bc what's real, is irrepleceable

- The body horror of Circe transforming the men into pigs was beautifully disgusting

- I loved how the existence of the gods was never fully confirmed or denied. Were the storms Poseidon’s wrath or just bad weather? Was Athena appearing to Odysseus with the face of the woman he let die or was he hallucinating out of guilt? Magic clearly existed, because we had a cyclops and a witch and shades of the Underworld, but there’s magic and then there’s divinity. Is everything they say about the gods true or are they just an excuse?

- The removal of the Nobody scene was necessary actually. In the poem, Odysseus gives Polyphemus his real name in a moment of hubris and this causes all the problems later on because now Poseidon knows the name of the man that disrespected him. In the film, the problems are caused by the Greeks breaking Xenia by invading Troy. Keeping the Nobody scene would have detracted from the root cause of all the problems.

- I could write an entire essay about how cleverly Nolan uses events from the Odyssey to make a point about today’s society:

The Trojan War was about trade routes and Helen was just an excuse — just as wars today are waged for oil and resources, and governments give excuses to their citizens to make it seem better.

“The people from the sea” are feared as an invasion of bogeymen threatening innocents, but they’re actually just desperate men trying to find safety.

The Greeks pillage an island and ask “why didn’t you just give us what we wanted? We’re the good guys!” while the village burns behind them, not realising that to the villagers, Greeks and Trojans are all the same.

- Whoever let Anne Hathaway freeze her forehead should be fed to Polyphemus

Eurylochus: What was the song of the sirens like? Odysseus: All the things you wanted to be and then all the things you wished you never wished for. It was a delicious itch you want to scratch but you find it under the skin and can't reach it. So the delicious itch becomes unbearable. It told you what you most want is what you most can't have and that the most you can't have is what you already had and lost. It was a song of all the promises I failed to keep. And it told me I don't really want to go home.

Bursting through the stall door with a baseball bat hoisted over his head, director Christopher Nolan reportedly confronted moviegoer Luke Dias on Friday for using the bathroom during The Odyssey. “You just couldn’t hold it, could you?” the Oscar-winning filmmaker said as he kicked his victim off the toilet seat and delivered a violent swing that shattered the porcelain stool.