Hi! I'm Oliver and this is my writeblr that also sometimes is just my general tumblr as well bc fuck if I can be bothered with sideblogs. you can find more of my stuff on my website here.
Basically all my art is commissioned from @kryomax and you should absolutely go check them out.
→ Casparverse
A lonely marine biologist befriends a hyperactive surfer with a messy, complicated past.
What's going on here?
TLDR; A group of messy queers deal with an unreasonable amount of trauma but it's okay because they have a lot of sex and get really good friendships out of it <3
Luca has never had a friend in his life, but he has a library card and a Disney Princess level connection with the animals at work, so he's okay with that. Mostly. Moving across the world makes him think that having a friend might be nice, and he ends up at the Santa Angela LGBT Center looking for one.
The Center is a feral mess of people and noise, but in the middle of all the chaos, there's a boy. He's loud and blond and friends with everybody. Luca is immediately enchanted by how perfect he is, but he has no idea how to talk to him. He's about ready to leave The Center and never try going outside again when the fates intervene, and the boy comes over and introduces himself.
They have nothing in common, but Caspar adopts Luca as his new best friend anyway. Luca quickly realises that Caspar is not as happy and perfect as he seems. He has a messy, complicated past: his dad is in prison for a murder Caspar blames himself for, he's in love with a polyamorous multi-millionaire who promised him the world and abandoned him out of nowhere, and he's been fighting a losing battle with addiction and depression ever since.
Caspar isn't the only one with a past he's trying to escape. His best friend, Billie, has an avalanche of lies and secrets burying her neck deep; Raya is desperate to prove to a transphobic God that she is worthy despite being kicked out of the church; Harper spends every day fighting addiction, trauma, and a fundamentally racist slash misogynistic society to get her goddamn law degree; and Mattius and Tyler just want all of their honourary children to be happy.
The Casparverse follows Caspar, Luca, Billie, Harper, Raya, and the others as they find a home in each other and finally face everything they've been running from.
What can I expect in terms of vibes/style/genre?
Casparverse is a series of slice-of-life novels. They tend towards the darker side, with a couple of on-page suicide attempts, addiction and trauma as major themes, sexual assault, unhealthy relationships, and god knows what else; but all of it with a constant theme of recovery, community, and compassion. Some books are light and silly, others less so, but there are always happy endings.
Queer, trans, polyamorous, and neurodivergent characters lie at the heart of it all. There are general explorations of kink throughout the books, not necessarily as a primary theme, but with an average of quite a lot of on-screen sex scenes, especially if it's a book centering on Caspar and Sebastian.
Where/When Is It Set?
Casparverse is set in the real world but slightly to the left. It's a world without our current political horror show, and a world where my trans characters can mostly live in peace. The early story is set in Europe, and the rest in West Shore; a Commonwealth country to the west of California/Washington that I created because the United States was annoying me.
The time period is roughly present day. Caspar was born in late 1999, Sebastian and Jonathan's story begins in 2002, and Caspar's story starts properly around 2016 and goes into the 2020's and beyond.
How Is The Series Structured?
Right now, the series is split into three parts: the events that lead to Caspar meeting Luca, the events that lead to Caspar and Luca falling in love, and everything that happens afterwards. Not all of the books center directly on Caspar, and new books with new side characters pop up all the time, but all of the stories can be weaved back into the central storyline.
At the moment, the books you'll hear me talk about are in the first part of the series. There's Sunshine All The Way Down The Aisle and Maybe Getting Married at 18 Wasn't The Best Idea, which introduce two of the major love interests, and The Cafe Under The Lemon Grove, which introduces their best friends. Then there's An Angel Walks Into a Bar 1, 2, and 3, which take us on Caspar's journey, and Swimming In Endless Oceans, which follows Kavi through the aftermath of Angel 2. Most of these are either first drafted or in the process of being first drafted, and are all 50-100k novels.
Who Are The Main Characters?
The Casparverse has a lot of important characters. The ones listed below are not the only ones integral to the storyline, but they are the ones who the storylines most revolve around.
Caspar Jones is your quintessential hot blond protagonist. He's pretty, he's charming, he has eyes that just happen to look so like the ocean that you can practicallly see the waves in them. Once upon a time, he was one of the best pro surfers in the world. Now, it's just him and his hallucinations trying to get through each day. An ADHD-riddled golden retriever with a heart of gold and a relentless need to make everybody happy that usually ends in disaster.
Sebastian Silva is a stubborn, driven, grumpy multi-millionaire who loves his husband and his cat more than anything else in the world. Also My Chemical Romance, but we're not talking about that. Pulled out of foster care at seventeen and given his grandfather's empire, Sebastian has spent his life building something good out of the tattered remnants of his childhood, and he's done a pretty good job of it, all things considered. He has all the ambition and anger issues of a foster kid who grew up with nothing, and all the provider instincts of a man who now has the world at his fingertips and wants those he loves to have all of it.
Luca Yang is autistic, adorable, and the smartest person in any room, although he prefers not to be in any rooms if he can help it. He's never had a friend before, so when he meets Caspar, he gets thrown into a whole new world of friendship and love and sex that he doesn't understand at all.
Jonathan Silva is a very gay, very camp, very flamboyant pop star. He lives in glittery pink and cute skirts and he's never outgrown neon, even if it's not in style anymore. All he's ever wanted is to be a pop star, and he's going to make it, no matter that his family thinks he's delusional (even if they're too nice to say it) and his father never believed in him (and definitely wasn't too nice to say it). For Jonathan, the music and the party is all there is. He lives his life in the clouds, and he hates being brought back down to earth.
Billie Fletcher is a gross little bug in the body of an attractive young woman. At least, that's how she feels. All she wants is for someone to hold her without squishing her, but she's long since learned that that's too much to ask for. She'll do whatever it takes to keep those she loves from leaving her. It's not her fault that it keeps blowing up in her face.
Raya Holloway is the sweetest girl and the best baker in the South Island. She left home young after being expelled from the church and worked every hour of the day to graduate high school, pay rent, and start her transition. Bubbly and friendly, she has a hundred friends and a successful career, but all she really wants is to be good enough for her God to love her.
Harper Elliot used to be a criminal and a drug addict: now she's just very, very tired. Determined to work in criminal defence to help kids like her, she has turned her disaster of a high school career into the beginnings of a law degree, but it's not without it's challenges. Not least the smug, entitled white guys who feel that someone like her shouldn't be in the same league as them. The intricacies of contract law are one thing, but not reviving the violent parts of her past to put these guys in their place is a whole other challenge.
Daphne Carter was outed to her Christian parents by a certain gross little bug as a teenager, and she's been a workaholic perfectionist bordering on madness ever since. Determined to make it as a game developer, she's balancing school and part time work and indie game development and streaming, and sometimes she even goes outside and spends time with her friends. It's far too much, but she will never, ever, ever admit that there is anything wrong. Not until a certain bug returns to her life, and it all crumbles.
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guys i'm starting a new job and i've signed for a lil house of my own and my t prescription arrives today why is everything happening at once but also OH MY GOD EVERYTHING IS HAPPENING !!!!!
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i like the idea i've been seeing circulating that the reason claudia's “stuck” in a “spidery-ass nowhere” and can't find madeline is because she's in purgatory (the fixation with telling louis to burn her diaries and her dress makes a lot of sense with her wanting to sever any remaining connection) and i love the hopeful twist of believing that being finally able to express her rage at louis and lestat is what will finally get her out of there and i want to add that it's so perfect that we're never going to be able to know for sure. if claudia's free it means she's free from the story. it means she's free from all of them, but also from all of us.
what gets you is not that louis and lestat love each other and still love each other though they hate each other because they cannot live without each other, we knew that. what gets you is that they are friends. it takes us two seasons of toxic gothic "i was under his spell" sort of romance to admit that, beside all that, they just like each other. they feel easy and at home in each other's company. they're giggling and cracking each other up. making easy conversation. they're bantering and bickering like an old married couple, because they ARE, and they DO know each other best of anyone. they DO trust each other above all else. they know which buttons to push to drive each other up the wall, and they know when they need to drop the argument and hold the other close. way beyond words, they know each other. their souls are scissoring. nobody talk to me
actually annoyed by long distance friends again. i want to go for a walk i want to get drinks i want to sit in the grass and write i want to go to the fucking store together
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i do think we should normalise being like. platonically enamoured with someone. perhaps i love and admire you dearly and there's nothing romantic about it
My thoughts on the episode, obviously spoilers ahead! Don't read this if you don't want to be spoiled or you haven't already watched the episode. Let me preface by saying that I saw Twitter reactions when the episode leaked on Thursday and those people had me unnecessarily scared and disgusted by what they described as happening, and it turns out that they made some wild misinterpretations of what the show actually did. There were some valid critiques, but also some wild reaches that they made. I truly enjoyed the episode, and I think if you've been rocking with the season the whole time, you will enjoy it. If you hated it the whole time, you might not. If you are a stickler for the books, or a person solely here for ships, you might be disappointed. If you like theatre (theatre, not musicals), you will probably love this. This is the end of my non-spoiler section, so read on after the dots if you like.
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MUCH TO DISCUSS, so I'll try to go in sections by character. I will, of course, start with the love of my life LDPDL.
LOUIS
I have no idea what people were talking about, regarding him being disrespected or demonized. Louis was a victim in this episode, and narratively, we are supposed to see him as a victim in this episode. NOTHING about what went on in this episode felt like the writers saying "Louis deserves this." Also, WE KNEW what was going on if we've been watching. Powerful vampires can survive for some time without their heads. Louis is Lestat's fledgling and can survive longer than most other vamps without his head. Louis and Lestat got beheaded at the end of last episode. Armand was the culprit of said beheading. So, if we know all of that, I'm not sure how people were offended by Armand being Armand with Louis' alive but severed head.
The thing about Louis apologizing to Armand was WAY overblown on Twitter. The way they described it was as if Louis groveled to Armand without prompting and said that he was only bad only and we should all hate him. People TRULY lack media literacy, and I'm truly concerned that anyone watched that episode and thought "OMG the writers hate Louis and are making him apologize to ARMAND of all people!" Honestly, truly, not trying to be mean, but as I watched the episode unfold and the Louis/Armand stuff unfold, I couldn't help but think some people are really fucking stupid. Truly stupid. And some people truly cannot handle storytelling that does not just give you happy candy, and sometimes makes hard choices. The narrative is SYMPATHETIC to Louis in those scenes. Armand is being a straight up unhinged villain and is CALLED ONE several times in those scenes! I will talk about Armand in his section, but MY GOD, how anyone watched those scenes and thought the writers wanted you to see Armand in the right is BEYOND me.
I think it's also important that, as childish and empty as it was, Armand offers Louis is ammends at last. I was SO CONVINCED that Armand did not apologize to Louis, because those yokels on Twitter talked as if Armand pulled out Louis' head and was like "uwu You hurt my feewings, Louis, I so baby!" and Louis was like "Aww, poor baby! Yes, I was so mean and bad to the baby! You didn't deserve that! I am evil bad person and you are good innocent baby!"
That is ENTIRELY wrong. Like, a TOTAL misinterpretation. Like, your English teacher would be giving you a C on the paper, applauding your effort but asking you to read for comprehension next time.
Louis is framed as a victim. The apology is coerced. Violently. Louis refuses to play Armand's game MOST OF THE EPISODE. When Louis is on the brink of death, he does apologize, half because of Armand's coercion, but also half because it's a deathbed confession. And his apology is essentially "I apologize for not being able to love you the way you needed to be loved, and for using you to get back at Lestat." That was as much for Louis as it was for Armand. That was Louis unpacking those 77 years and the one part of it that was unfair on his part. THE REST OF IT WAS ON ARMAND, and I don't think the episode was quiet about that at all. Armand said that he plotted Louis & Claudia's gruesome death, turned it into a spectacle, and trapped him in a relationship for 77 years. Louis said that he never forgave Armand for Paris. This was not a pro-Armand, anti-Louis storyline. I'm truly perplexed why people thought so.
I may just make a separate post about Armand. But I'll say this here: Armand NEEDED for Louis to acknowledge the abuse that Armand went through as a child, and Louis needed to unpack how he felt about knowing what happened to Armand as a child. IDK how anyone heard that and didn't think, wow, Louis is compassionate even in the face of a monster. (Affectionate. I love Armand).
Everything violent that Armand did to Louis was fully Armand shit. Y'all don't know that freak like I do, I guess. The way people talked about it, I was imagining something OOC. But this was fully gremlin Armand. This is how he is, y'all, sorry if you thought something else. It helps if you remember that he's mentally kinda a teenager. He's immature and impulsive and makes decisions that are unhinged and kinda selfish. The A carved into Louis' chest was gross and weird, but it was very Armand. I understand the instinct to be protective of Louis as a Black character, but... I don't think the writers were wrong for writing it this way. I woulda wrote some shit like this, not gonna lie. You reacted negatively because you're supposed to. Armand is beautiful, but he is full-on evil, guys. A monster. His main ship isn't called "The Devil's Minion" for cutesy pootsie. He's evil. The Devil. He is the Devil. (Not literally.)
LESTAT
Again, a lot of interpretations of what went on here. But I loved it. As a reader of plays, I loved it. It was very theatre. And the reason I said "not musical theatre, but theatre" is because I mean plays. I can't think of a specific comp, but I mean shit like White Noise, like The Aliens, like I Hate Hamlet, like The Maids. Not meant to coddle you, not meant to be comfortable, meant to leave you affected. If you are a theatregoer or a reader of plays or a theatre performer, you probably will enjoy the long table scenes. I wish I could think of a specific play it reminds me of. It's giving theatre so much.
I did think they harped on the "pimp" thing too much with Louis, however... in context with the scene, I understand what was being done. That was not the opinion of any real person in this universe. That was Lestat's psyche attacking him about his life choices, reducing everything to it's most base version. A bone of what was true. Lestat does not see Louis as "a pimp from New Orleans". Louis is everything and so much more than a career he did for a few years after his father passed away. But Lestat's psyche in those scenes is tearing apart everything he did and every choice he made. Nicki is just a "mad violinist". Louis is just a "pimp from New Orleans." Antoinette is so reduced that she's a typist, a secretary. Marius is just there to yell at him about being unworthy of Akasha's blood. TC is just there because he thinks he failed her. They are all of his failures.
We see Lestat unpacking the things he did and experienced. We also get hints to him maybe not being truthful with us in some of the storytelling this season. HINT, we saw Claudia's ghost through his lens tell us that she made up the train scene. Then, we see a dying Lestat acknowledge the conductor from the train, whom he did, in fact, decapitate. So... is he LYING about what happened between him and Claudia on the train? About what Claudia said happened? WE DON'T KNOW! And there you have the wonderful fuckery of this series! We watched an entire season that is Lestat's interpretation of the events of 2025. WE DO NOT KNOW HOW ACCURATE ANY OF IT IS. We don't know what Louis will say happened. We don't know what Armand or Daniel will say happened. Maybe Daniel seems petty and vindictive over something minor because that's how Lestat sees it. Maybe Lestat actually did something more to piss him off. Maybe Daniel wasn't as pissed as Lestat recalls.
Lestat also apologizing to random people he killed was golden television.
And the moment PAUL comes back to talk to Lestat, to tell Lestat the one thing he always needed to hear, which was that Louis does love him... that was beautiful. BEAUTIFUL. And full circle for Lestat. The episode frames Louis as the ONLY fucking thing that ever truly mattered for Lestat. Even as we see flashbacks through his life, nearly every time he looks back, there's a flash of his life with Louis. Remember when Daniel said Louis "is the story"? Well... yeah. Louis is the story, for Lestat.
I have so many thoughts that I can't articulate because I'm tired lol. But Lestat, I think, came out of the other side of his beheading with a better understanding of himself, finally releasing the idea that he's only failed in life, and a better understanding of his love for Louis. Only for, you know, Akasha to rise and make him feel like a failure again, which is why he's recording the albums we're listening to as we watch the season. I feel like people keep forgetting that these episodes are not happening as we watch them, as it were. They are similar to the New Orleans and Paris scenes in seasons 1&2--- the past as told by the protagonist. The whole season is Lestat telling us about 2025 on the Failures albums. And I think that means we need to be prepared for s4 to realign what we thought we knew from this season.
It was also... very exciting, to me, that we ended where we did, with Lestat in his Montreal home, revealing a destroyed Montreal. (The BTS thing after the episode called it the "end of the world" so maybe not just destroyed Montreal). We know that Akasha will rise and that shit will hit the fan, and Louis will lose a leg, and Armand will lose an eye. We didn't get to see how, yet! I think this is what some people were complaining about, that nothing was resolved in that sense.
Nonsense. A LOT was resolved. This was a character study. Lestat DID grow. Louis grew. Armand REGRESSED DELICIOUSLY. This is how character studies work. What they mean by "nothing was resolved" is that we didn't see Akasha rise yet, and we don't know what happened to Louis and Armand at the beginning of episode 1, and we didn't even see the concert. Well. Well, guys... sorry, but I think that was brilliant. This has never been an action-heavy, plot-heavy series anyway. I think there was just more active Loustat in season 1, so people were enthralled by that, but it was a character study, too. Sure, they try to off Lestat at the end of the season, but... uh, well, that's what happened this season, too. Lestat & Louis' near-death. What do you mean nothing happened and nothing was resolved?
I also think people were annoyed with the lack of Loustat kiss and the lack of Devil's Minion, but yeah, y'all are trippin a bit. There's TONS of Loustat. Just not a kiss. And, from a writer's perspective, I can see why a kiss would go in that bus scene, but it's also not where I said to myself that I'd put their first on-screen kiss since the Mardi Gras ball. I said I'd do it after the concert when Louis helps save Lestat and they get outta there (the scene from the books, for my book readers.) As a series with active Loustat, I'd put the kiss somewhere during that chaos. But they didn't show the concert, and it's not clear if they will or if Lestat will even perform it. But I think he likely will in season 4. And yeah, it sucks that that might be two years from now... but I would put my Loustat kiss there. (Who knows if any of that will even occur. I just think it's okay that they didn't kiss here and might kiss later.)
Those of us who (forgive me) aren't Cabbage, let's just hope that they pump season 4 out and maybe we can get a summer 2027 instead of a summer 2028!
Joy Sullivan, from Instructions for Traveling West: Poems; “Of Wildflowers”
[Text ID: “When I was young, I heard / So much about being / a child/woman/man of God / but then I grew up and all / I ever wanted / was to be of wildflowers, / of willow, toad, and bone. / of swallowtails, sow thistle / and cedar, of birds.”]
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jonathan is like, you have kinks i don't so if you want to i'm cool with you sleeping with other people and trying things out bc i love you and this is a good way to make marriage work for us <3 and sebastian is like. oh so you hate me and want to get divorced? fuck. time to take my casual drug use to the next level i guess.
writing sebastian's pov in maybe is a bit like the netflix show you, in that it makes perfect sense if you have access to his inner monologue, but my god that's a lot of long silences if you don't