in honor of Leslie Feinberg’s birthday, a PDF of Stone Butch Blues is now available for free. 

be up front and honest about the things you do not know

acknowledge the intrinsic value of others’ knowledge bases, even if they do not seem important to you from your institutional context

do not feign mastery where you have none

respect the gaps in others’ knowledge bases

be generous, not only with others

but also with yourself

you overwork yourself at the risk of legitimizing a culture of overwork 

privilege voices and perspectives that have historically been left out of the academy

nothing is ever neutral or apolitical

support the progress of other scholars

It is important that you know, I am not even a Beyonce stan like that. This must be distinctly understood, or nothing wonderful can come of the post I am going to relate. If we were not perfectly convinced of Jacob Marley’s death before the play began, then there would be nothing remarkable about him showing up at his “business” partner’s house to bitch him out in the middle of the night.

It’s also important to note that Beyonce usually doesn’t go in for this sort of thing. She’s not really the Artist/Activist type. This video is the most political she has ever gotten, and I swear it took the convergence of Black Lives Matter, Black History Month, Mardis Gras, a Nat Turner Rebellion movie, the blatant disrespect of casting a white man to play Michael Jackson, and all the planets to bring us this blessing. Many have said Formation is the phrase, “I love my blackness, and yours.” given physical form. It is all that and more.

This opening line prepares us for the realness to come

Let’s start with the fact that Formation features a voice over by Big Freedia the Queen Diva of NOLA Bounce. If you don’t know Bounce music, or you don’t know Big Freedia–and if you don’t know Bounce, you won’t know Big Freedia–let me direct you to Youtube so you can educate yourself. I recommend you start with Excuse, and Y’all Get Back Now. Big Freedia also has a very nice feature in Ru Paul’s Peanut Butter.

All throughout this video we are treated to imagery from Black queer culture, from Big Freedia’s voice-over, to dancers, to queens just slaying in the beauty shop. Again, if you are unfamiliar with the richness of Black queer culture, I direct you to the internet, because there’s just too much to explain. Start with Paris Is Burning on Netflix and go from there I guess? Like, literal books have been written and it is too big an undertaking for me alone. But Formation is an anthem for Black Femmes as much as it is for Blackness in general.

Beyonce heard all y’all talking that shit about “Why is her hair always done, but she can’t make sure her baby’s hair is done?” Uh, because Blue is a child, and that is her NATURAL HAIR, and she clearly is ROCKING IT.

In fact, this video features A WEALTH of natural hair, textured hair, weaves, perms, braids, Black hair in general.

Note: Baby hairs are small, fine, wispy hairs on your hairline that your mother would brush or gel in a specific way. If you don’t know what a baby hair is, ask a Black person, or someone with “ethnic” hair (gag).

In fact, every single person in this video is Black except for the cops.

And let’s talk about that scene

A little black boy dancing his heart out in front of a line of cops in riot gear,

and the cops put their hands up. YES YES YES YES YESYEYSYESYES!!!!!

Please note the multiple nods to Majorette culture (okay ladies, now let’s get in formation, prove to me you got some coordination, slay trick or you get eliminated) which is very southern.

Formation is very southern

From Southern Gothic imagery

to people dressed for Mardis Gras

To the scenes with people dressed in 19th century Creole garb, in their parlors, with fans.

Now let’s examine some of the lyrics:

My Daddy Alabama, Mama Louisiana

This is more than a statement about Beyonce’s roots. The vast majority of Black Americans can trace their ancestry to the South, after many of us moved to northern cities in the Great Migration. To this day, the majority of Black people in the US live in the South. I’m a New Yorker for generations back on either side, but guess what? The family reunion each year is held in Virginia, because that’s where my people come from.

I like my negro nose and Jackson Five nostrils

There has literally never been a more full-throated, stalwart, stark as hell positive affirmation of Blackness in mainstream, popular media since the original Black Is Beautiful movement in the 60′s. Maybe not since the Harlem Renaissance? I predict In a few years, people will be inverting their contours and getting plastic surgery to achieve the coveted Jackson Five nostril. Only by then they’ll rename it something more palatable to the mainstream (Read: white people).

I got hot sauce in my bag

Let me tell you something about my septuagenarian Grandparents: they literally always have a bottle of hot sauce in their car. Like many retirees, they like to travel, take cruises, do old people stuff. Never have they ever gone anywhere without a bottle of hot sauce. Never has my grandfather been in a restaurant and not requested hot sauce–even though he always has his own.

As I type this, I have a bottle of hot sauce on my night stand, next to my bed. Why? Because I put that shit on everything, and it’s just more convenient to keep it handy. I put hot sauce on pepperoni pizzas. Sometimes I sip out of the hot sauce bottle like it’s a fine wine.

I make all this money, but they’ll never take the country out me

A reminder to never forget your roots, a statement about preserving your identity under the pressures of assimilation, or commentary on respectability politics–no matter how much money you make, how famous you become, you’ll always be Black to the powers that be? Trick question. It’s all three

BLACK AS HELL

Note: Red Lobster is known to be the de-facto Black date night restaurant. I have no idea why.

All of this culminates in Beyonce, sprawled atop a NOLA police car, sinking into the flood waters of Katrina. She metaphorically drowns the police in a flood caused by the colossal abdication of responsibility by those in power at the expense of the disenfranchised. She is prostrated on the symbolic corpse of the oppressor as it is subsumed by water.

I Literally Can Not.

Other images that made me want to praise dance:

Black man riding a horse down the street. Little known fact, Black people were some of the first cowboys in the American west. For the most famous example, see the actual man The Lone Ranger is based off of.

The newspaper with the picture of Martin Luther King and front page headline that read, “More Than A Dreamer.” A reference to the #ReclaimMLK movement, which is about countering the sanitized, white-washed, commodified version of his message with the reality of his radicalism.

The fact that the portraits on the walls of the mansion are of Black women

I slay, I slay, I slay

A team of neuroscientists has found new support for MIT linguist Noam Chomsky’s decades-old theory that we possess an “internal grammar” that allows us to comprehend even nonsensical phrases.

“One of the foundational elements of Chomsky’s work is that we have a grammar in our head, which underlies our processing of language,” explains David Poeppel, the study’s senior researcher and a professor in New York University’s Department of Psychology. “Our neurophysiological findings support this theory: we make sense of strings of words because our brains combine words into constituents in a hierarchical manner—a process that reflects an ‘internal grammar’ mechanism.”

The research, which appears in the latest issue of the journal Nature Neuroscience, builds on Chomsky’s 1957 work, Syntactic Structures (1957). It posited that we can recognize a phrase such as “Colorless green ideas sleep furiously” as both nonsensical and grammatically correct because we have an abstract knowledge base that allows us to make such distinctions even though the statistical relations between words are non-existent.

Neuroscientists and psychologists predominantly reject this viewpoint, contending that our comprehension does not result from an internal grammar; rather, it is based on both statistical calculations between words and sound cues to structure. That is, we know from experience how sentences should be properly constructed—a reservoir of information we employ upon hearing words and phrases. Many linguists, in contrast, argue that hierarchical structure building is a central feature of language processing.

In an effort to illuminate this debate, the researchers explored whether and how linguistic units are represented in the brain during speech comprehension.

To do so, Poeppel, who is also director of the Max Planck Institute for Empirical Aesthetics in Frankfurt, and his colleagues conducted a series of experiments using magnetoencephalography (MEG), which allows measurements of the tiny magnetic fields generated by brain activity, and electrocorticography (ECoG), a clinical technique used to measure brain activity in patients being monitored for neurosurgery.

The study’s subjects listened to sentences in both English and Mandarin Chinese in which the hierarchical structure between words, phrases, and sentences was dissociated from intonational speech cues—the rise and fall of the voice—as well as statistical word cues. The sentences were presented in an isochronous fashion—identical timing between words—and participants listened to both predictable sentences (e.g., “New York never sleeps,” “Coffee keeps me awake”), grammatically correct, but less predictable sentences (e.g., “Pink toys hurt girls”), or word lists (“eggs jelly pink awake”) and various other manipulated sequences.

The design allowed the researchers to isolate how the brain concurrently tracks different levels of linguistic abstraction—sequences of words (“furiously green sleep colorless”), phrases (“sleep furiously” “green ideas”), or sentences (“Colorless green ideas sleep furiously”)—while removing intonational speech cues and statistical word information, which many say are necessary in building sentences.

Their results showed that the subjects’ brains distinctly tracked three components of the phrases they heard, reflecting a hierarchy in our neural processing of linguistic structures: words, phrases, and then sentences—at the same time.

“Because we went to great lengths to design experimental conditions that control for statistical or sound cue contributions to processing, our findings show that we must use the grammar in our head,” explains Poeppel. “Our brains lock onto every word before working to comprehend phrases and sentences. The dynamics reveal that we undergo a grammar-based construction in the processing of language.”