farhanajaafar

EXPOSÉ, 2012

Sneak peek to my current fascination for glitch interfaces on Apple Operating system. Work-in-progress, yet. 

Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

 Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

Video No.3: Do Singaporeans Appreciate Design?  Social evolution refers to the shifting perceptions and behaviours within culture and society. This change is driven mainly by the economy and technology. The effects of social evolution in the 21st century are apparent through the design application of our everyday goods. The dependence on visual aesthetic is inevitable and necessary for products being produced in the market today. With the advancement of technology and a fast-p aced lifestyle, products are shaped to influence and mimic the general consumer’s needs, especially in terms of convenience and cost-effectiveness of material expenses for production. These factors encourage an increase in consumerism, which inadvertently would result in more trash. Does this increase in consumption reflect a better design appreciation and understanding of the product being consumed? This social experiment aims to examine and reflect the degrees and limits of design appreciation in the disposed everyday goods that Singaporeans consume.

A Font, Typographic Project Book

Top-5 Fall Trend Spotted on Snapette Blog

Publication

Their practices will be presented in the exhibition, particularly on how they look at history to deal with present conditions generates places - be it post-apocalyptic multi-narratives, homes-under-construction, operatic vocabularies, architectonic gestures or the (geographic) filters of appropriation. These territories are forms of the artists’ own brand of archiving a postcolonial imagination. 

An experimental/observational/installation study on visual branding of everyday

While transiting, we are just like cloud, fragile and unowned.  

In conjunction with the 4th edition, the issue is named 4(for) The Sick. The Sick explores on the notion and multiple facets of fetishes, of how one defines it within self and by surrounding society.