fieldnotes

ADRIENNE RICH

Margaret Atwood, from The Blind Assassin

Jeremy Radin, “Day’s End”

[Text ID: “In One Hundred Years of Solitude, / Márquez wrote that we are birthed / by our mothers only once, but life obligates / us to give birth / to ourselves over and over.”]

Franny Choi, from "What a Cyborg Wants"

Franny Choi, from "I Guess By Now I Thought I’d Be Done With Shame"

Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance

Margaret Atwood, from “Europe on $5 a Day”, The Door

Jeanette Winterson, Why Be Happy When You Could Be Normal?

clementine von radics / c. c. aurel / miles johnston / ranata suzuki / clementine von radics / sue zhao / madeline miller / lily thula / salma deera / clementine von radics / shelby eileen / jedaleyjd via pinterest / holly warburton / mary oliver / mitski / sea wolf / nickie zimov / the mountain goats

haley heynderickx, jo / arthur kearns via @obsob / minnie bruce pratt, the fact of the garden 

Perhaps the World Ends Here, Joy Harjo ( @atarqxiia ) | The Light The Living See, Ada Limón | @soracities

no thoughts just the opening shot to EEAAO being the family together at center frame surrounded by shadow and the closing shot being Evelyn also centered & in a bright environment having realized she’d been underappreciating her family and the moments of familial intimacy shown in that opening shot while jamie lee curtis says “you listened but you didn’t listen” which also describes how Evelyn in this last scene taps in on moments of connection and empathy happening across universes and at the same time ignoring the tax stuff jamie lee is going over that she had been prioritizing over her own family and what really matters aka depicting the thesis thru the first and last images which is what great movies tend to do . if u even care