The End of the L Train, 1955. Ernest Fiene. Oil on canvas
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@figurepaintings
The End of the L Train, 1955. Ernest Fiene. Oil on canvas

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Morteza Khakshoor
Thomas Eakins highlighted sporting subjects in the late 1890s with a series that he began after attending professional boxing matches at the Philadelphia Arena. Â
âBetween Rounds,â 1898â99, by Thomas EakinsÂ
Gustave Courtois (French, 1853â1923) - Le Trieur de maĂŻs
Head of a Woman, 1911, Alexej von Jawlensky

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Sungyong Hong - Memory Souvenir No. 620, 2026 - Lacquer on canvas
Michael Murfin, b. 1954, English. The Cage, oil on canvas.Â
https://michaelmurfin.com/paintings/world-of-work/
Henri Matisse, Pink Nude Seated, 1935
Portrait of Spencer Churhill by John Minton, 1952.
Spencer Churchill sitting in front of his portrait, circa 1955.
Spencer Churhill (1929â2023) was among Britainâs most recognisable bodybuilders and wrestlers of the 1950s and 1960s. Branded by the press as âMr Muscles Unlimited,â he first rose to prominence at a moment when bodybuilding still lingered at the fringes of British sporting culture. His remarkable physique attracted considerable media fascination, and the attention he garnered helped usher the sport into broader public awareness. A decisive shift into professional wrestling later amplified his fame, as the expanding reach of post-war television carried his imposing presence to households across the nation.
Churchillâs striking proportions and sculptural symmetry rendered him equally successful as an artistsâ model. It was during a modelling session at the Royal College of Art that he first encountered John Minton. He was soon to become one of âMintonâs musclemenâ, as Frances Spalding labelled them in her 2005 biography (F. Spalding, John Minton: Dance till the Stars Come Down, Aldershot, 2005, p. 205).
When Churchill travelled to Barcelona in the summer of 1955 for a wrestling competition, Minton paid him a visit, eager to see his friend in this new arena of acclaim. Writing to Norman Bowler, he described Churchill as the âtoast of the townâ. Together Minton and Churchill escaped the city for Blanes, the Catalonian municipality lined with beaches. Around this time, Minton gifted Churchill the large portrait he had painted of him in 1952. The painting stands as both a record of Churchillâs formidable physical presence and an intimate study shaped by Mintonâs personal fascination with him.
via: Christie's
Spencer Churhill 1952.
Portrait of Industrial Designer John Vassos
Artist: James Daugherty (American, 1887â1974)
Date: ca. 1935
Medium: Oil on canvas
Collection: High Museum of Art, Atlanta, Georgia, United States

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Willem de Kooning Untitled (Woman) 1965 Oil on paper 73.7 x 58.4cm Collection of Preston H. Haskell, Class of 1960 Š 2014 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York / photo Douglas J. Eng
Max Jahn, Je mâappelle pas Pierrot, je mâappelle Max, 2025
Max Jahn, Self with Fan, 2025
Lucia Sturdza Bulandra in The Madwoman of Chaillot, 1972, George ČtefÄnescu
Medium: oil,canvas
Vintage Stefanescu đđžđđžđđžđđž
Luisa FernĂĄndez Morrell (Cuban, 1897-1952). âJeune garçon Ă lâĂŠchelleâ, undated. oil on canvas board

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Jessica Kirkpatrick (American, active in Scotland), A Queer Desire, 2022. Oil on board
"Finistère". Paul Cadmus.