Big In Reporting Bots

Zips open.

Chipping nail polish cracks further with every slide of the zip. Zip up; zip down. Zip up; zip down.

The suitcase slams on the floorboards. A frustrated groan leaves the chipping nail polish.

‘’Yes. Yes, I understand that too, Mr. Harris.’’ Up and down and up and down again until it jams. The phone gives a groan under cheap nail polish and exhausted fingers. ‘’Pedro, come—hop on my suitcase.’’

The curly head of a child pops around a corner; small, for his age, smallest of his class, in every aspect. He holds a soft toy that’s half bunny half elephant and about 5% extinct species. He hops on the suitcase silently.

‘’No, obviously, I don’t expect you to hop on my suitcase, Mr. Harris.’’ The zipper draws back, jams again. ‘’Pedro? Remember the Chuck E. Cheese ball pit?’’

The child throws himself onto the suitcase. The zipper is still stuck.

‘’Yes, I know. But the lease said—just one really. Yes, the other intends to stay. I don’t know, a few months. Yes, just me. She’ll stay. Yes—yes! Perfect, thank you, so much!’’ The phone drops on a red faux suede beanbag. ‘’Kid, this isn’t working.’’

‘’It was zipping a bit funny when Aunty Anna tried it too.’’

‘’Anna was within a file-mile radius of my suitcase?’’

The half-elephant half-unicorn dips a head of a cotton into a nod. She pulls him up and throws the suitcase open.

‘’You have got to be kidding me!’’

A pink garment falls to the floor. Followed by a white veil and a cable knit stitch the colour of ebony. Footfalls draw closer with every piece she plucks from the intestines of the suitcase.

‘’Pizza’s ordered. What? You said healthy; veg—what the bloody hell are you doing?’’

‘’You tell me. What part of ‘going there for work’ do you not understand?’’

‘’I understood perfectly! Blimey, I even packed you nice professional clothes.’’

‘’Lingerie? That’s what you call professional?’’

‘’Pleasure and business. Precisely in that order,’’ a lacy thong drops, adding to the growing pile forming on the floor. The child has gone away, thankfully. ‘’What if you meet a hot and loaded British bugger? What then? You’ll be glad I packed the essentials, that’s what.’’

‘’It’s a job in a quiet countryside house; the closest village is eight miles. The only guy I’ll see is pushing ninety and I’ll spend my days wheeling him around—passionately.’’

‘’Just loaded then?’’

‘’Business. I’m going there for business. I’m not like you, Jo. Hell, how many did you—okay, who needs this many thongs?’’

‘’That one’s a stray, actually.’’

On cue, the top layer of the unholy pile shifts into a ginger Tabby cat.

‘’Tell me you did not keep that thing.’’ Johanna snags in a beanbag, hissing at the cat when it tries snuggling up against her leg. She plucks a magazine from the coffee table and starts thumbing through gibberish. She isn’t really paying attention to the words; she isn’t paying attention to anything.

‘’I let you keep the kid!’’ The woman fires back, sitting on her haunches.

‘’Kids aren’t strays, love. Besides, this one’s just using ya for food and free snuggles, hope you know that.’’

‘’Since you’re missing the point, I’ll just cut to the chase—where did you find a whole kid? Where are his parents?’’

Johanna spares her a coy look over the magazine. ‘’Don’t you mean when are his parents?’’

‘’No, I really just mean where are his parents, the people who are supposed to care for him and report him missing should you decide to keep him any longer than you already have.’’

Johanna opens her mouth, tongue fit with a quick retort, but a zipper zips shut and a bell tolls; and life goes on. Without her. Always without her. She ought to move on too.

A sharp snap! rescues her from grim thoughts. A luggage handle is drawn and a decision is made.

‘’Looks like I’m all set. Walk me to the door?’’

‘’Promise to visit for Bommy Night?’’

‘’Sure. Why not Christmas or Easter or any other normal holidays?’’

‘’I want you on Bommy Night.’’

A suitcase is wheeled over the threshold of a small London flat. A dream leaves through the door.

‘’Hun, it happened four hundred years ago, think you can let it go, eventually?’’

‘’Bommy Night?’’

‘’Bommy Night.’’ She sighs. ‘’And do clean up while I’m gone. This place is a mess.’’

A door shuts behind an idyllic picture, a semblance of normalcy, a modicum of love.

In all her lives, Johanna Constantine has never particularly enjoyed loneliness. But loneliness far outweighs death, grief, sorrow, work. So she lets it go. She lets love overflow. She lets her only friend forge her own path through the world. A world cleansed of any demons, ghouls or whatnots that come bump into the night.

Still, she hangs onto the knob. Still, she pauses before the door. Still, she glances at the quiet flat.

A piece of paper and a mess of clothes strewn about a dust-covered couch.

All that’s left of her.

There’s a child in there somewhere, but she doesn’t bother finding him. She knows it won’t last. She knows nothing ever lasts.

An orange cat pushes its head against her calf, purring lightly through her bones.

She might take that gig at Saint-Anne’s. She might blow up the Houses of Parliament. She might phone Rachel.

Endless possibilities.

⌛︎ ⌛︎ ⌛︎

GaiaPrime-57, Edge of the Worlds, Mytikas Peak, Two Millennia Before the End,

He isn’t sure she is breathing.

Granted, his kind do not need to breathe, but nearly all living things do.

In the beginning, breathing was surviving.

Breathing was new, invented by some higher power, meant to be the latest trend in a series of many; holy gifts bestowed upon humanity before it even became humanity.

But in humanity breathing has found meaning.

One’s breathing tells a tale of life—of life and of love and of sorrow and of pain.

In times forgotten but not forgiven, he’d relish in the steady breath of sleepers.

He’d watch the ephemeral rise and fall of a passing chest with great fascination, overcome with a strange mixture of relief and indifference when the fleeting moment inevitably ended.

He’d listen to the soft thrumming of a laboured breath fanning across his own lips, bodies tangled, hearts mingled, minds miles apart. He’d pour his heart into everything that he was and everything that he wanted and he’d breathe them all into his arms… and they would always end up drowning. He’d choke the breath right out of them.

His sorrow was great; but his love was suffocating.

To add insult to injury, evolution has made breathing mandatory; essential.

But she has defied every rule, every law, every principle and sacred promise from day one.

So he is almost certain she is not breathing at all.

And he needs her to breathe.

He isn’t sure why—perhaps because she’s got a kind smile and she’s happy and she’s wounded and she’s saved his life.

A debt he can never repay, to his dismay.

He cannot stand between a flying sword and her lovely face. He cannot mend her wounds with a flick of his wrist. He cannot call out her name so sweetly and stir something buried within the depths of a blazing nova.

But he can save her life.

The hopeful thought digs, and soft golden grains of sand guide him to Chiron’s bedchambers.

He finds the Centaur reading. He calls to him, nearly falls to his knees.

Morpheus, Dream of the Endless, Oneiros, the Shaper of Form and everything he has ever been and ever will be—is utterly devastated.

Strangely enough, nothing gives the King away.

Nothing on the hard face, the wild hair nor deep eyes, nothing in the dark billowing robes and the shining ruby; it’s a feeling in the air, a rapture through time itself that tells Chiron something dreadful has happened.

That, and the dying girl in his arms.

For his usual aloofness, Oneiros proves to be very cooperative.

He lowers her to the cushioned table, per Chiron’s orders and stands aside to let him work.

He watches, powerless, as the doctor tears through fabric and blood-marred skin and frowns.

‘’What is it?’’ His voice is cutting, demanding, that of a sovereign hanging onto his crown with one hand. In the other, lie his wants and desires. Duty warring against something barely blossoming. Something deadly. Something very nearly dead.

‘’The stitches hold still.’’

‘’Is that not a good thing?’’

‘‘Terrible. Very terrible, Milord.’’

Gilded scissors cut deeper, digging into raw flesh and crusted meat alike, dragging unintelligible pained murmurs from the victim’s throat.

‘’She’s coming to, my lord.’’

‘’Not quite. Faster.’’

Scissors chop away, blood bursts everywhere, screams rip free, golden liquid bearing the smell of spoilt milk leaks through veins.

‘’By Zeus—’’ The Centaur curses; the Dream Lord hears it—neither moves an inch.

‘’What is that?’’ Oneiros rasps, anger lacing his even tone as he stares deeper into the leaking wound.

‘’Adiona—‘’ Chiron stammers, wide eyes burning a hole into a gaping canyon. ‘’Go, find Adiona, and any servants and willing gods.’’

Oneiros does not move. His star-filled gaze has darkened; the stars are slowly dying as they gawk at the trickling drops of blood and the large puddle of liquid gold pouring from the wound.

‘’Oneiros, go!’’ Chiron calls to him, they share a glance over the woman and then his eyes sweep over her fevered form again. A pale hand he hadn’t noticed falls from a limp grasp. He is gone in a swirl of sand.

What happens in the split second of his absence is a secret kept between the doctor and the universe.

But for clarity’s sake, the scene is as follows; this tale is not for the faint of heart.

Blood pours.

As a doctor, surgeon, centaur, son of a ruthless beast, he has seen blood. Some might say he is used to the sight of it. Blood and pus and bodily fluids, all fascinating in their diversity. After its inevitable loss, the human body can produce nearly one liter per day. That's two gallons full of pungent blood. He fears she might fill up five pitchers of wine with her blood alone.

But the blood doesn't bother him. It is terrifying.

Blood pours, pours.

Vicious droplets gushing from a gaping wound—a Sunday to him.

He'd operated during the Dhorian Invasion and all that followed humanity's first brush with extraterrestrial forces. He'd served as a soldier for a time, a nurse, a brother, a friend, a gravestone. He thought he'd seen all the world had to give and take.

He hadn't.

He probably still hasn't.

Blood pours pours pours.

Red splotches dot his skin—her skin, the difference is hard to tell anymore.

He reacts mechanically, his body switching to auto-pilot. His arm lifts, a hand reaches and nibble fingers dig through shining flesh and golden remnants of bone. He knows what this is, this gilded ambrosia spreading through her veins. He knows what it is and he knows what it does, so he carries on, hands digging through her entrails as her screams overpower the wet squelching of his crass ministrations.

He digs and he digs until the voice that comes from her throat is nothing but a distant echo carried by a Roman breeze, a flutter of a butterfly's wings.

By the time the doors to his antechamber burst open, he's elbow deep into the angry flesh of her.

A flurry of gods and goddesses and servants stand arrayed about him, gawking eyes narrowing at the sight of the carnage.

''Chiron,'' a voice calls to him, and then two, and then three and a thousand and one. They pierce through the silent spell in the room and noise comes back to him at once, a moist, most disturbing noise.

He carries on; acutely aware that somewhere along his ministrations, she had stopped screaming.

''Chiron, there's too much blood.''

''Is this all from the... inside?''

‘’I could not find Adiona.’’

‘’No matter. Hold her hand.’’

Wordlessly, he gives commands. A world of gods and servants obey, gathering tools and knowledge, changing bandages and spoiling cloth after cloth with dried pungent blood. It just never stops, the flow keeps pouring, rushing over all of Mount Olympus. The rivers of blood spread like gossip on Haloa, splitting into narrow paths, designing warped veins on the pristine floors. The irony.

The servants still the traveller. It is useless. The violent writhing has subsided, only slight tremors remain, faint whimpers and an assembly of gods.

Hephaestus beats her chest repeatedly with brawny arms.

A Cherub's small rounded fingers are pressed against her pulse. With every passing second, they press harder still.

Calliope, ninth daughter of the Hecatae, is sponging up blood and gilded pus from a corpse.

A painting that will never make it to a museum.

Oneiros knows she is no longer breathing. Her hand lays slack in his palm.

Chiron perseveres. Delicate fingers pry him off the body carefully.

The stranger-traveller-lover-of-dreams is... dead?

''It's alright, Chiron. You did your best.''

''You were very admirable. As was she; she shall be remembered as such.''

''Really nothing you could do.''

''Try again.''

A death knell drops. A pipe organ is playing somewhere deep within the bowels of the palace. The eerie melody cannot reach them. Nothing can save for sorrow and grief and the Dreamlord's quiet anger.

''My Lord?''

''Try. Again.''

Chiron holds his haunted gaze. The ninth daughter of the Hecatae raises a graceful hand to the side of his face. ''Oneiros—''

''Save her.'' he repeats, rasping voice never changing in tone. ''You owe her that much.''

''Do I?'' The doctor's eyes sweep over her form again. Just a moment ago she'd been laughing, mocking his customs and reminiscing gibberish. Just a moment ago, she'd been carried in by the prince of stories for whom she obviously harbored a strong inclination. ''Do you?''

Just a moment ago, she'd been more than a cold lump of meat on a decorative table.

''I know when to admit defeat, Dreamlord. Please, forgive me.''

''No.''

''Oneiros, he did all he could.''

Cold, starless eyes barely brush against some ninth daughter. Under his stare, she feels smaller than a grain of sand.

''No,'' Chiron says before the Dream Lord can retort. ''No, I did not.''

''Chiron—‘’

His shoulders deflate, turning away from Calliope's comforting touch. ''She came to see me this morning. After the feast.''

''Well, what did she want?'' a rough, gravelly voice asks. The Cherub hops on a corner of the table, bare legs brushing over the tip of her dead sandaled feet. She is a corpse now, everything about her is dead, expect, perhaps, her heart. It shall live endlessly.

''She asked me to check the wound. I had to remove the bandage and cut her up, I'm afraid.''

The temperature drops, the air turns crisp, burning the doctor's lungs when he draws a deep breath and looks into Morpheus' eyes.

''Tell me, is this your doing?''

''I wish,'' he surrenders, summoning all the strength left in him. His hands are covered in blood, his arms reek of death and his scalp is as damp as that of the victim. The blood has gilded vein-like streaks stretching across his arms. ''This—this is something else. Something impossible.''

He orders the blood-covered servants to leave. As they fill out wordlessly, he watches, scrutinizing them one by one. The doors close on blood and fabric and a forbidden glance.

To the remaining world, he whispers one word.

''Δηλητήριο.''

''Poison?'' Calliope echoes, frowning. ''It cannot be. Zeus had all the hemlock shrubs removed after the Phaedra incident.''

''Only this isn't hemlock, Calliope. This is something else. Something new.''

''Could it be lethal to us?''

''Of course not, dimwit! Why would you even think that?''

''Look what it's done to her, Anteros! A powerful beauty, was she? I mean no disrespect my lord.''

Hephaestus considers himself a man of bravery and honor.

He isn't anywhere near as obnoxious as Plutus, or inconsiderate as Aergia, and twice the man Anteros pretends to be. But he must admit that the tendrils of pure darkness sprouting from the Master of Dreams’ shadow make him a tee tiny bit frightened.

They expand, licking across the polished floors, continuing their creeping journey toward the foot of the table, snuffing out all light and life from the closest particles of this plane. The shadows grow, shape, de-shape and reshape in a senseless and endless twirl.

Calliope has always been braver than him.

She turns and in one graceful twirl places herself between the tendrils of darkness and her half-brother. Between the god and the Endless. She stares him down. He stares right back.

The tendrils tremble around the edges.

Chiron pinches the bridge of his nose wearily. A cherub sucks a thumb into his mouth, watching the game with bright amused eyes.

A shadow stills, the air turns sour.

A gasp is breathed, a heart is released.

A stranger-traveller springs from a table, cheered on by a collective shriek. A toddler tumbles from her table. A palm is pressed to her cheek, lovely brown eyes coming into view. Shadows retreat into the darkest parts of an ancient soul.

She breathes. She lives. She cries.

''Please, please, don't send me off on a burning boat.''

-

A/N: yes I am alive, no, I’m not sorry (a tiny bit still).

Also… finally introducing the premise, how do we feel about that ;)