Gustave-Baumann, Malapai
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art blog(derogatory)
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@findepartida
Gustave-Baumann, Malapai

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Crane and Pine Tree with Rising Sun
Suzuki Kiitsu (Japanese, 1796–1858)
Hanging scroll; ink and color on silk
I
Si la mémoire s'endort dans les greniers cette fleur et le poète ont une même histoire de violente écriture, preuve que la pensée n'est pas ce que l'on dit, mais dedans le miroir un exact incendie.
-- Nadia Tuéni, Jardinier de ma mémoire
Bananal, by Lasar Segall. 1927. Seen in November 2017. Pinacoteca, Sao Paulo.
Lo Stendardo della Flagellazione by Luca Signorelli (c. 1475) Brera Art Gallery, Milan.

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Soy un hombre: nada más y nada menos --dijo--. Quiero tener tiempo para vivir, y que lo tengan también los demás hombres. No he nacido para destripar terrones: a mí, lo que me hubiera gustado es hacer casas. [...] No sé lo que queréis decir cuando nombráis el padre, el hermano: a todos los hombres los respeto y los quiero del mismo modo. Quiero andar por todos los lados, comer cuando tenga hambre y dormir cuando tenga sueño.
Ana María Matute, Fiesta al Noroeste
Marc Chagall (Russian, 1887-1985), The Carrousel of the Louvre, from: Derrière le Miroir, 1954. Lithograph in colours on paper, 38.2 × 27.6 cm
Osho Catching a Carp, Utagawa Kuniyoshi (1798-1861)
mußt du, aber du muß nicht du kannst auch schlafen
Ingeborg Bachmann, “Das deutsche Wunder“
Joan Mitchell - Trees, 1991.

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~ Ring. Place of origin: Italy Date: A.D. 600-700 Medium: Engraved gold
Now, if terrestrial culture were a pyramid, at the apex (where the power is) would sit a blind man, for so constituted are we that only by blinding ourselves, bit by bit, may we rise above our fellows. The man at the apex has an inmense preoccupation with the welfare of the whole, because he regards it as the source and structure of his elevation, which it is, and as an extension of himself, which it is not.
Theodore Sturgeon, E Pluribus Unicorn, “The World Well Lost“
Rainy Day Promenade
Artist
Gustave Baumann [+]
1881 - 1971 (biography)
Year
1917
Technique
color woodcut
‘Irises and Moth’ (circa 1805). Silk painting by Suzuki Kiitsu (1796–1858).
Image and text courtesy The Met.
ma passion est un lieu entre l'arbre et son ombre
Nadia Tuéni, Poèmes pour une histoire, “J’écris un soleil...“

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Anish Kapoor Shooting Into the Corner, 2008-2009 mixed media, dimensions variable
Mariotto Albertinelli - The Sacrifice of Isaac, c. 1509-13