealization .
[ SHELTER ] sender and receiver must find shelter from a storm .
[ ARMED ] sender brandishes a [ gun / knife ] at receiver .
[ CRASH ] sender and receiver survive a [ car / bike ] crash together .
[ SEARCH ] sender barges into the hospital demanding to see receiver .
[ BACKUP ] sender calls receiver panicking after committing a crime .
[ CORNERED ] sender menacingly backs receiver into a corner .
[ UNEXPECTED ] receiver comes home to find sender already inside .
[ BREATHE ] sender helps receiver get through a panic attack .
[ BADGE ] sender and receiver flee from the cops together .
[ STRANDED ] sender and receiver become stranded in the woods .
[ EMBRACE ] sender kisses receiver thinking it’ll be the last time .
[ STRANGER ] sender can’t remember who receiver is after an injury .
[ TOKEN ] sender gives receiver a lucky charm before they go into battle .
[ CHOICE ] receiver has to choose between sparing their own life or the sender’s .
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i will cut adrift ⸺ 𝔦 𝔴𝔦𝔩𝔩 𝔡𝔯𝔢𝔞𝔪. 𝗶 𝘄𝗶𝗹𝗹 𝘁𝗮𝗸𝗲 𝗺𝘆 𝗺𝗶𝗻𝗱 𝗼𝘂𝘁 𝗼𝗳 𝗶𝘁'𝘀 𝗶𝗿𝗼𝗻 - 𝗰𝗮𝗴𝗲 ⸺ i will 𝗹𝗲𝘁 𝗶𝘁 𝘀𝘄𝗶𝗺.
private writing blog for mr. eames of chirstopher nolan’s 2010 inception, as extracted by tinez. est. in 2020, remade on may 8th 2022, revived on oct. 22nd 2023.
you know what other concept i'd love to explore? old guard au where the dreamteam are immortals. it fits perfectly. cobb and mal were the first to find each other, but now mal is dead (or is she ;-)?) and cobb has become the leader with arthur as his right hand man. eames is the enemy-turned-aloof-ally who resents the idea of a found family but can also not escape the fact that these assholes are his assholes. yusuf was the latest addition to the team until ariadne dies (and gets better) in paris, 2010. saito is their mortal and very rich benefactor. do they do good or crime. who's to say.

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something i'd love to explore more is the concept of eames being the narrative foil to cobb's team in a pre-inception setting. like, imagine your muse is working with cobb and arthur on a dream heist and right as they think they've made a successful heist, bam, turns out their mark (or some projection vital to the heist) has been eames in disguise all along. and the worst part is he's looking so smug about it.
TOM HARDY 2013 | British Independent Film Awards Red Carpet Interview