Saw an opportunity to draw some happy Wilmon for @books-books-smolderinglooks epilogue event π₯° I imagine theyβre university students at this point. Wille has glasses, thatβs very important.
Happy s3 anniversary everyone!

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@filmspring
Saw an opportunity to draw some happy Wilmon for @books-books-smolderinglooks epilogue event π₯° I imagine theyβre university students at this point. Wille has glasses, thatβs very important.
Happy s3 anniversary everyone!

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happy year of the horse ft. franz marc's blue horses by mary oliver
sometimes i wonder if we have forgotten that sharing creative work is, fundamentally, a bid for human connection. like I'm not posting art or fic for 'engagement' i'm posting it looking for other sickos to play with! i'd be making it anyway for my own gratification because there's something wrong with me, i'm sharing it hoping we can have something wrong with us together <3
i rewatched the young royals finale today and i couldn't get this parallel out of my head
Yes, the fics where Ilya goes to Shane's game in his jersey are cute and romantic. But why has no one even considered:

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Young Royals is anti-monarchist propaganda (always has been)Β
I think itβs fair to say that most of the fandom was quite happy with the finale. However, Iβve seen a handful of posts by people who were unhappy, specificallyΒ those who were unhappy with Wille giving up his place in the line of succession. These criticisms range in everything from dismissing Willeβs choice (Wilhelm has made a harsh decision without thinking of the consequences, this wonβt actually make the media circus around him go away), to those disappointed in how the monarchy in general was represented (Wille could have modernized the institution, no one in the show attempted to consider how the monarchy could be good, actually). I donβt want to invalidate anyoneβs feelings about the finale. If you didn't like it, thatβs more than ok and I donβt want to argue with anyone about their taste.Β
But when it comes to criticism about Wilhelm giving up the throne,Β I do find myself frustrated at what I see as a fundamental misunderstanding of what this show was trying to communicate. Young Royals, plain and simple, is a story thatΒ denounces the incompatibility of antiquated and hierarchical institutions (Hillerska, the monarchy) with equality and justice.Β
If youβve had the displeasure of being my fandom friend youβll know that Iβve spent the last 3 years yelling about how this show is about abolishing the monarchy. I even wrote a lengthyΒ fanfic with the sole excuse of having Wilhelm arrive at this conclusion. Still, I knew that whatever statement the show wanted to arrive at, weβd only really be getting to it at the end of the show.Β
Seasons one and two were setting up all the characters on the chessboard for the end: Wilhelm is the Crown Prince, although he does not want to be. He and Simon are in love, but Wilhelmβs role drives a wedge between them. Erikβs legacy and August's spot next in line are keeping Wilhelm in his place.
Β From episode one, I think the show was telling us about the many things that are wrong with the monarchy, but I donβt think itβs until season three that these discussions become more explicit. Is this why some people were disappointed by the ending? Maybe so. Still, I wanted to look at how season three in particular answers some of the questions or issuesΒ people are bringing up regarding both the monarchy and the Wilhelmβs choice.Β
What do you like about the monarchy?Β
Season 3 Episode 4 is the first time we hear an explicit discussion about why the monarchy could potentially be a good institution. Iβve seen some people complain that the show didnβt give this idea enough thought.Β
I completely disagree with this take: the short conversation Wille and Simon have in this episodeΒ is succinct, but still effective at presenting both arguments in this debate. AΒ longer and more drawn out conversation would have been a bit unrealistic and probably boring to watch. These are not academics having a debate, but two teenagers who are talking about what for them is emotionally charged.
Thereβs also no need for a longer, more detailed discussion. Wilhelm does provide a very good answer to the question: The monarchy is there to unite the people. To be a neutral party in situations when the government cannot or will not interfere.Β
A quick civics lesson: In parliamentary democracies, the monarch serves as the Head of State.Β
This role is predominantly representative, although in many places the government is formed in the name of the monarch. This could, theoretically, grant them some political power-- since they could technically reject the winning party from forming a government. However, in most parliamentary monarchies, the King or Queen simply has to accept whatever decision is made based on election results.
However, the value of the Head of State is precisely in its apolitical nature. Regardless of whoβs in power, the head of state is a neutral ambassador of the nation, both in and outside of their country. Their job is diplomatic and representative, and one that is thoroughly divorced from politics. This is what Wilhelm meant when he said that the monarchy was there to βunite the peopleβ. Whenever Iβve spoken to pro-monarchy folks about their beliefs, they cite this as the reason why they like it.Β
Itβs easy to see why Wilhlem would latch on this as his main argument to defend the institution. I donβt think there is anything inherently bad about having a separate head of state that represents the country. I donβt think the major grip with this issue is the having a head of state, but the fact that the head of state is a hereditary position. Simon says this himself twice in this episode: the issue is not that the head of state exists, but that the head of state is not an elected position. Furthemore, the head of state is a role that is imposed on a person not by their talent as a public speaker or negotiator, but by a simple accident of birth.Β
The jobβs legitimacy or importance should not be above any individualβs right to autonomy and self-determination. Furthermore, considering that taxpayers are the ones who finance this position, shouldnβt they be able to elect who it is?Β
Letβs imagine a scenario where a friend tells you theyβve gone into a career because everyone in their family works in that industry, and they simply had no choice in the matter. It wouldnβt even matter if they were good or bad, they had a job in this career guaranteed from birth.Β
Β Would you not be concerned that maybe your friend is unhappy for a rather unnecessary reason? Would you not think that perhaps someone who actually wanted the job would be better suited for it? Would you think it right for a company to hire someone simply because of their family history? Would you consider any of this fair? And what is so special about monarchy that makes us have a different answer for it than we would if the question was about law or medicine?Β
Youβll always be famous.Β
Another common criticism Iβve seen is that Wilhelm will inevitably regret his decision, especially once he realizes that public scrutiny will not be going away. This is true, Wilhelm will likely alwaysΒ be a figure of public interest. But to me, this has always been a negative consequence of the monarchy, and I have a hard time seeing this is a valid reason why he should stay in it.Β
From the second we meet him, we know Wilhelm is uncomfortable with both the public attention and the scrutiny placed on him. However, this goes a bit further than that. Iβd argue than more than theΒ scrutiny itself,Β Wilhelm is weighed down by having to keep a public image. Because, remember folks, Wilhelm is not merely an awkward teenage boy with acne and a crush. No, no, Wilhelm is the State. Wilhelm is going to be a publicly-funded representative of the nation . This means, of course, that thereβs a narrative, as he mentions himsef, that needs to be put forward. One thatβs generic, serious, and unproblematic:Β
From the get go, Wilhelm is uncomfortable with the inauthenticΒ and performative aspect of his role.This is a constant we see with Wilhelm in seasons one and two: every βperformanceβ he has to do fills him with nausea, anxiety, or some sort of discomfort.
In season three, Wilhelm begins acquiescing to this performance. Uncomfortable as he may be, for most of season 3 heβs accepted that this is his role. However, the attention this season shifts from Wilhelm to Simon, whoβs now the one facing public scrutiny. The difference is that, unlike Wille, thereβs no role for Simon to play. Nothing about who he is or what he believes is compatible with the public image the monarchy is putting forward. The only thing he can do in this situation is disappear, and Wilhelm is tasked with having to ask that of him.Β
I know a lot of people were exasperated at Simonβs very bad and clumsy social media presence. Iβm not gonna argue that my boy wasnβt being a bit cringey, because he absolutely was. But I think the larger commentary here has more to do with the expectation that these two teenagers have to censor and edit themselves to comply with a particular PR image.Β
Ultimately, the criticism that Wilhelm will always be famous leads us straight back to the institution. Why does an underage boy have the same PR expectations as a politician? Why is a teenager dating his classmate + being cringe online justification for doxxing him? Unfortunately, no abdication is really going to undo any of this, and things are certainly going to be crazy once Wilhelm announces heβs stepping downΒ .
However, this time around both he and Simon will at least have the agency to decide what they want to do with their public image, including the decision to disappear from the public completely if thatβs what they want.
Queer representationΒ
This a sentiment that has been in the fandom for some time now. This was the main argument why some people wanted Wille to stay in the monarchy. Sure, the institution has always been about bloodlines and tradition. But wouldnβt it be so nice to have Wilhelm as a symbol for the queer community? Iβve always found this idea a bit shallow. Iβm not sure how much of a symbol of a queer and progressive country Wilhelm could be, when the whole idea is predicated on absolutely no one having a choice in the matter. Is it really impressive to accept the queerness of the guy you already had no choice in accepting?Β Β
Thereβs three scenes in season 3 where the potential Wilhelm -and by extension Simon-Β could have for the queer community come up.Β Farima brings it up in the first episode, but the framing here is reversed. Wilhelm isnβt serving the LGBTQ community by being a queer Prince, but the monarchy is using Wilhelm (and his queerness) to appear progressive.
The show, however, does humor this idea with the May 1st photo. We see what Simon and Wilhelm could potentially do for the community by simply existing as who they are: theyβre inspirational. It gives Simon, briefly, hope that maybe something good could come out of this.Β
But this moment is quite literally framed by politics. It doesn't matter that Simon is not participating in that manifestation, anything that is slightly connected with politics is a challenge to neutrality of the monarchy. This same idea is stated more explicitly int the next episode, when Wilhelm is reviewing the options for his charity.
Ultimately, any action significant enough to be truly impactful, would be bordering the limits of what could be considered political. He's got to stick it out with these quite frankly boring and limited themes, all for the sake of staying on the very narrow lane of things that are not political.
The weight of the crown.Β
Stories about Kings and Queens usually carry the same fundamental tension of duty vs self.Β
In order to rule, our protagonist has to sacrifice themselves, usually for the sake of their country and people. The Crown is an excellent example of this type of story. Sacrifice in that series is framed as something noble and selfless.Β
Young Royals started out with this same fundamental tension, but the main difference is that Young Royals has framed this debate as a question:Β
Why should Wilhelm give himself up, his happiness, the love of his life,Β andΒ his mental well-being? Whatβs so important and valuable about this institution that requires this sacrifice?
Wilhelmβs journey is about accepting and voicing his answer. He doesnβt want to be Crown Prince, he doesnβt want to be King.Β
But by virtue of taking part of this journey with him, weβre able to examine this question from a different perspective: Is this institution valuable enough to justify all of this? I think the show is inviting all of us to evaluate this situation and arrive at the conclusion that it isnβt.
Even someone like August, who wanted this, is weighed down by the realization of just how much the crown weighs. Of course, a big part of the fandom probably doesnβt live in countries with parliamentary monarchies. Still, considering the worldwide popularity of the British Royals, for example, I still think itβs a worthwhile exercise to question the validity of these institutions. Are they really worth sustaining? And if theyβre not, why should we continue to drag them on into the present, citing tradition?
i THINK i've seen a post about this but still
simon saying "i don't understand why i can't fall in love with [marcus]" is so interesting because obviously we know why but for simon... his only frame of reference (from what we know) is how fast and hard he fell for wille. and we SAW how completely overwhelming and strong and intense that was for the both of them so it makes complete sense for simon to lowkey think that this is what it's normally like because he has nothing to compare it to. he thinks that it's meant to be like that . so for him he's so confused about why it's not working (or he's still in denial about why it's not working) with marcus but for the audience and for most people we know that what he and wille have is so unique and special and you can't just replicate it with anyone else
anywaysss... simon loves wille so much and i'm so glad by the end of s2 he's accepted that and even told wille
More than yesterday and less than tomorrow
Prints available here
(ID: sequential art image 1: Ilya Rozanov partially submerged in water with only his eyes above the water from Shaneβs point of view image 2: Shane Hollander underwater looking up from Ilyaβs point of view end ID)
I get annoyed when people are making posts that are shocked that Shane pulled Ilya. And like maybe, /maybe/, Shane locked down Ilya (there's an argument that Ilya 'domesticity kink' Rosanov locked himself down as soon as he could get Shane to agree to it) but Shane did not pull Ilya, Ilya pulled Shane.
Canonically Shane is one of the hottest men in the world, he's rich, he is at the top of his high intensity career, and he has the biggest saddest wettest most beautiful brown eyes out of anyone on the planet. The moment Ilya saw a scrap of interest he was arranging for them to be in a commercial and jerking off in the shower at him. Ilya watched this man fold his pants one (1) time and thought "well i gotta fuck him forever now". Shane tried to say there wouldn't be a next time and Ilya was like it's too late, I've got your number, you're never getting rid of me, if I annoy you enough you will come organize my socks as like a sex thing.
I guess there was a part during Connorβs and Hudsonβs presentation where Connor had to act uncomfortable because everyone had seen him naked? Lol. Ok. The globes writers didnβt even try huh.
Actually like. Itβs really kind of gross to me that Connor and Hudson took on and gave their all to these roles in this show that is becoming an extremely important work of queer media, that they not only obviously have no qualms about people seeing their bodies, and shouldnβt have to have qualms about it, and currently canβt escape sexual harassment from fans or interviewers or even other celebrities, and on top of all that, the globes decided you know what, if youβre not going to be ashamed about it weβre going to ask you to pretend to be. Because not only can we not imagine not being embarrassed by what youβve done, people would think itβs hilarious if you were. And because Connor and Hudson have only just made it, and are having their dreams come true, and at this point, are aware this is all part of the deal and something they just have to live with, they do it and everyone loves them for it. I am this π€ fucking close to becoming a domestic terrorist.
Never forget that in 2007 the Academy Awards asked Heath Ledger to joke about Brokeback Mountain in an opening monologue at the ceremony. Heath Ledger refused. He refused to even attend the awards that year in protest. What's happening to Connor and Hudson right now is inextricably connected to a long legacy of award shows making a spectacle out of and mocking queer media. They are subtler about it now than they used to be, but it's still there.
(tags from @etiennelux)
Oh absolutely. That makes it even worse for me. The globes knew nothing they asked them to do was something they could refuse.

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starting a fight cause someone clocked your gay ass π
Heated Rivalry | 1.03
Lucia kiss!
This was supposed to stay a doodle lmao. Oh Well.
I finished reading Heated Rivalry tonight and I loved every second of it. And now I am even more excited to see how everything translate on the screen and how it comes to life!!
Jacob Tierney on Heated Rivalry/Young Royals

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Ao3 version that lets you open the 'director's cut' where I, the author, explain every detail in excruciating detail to you and what it is in reference to.
@bonsaibovine being absolutely correct in the tags
Legit. Ask me anything you want to know about my fics.
Sunday snippet
I will most definitely try to expand on this and write it better but I thought I'd share this little something I wrote from the next chapter of If Songs Were Lines in Conversation. Slightly nsfw...
Wille goes back to his room, he has some time before he has to join Simon for lunch. There's something deep in him that itches to write, to put down the thoughts that seem to be weighting him down.
When he sits down at his desk, the tension on his neck and his throat is so dominant like something wants to come out. He decides to pick up his notebook.
His hazel eyes looks at the notes he has taken the day before, then he looks at the eraser.
It feels counterintuitive to be doing the same thing again by not giving a chance to whatever is written down but when the eraser hits the page there is a sense of urgency to fill it again. It somehow looks brand new, untouched as if he can start from scratch. He doesn't give his fear time to act out, he scribbles a few words, just key words, things he has been thinking about a lot lately. Home, brother, death, queerness, sex, touching, lips, and one in particular stands out even though it's in the corner barely visible: Simon. He looks at the words, then again he can only focus on the name. His breathing starts to feel off, like he's about to have a panic attack but instead it feels more like panting. He takes off his jacket, closes the notebook and lays down on his bed hoping it can come down. His head is buried in his pillow, frustration overwhelming him as he becomes more aware of the sensation in his lower stomach. His hands come there just to smooth the ache, unfortunately it doesn't leave, and he knows why. He knows his body so well, he knows that right now if he doesn't let his hand slide in between his thighs he will be frustrated for the rest of the day. So despite his mind telling him how fucked it is, the thought of Simon's name written in his handwriting ignites the fire. And the most natural thing happens, he lets his palm come on top of his crotch. Just to lay there but it's enough to bring up everything he's been rejecting through a soft moan.
Wilhelm is on his back now, his eyes are fully open. He's so aware of how his cheeks are so warm that nothing can take him out of this moment. He can't ignore what he's feeling, not like he's so used to.
Lila's words comes back to him, about listening to the primal sounds, to the sensation it gives to his body when he finally opens the button and the zipper of his blue jeans to slide his hand in his boxers.
The sound he lets out brings him back to himself, and right there he understands why there was nothing wrong about liking Simon to began with.