Steve Schapiro Samuel Beckett Looking at Parrot, New York, City 1964
"All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." Samuel Beckett, "Worstward Ho" 1983
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Steve Schapiro Samuel Beckett Looking at Parrot, New York, City 1964
"All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." Samuel Beckett, "Worstward Ho" 1983

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Steve Schapiro Playwright Arthur Miller at the Chelsea Hotel, New York City 1965
"A small man can be just as exhausted as a great man." Arthur Miller, "Death of a Salesman" 1949
Bean Truck, Migrant Workers, Arkansas, Photo by Steve Schapiro, 1961
Freedom Now, Canton, Ohio, Photo by Steve Schapiro, 1964
Boy at a Religious Festival, Photo by Constantine Manos, 1964
(The hands add an ominous quality of tension to this photo.)

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A blind man in the doorway of his house. Crete, Greece. 1964
Photo: Constantine Manos
Worker (from the series 'Gaswork', 1984-85) by Nikos Markou
(b. 1959)
Workers in the Shower (from the series 'Gaswork', 1982-84)
by Nikos Markou (b. 1959)
Two Soldiers (1983) by Andreas Karayan (1943-2026)
Painter's Studio with Model (1984-85) by Alecos Levidis (b. 1944)

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Alfred Stieglitz and Georgia O'Keeffe by Arnold Newman (1944)
http://chpaquettephotos.blogspot.com/2008_07_01_archive.html
Paul Strand: Photograph of Alfred Stieglitz looking into a camera, 1929 July (?)
via Beinecke Rare Book and Manuscript Library
Portrait of Georgia O’Keeffe taken in 1932 by Alfred Stieglitz obtained from Wikimedia Commons
Georgia O’Keeffe photographed in 1929 by Alfred Stieglitz. (Courtesy National Gallery of Art, Washington, Alfred Stieglitz Collection)
Alfred Stieglitz Georgia O’Keeffe, 1922 Tirage gélatino-argentique, 18,9 x 24,2 cm The Art Institute of Chicago © Georgia O’Keeffe Museum / ADAGP, Paris 2015

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Georgia O'Keeffe—Hands 1918
Alfred Stieglitz
Attributed to Alfred Stieglitz
Georgia O'Keeffe—Hands by Alfred Stieglitz - National Gallery of Art
/ Alfred Stieglitz, Shadows in Lake, 1916
“All I want is to preserve that wonderful something which so purely exists between us.”
Alfred Stieglitz, 1918