Karl Peter Röhl (1890-1975) [Germany] — ‘Untitled’, 1926. India ink and gouache on composition board (65 × 50 cm).

Product Placement

❣ Chile in a Photography ❣
we're not kids anymore.

Janaina Medeiros
Keni
AnasAbdin
d e v o n
will byers stan first human second
Alisa U Zemlji Chuda

shark vs the universe
art blog(derogatory)



JVL

titsay
wallacepolsom
styofa doing anything

Love Begins

seen from Italy
seen from Malaysia
seen from India

seen from Argentina
seen from United States

seen from Switzerland
seen from Canada

seen from South Korea

seen from Malaysia

seen from United States

seen from United States

seen from Ukraine

seen from United States
seen from United States
seen from United States

seen from Italy

seen from Sri Lanka
seen from United States
seen from Germany
seen from United States
@feywildbliss
Karl Peter Röhl (1890-1975) [Germany] — ‘Untitled’, 1926. India ink and gouache on composition board (65 × 50 cm).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“The Greek Garden” ギリシャ庭園 ≋ Peter Skov
My favorite thing in the world is when someone whoe spends 99% of the their time in some toxic radicalized internet bubble tries to insult you but they are incapable of speaking normally so they call you some hyper-specific term that literally nobody understands like "kill yourself you fucking nooploid"
And then you Google "nooploid" and turns out it means something like "a derogatory term for attractive people who have sex with attractive people, which is apparently bad somehow."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Please increase your contribution to The Sameer Project.
We are a donations based aid initiative for Gaza led by Palestinians,
Georg Wilson (British, 1998) - Strange Pastoral (2025)
Malcolm X and Ho Chi Minh - 1970s poster
"You put the government on the spot when you even mention Vietnam. They feel embarrassed — you notice that?… It's just a trap that they let themselves get into. … But they're trapped, they can't get out. You notice I said 'they.' They are trapped, They can't get out. If they pour more men in, they'll get deeper. If they pull the men out, it's a defeat. And they should have known that in the first place. France had about 200,000 Frenchmen over there, and the most highly mechanized modern army sitting on this earth. And those little rice farmers ate them up, and their tanks, and everything else. Yes, they did, and France was deeply entrenched, had been there a hundred or more years. Now, if she couldn't stay there and was entrenched, why, you are out of your mind if you think Sam can get in over there. But we're not supposed to say that. If we say that, we're anti-American, or we're seditious, or we're subversive…. They put Diem over there. Diem took all their money, all their war equipment and everything else, and got them trapped. Then they killed him. Yes, they killed him, murdered him in cold blood, him and his brother, Madame Nhu's husband, because they were embarrassed. They found out that they had made him strong and he was turning against them…. You know, when the puppet starts talking back to the puppeteer, the puppeteer is in bad shape….." — ― Malcolm X, 1965
“It is well known that the black race is the most oppressed and most exploited of the human family. It is well known that the spread of capitalism and the discovery of the New World had as an immediate result the rebirth of slavery which was, for centuries, a scourge for the Negroes and a bitter disgrace for mankind. What everyone does not perhaps know, is that after sixty-five years of so-called emancipation, American Negroes still endure atrocious moral and material sufferings, of which the most cruel and horrible is the custom of lynching.” ― Hồ Chí Minh
In the Silence of the Green Garden, 2024. Bat Ella. Acrylic, oil and pigments on canvas.
Black tea and a pink lady. 🫖 original painting available on my website.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
cow parsley season is a very pleasant time of year
Surrey, UK, May 2025
she can do wateva she wants 4eva. hashtag feminism.
some boredom-induced gen doodles :)
Political pet peeve but nothing being done is a "distraction" from anything else. Everything that the current administration is doing is an extension of American imperialism and conservative American values. Iran is not being bombed to "distract from the Epstein files", trans legislation is not being passed to "distract from Palestine", none of this is happening just to "distract" you. And dismissing certain issues as "distractions" is a horrific excuse of them.
It is, however, happening all at once to overwhelm you. And there is a HUGE difference.
nonsense words such as "blorbo" and "skibidi" are outliers and a minuscule minority and thus do not invalidate that statement
UPDATE: my white ass somehow forgot that skibidi toilet is quite literally scat, a musical practice born from jazz so, also AAVE

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
while the 15th of march is the haha funny caesar gets stabbed day it is also the day that iran, in 1951, under the direction of mohammah mosaddegh nationalised the iranian oil market. a move designed to deter foreign influence from continuing to pillage and abuse the iranian nation for its plentiful oil reserves.
in 1953 the american CIA and the british secret intelligence service in an effort to crush iran's control over their own oil market orchestrated a coup to install a western friendly leader in shah mohammad reza pahlavi who pivoted iran into a satellite state under the control of western oil markets and pushed the iranian people to the verge of economic collapse and the complete erosion of human rights under his regime.
I love Ruud Hoenkloewen. He's such a non character. He's honestly just a metaphor for institutional violence distilled into a person. The need for authority, for bloodshed. The absolute platonic ideal of an oppressor pared to the least complex it could be. Compressed into one angry, snarling, shaking life form. He is no more and no less. He exists only to impart upon the player how capital looks when it takes off its mask of humanity to kill.
I love characters like that. You'd think theyd be boring, one note and only there to move the plot along, but I think he was handled so well. He made an extremely strong impression on me the first time I saw him.
His design is extra effective because you've heard a lot about the Fairweather armor throughout the course of the game. Specifically the leg, gloves, and torso pieces. I don't know if this is true for all playthroughs, but at least in my run, I had never seen the helmet piece before the tribunal. It's a great moment to reveal it imo.
Regardless of whether Ruud was the first time you saw the helmet piece, his portrait immediately communicates to the player that this is an extremely dangerous and frightening individual. Along with the more abstract Disco Elysium art style, the helmet itself is utterly sinister looking. Combining a ww1 helmet and a gas mask-esque face piece. When Ruuds portrait first appeared on screen I seriously thought it was a skeleton I got scared.
Ultimately I just wish people acknowledged him (and the other assassins) more. They have a lot of bearing on the game's message but since people can't woobify them they kind of go untouched.